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21 January 1983 (USA) more
A Love Caught In The Fire Of Revolution more
A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer. full summary | full synopsis
Won Oscar. Another 7 wins & 15 nominations more
Gender-bending actors: Who makes the cut?
(From EW.com - PopWatch. 2 September 2009, 3:00 AM, PDT)
10 Most Unforgettable Peter Weir Movies
(From The Movie Fanatic. 26 August 2009, 7:55 AM, PDT)
Politics, Mysticism and Romance more (62 total)
| Mel Gibson | ... | Guy Hamilton | |
| Sigourney Weaver | ... | Jill Bryant | |
| Linda Hunt | ... | Billy Kwan | |
| Michael Murphy | ... | Pete Curtis | |
| Bill Kerr | ... | Colonel Henderson | |
| Noel Ferrier | ... | Wally O'Sullivan | |
| Bembol Roco | ... | Kumar | |
| Paul Sonkkila | ... | Kevin Condon | |
| Ali Nur | ... | Ali | |
| Dominador Robridillo | ... | Betjak Man | |
| Joel Agona | ... | Palace Guard | |
| Mike Emperio | ... | Sukarno | |
| Bernardo Nacilla | ... | Dwarf | |
| Domingo Landicho | ... | Hortono | |
| Hermino De Guzman | ... | Immigration Officer | |
| Coco Marantha | ... | Pool Waiter | |
| Kuh Ledesma | ... | Tiger Lily | |
| Norma Uatuhan | ... | Ibu | |
| Lito Tolentino | ... | Udin | |
| Cecily Polson | ... | Moira | |
| David Oyang | ... | Hadji | |
| Mark Egerton | ... | Embassy Aide | |
| Joonee Gamboa | ... | Naval Officer | |
| Pudji Waseso | ... | Officer in Cafe | |
| Joel Lamangan | ... | Security Man No. 1 | |
| Mario Layco | ... | Security Man No. 2 | |
| Jabo Djohansjan | ... | Doctor | |
| Agoes Widjaya Soedjarwo | ... | Roadblock Soldier (as Agus Widjaja) | |
| Chris Quivak | ... | Airport Official |
Directed by | |||
| Peter Weir | |||
Writing credits(in alphabetical order) | ||
| C.J. Koch | novel | |
| C.J. Koch | screenplay | |
| Peter Weir | writer | |
| David Williamson | written by | |
Produced by | |||
| Jim McElroy | .... | producer (as James McElroy) | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Russell Boyd | (director of photography) | ||
Film Editing by | |||
| William M. Anderson | (as William Anderson) | ||
Art Direction by | |||
| Herbert Pinter | |||
Costume Design by | |||
| Terry Ryan | |||
Makeup Department | |||
| Judy Lovell | .... | makeup artist: Australia | |
| Judy Lovell | .... | special effects makeup artist: Australia | |
| Bob McCarron | .... | special effects makeup artist: Australia | |
| Cheryl Williams | .... | hair stylist: Australia | |
Sound Department | |||
| Peter Fenton | .... | dialogue mixer: Australia | |
| Phil Heywood | .... | sound effects mixer: Australia | |
| Louise Innes | .... | assistant sound editor: Australia | |
| Robin Judge | .... | assistant sound editor: Australia | |
| Spencer Lee | .... | sound engineer: Australia | |
| Ron Purvis | .... | recording supervisor: Australia | |
| Andrew Steuart | .... | sound editor: Australia | |
| Mark J. Wasiutak | .... | boom operator: Australia (as Mark Wasiutak) | |
| Gary Wilkins | .... | sound recordist: Australia | |
Special Effects by | |||
| Danny Dominguez | .... | special effects: Philippines | |
Stunts | |||
| Peter West | .... | stunt driver | |
Camera and Electrical Department | |||
| Brian Bansgrove | .... | gaffer: Australia | |
| Nixon Binney | .... | camera operator: Australia | |
| Ray Brown | .... | key grip: Australia | |
| Colin Chase | .... | electrician: Australia | |
| Geordie Dryden | .... | assistant grip: Australia | |
| Paul Gantner | .... | best boy: Australia | |
| Stuart Green | .... | assistant grip: Australia | |
| Peter Menzies Jr. | .... | focus puller: Australia | |
| Paul Moyes | .... | electrician: Australia | |
| John Seale | .... | photographer: second unit | |
| Jim Townley | .... | still photographer: Australia | |
| Geoffrey Wharton | .... | clapper loader: Australia (as Geoff Wharton) | |
Casting Department | |||
| Alison Barrett | .... | casting: Australia | |
| Jo Hardie | .... | extras casting: Australia | |
| Precy Iniego | .... | casting: Philippines | |
| Penseroso Libre | .... | casting: Philippines | |
| Susan Parker | .... | extras casting: Australia (as Sue Parker) | |
| Monica Swann | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Ramon Alonzo | .... | wardrobe: Philippines | |
| Jenni Bolton | .... | wardrobe mistress: Australia | |
| Vicente Cabrera | .... | wardrobe: Philippines (as Vic Cabrera) | |
| Phil Eagles | .... | stand-by wardrobe: Australia | |
| Gina Garcia | .... | wardrobe: Philippines | |
| Anthony Jones | .... | costume supervisor: Australia | |
| Roger Monk | .... | stand-by wardrobe: Australia | |
Editorial Department | |||
| Margaret Cardin | .... | negative matcher: Australia (as Maggie Cardin) | |
| Jeanine Chiavlo | .... | associate editor: Australia (as Jeanine Chialvo) | |
| Peter Erskine | .... | assistant editor: Australia | |
| Karen Foster | .... | assistant editor: Australia | |
| Toto Natividad | .... | assistant editor: Philippines (as Federico Natividad) | |
| Lee Smith | .... | associate editor: Australia | |
Music Department | |||
| Gethin Creagh | .... | music mixer: Australia | |
| Sven Libaek | .... | music coordinator: Australia | |
Transportation Department | |||
| Pablo Mercado Sr. | .... | transportation manager: Philippines | |
Thanks | |||
| Richard Woolcott | .... | acknowledgment | |
115 min
English | Tagalog | Filipino | Indonesian
Color (Metrocolor)
2.35 : 1 more
Argentina:Atp | Iceland:16 | South Korea:12 | Australia:M | Finland:K-16 | Singapore:PG | Sweden:15 | UK:PG | USA:PG | West Germany:16
Artransa Park Film Studios, Mobbs Lane, Epping, Sydney, New South Wales, Australia more
Much of the non-English dialogue in the film is in Filipino, not Javanese. For example, when Billy visits the home of a dead child in a slum area, the prayer spoken by the old man is in fact "Our Father" in Tagalog. more
Crew or equipment visible: When Guy drops Jill at the British Embassy, a member of the crew is reflected in the car window. more
Billy Kwan: Starvation is a great aphrodisiac. more
Referenced in Between Two Worlds: The Making of 'Witness' (2005) (V) more
White Cliffs of Dover more
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In "The Year of Living Dangerously" director Peter Weir attempts much and accomplishes most of his goals. It's a socio-political essay on the dangers of Western meddling in Third World countries. It's a fascinating view into the challenges of journalism in a volatile foreign country. It's a steamy romance involving two beautiful, intelligent characters. It's a distinctly Far Eastern morality play that seems to delight in yin/yang paradoxes. Plus it's one of the best films at evoking the mood, texture, and sensuality of life in Southeast Asia. Don't be too harsh on Weir for the lapses in historic accuracy and plotting, because it's a complicated, busy landscape he is painting here. The best things about the film are:
-Linda Hunt's amazing performance. Unlike other gender-bending performances (Julie Andrews in "Victor/Victoria", Dustin Hoffman in "Tootsie") you never once give any thought to the fact that this is a woman playing a man. It's a seamless transition and a performance of immense heart and honesty. The image of a distraught Billy pounding at his typewriter, pleading "What then must we do?" while an aria swells around him and the eyes of Jakarta's poor stare at him from his own photographs, is an incredibly moving scene.
-The atmosphere created by the combination of Russell Boyd's cinematography and Maurice Jarre's score. Take a look at the scene with Weaver walking through the streets of Jakarta in a tropical downpour. The effect is breathtaking.
-The chemistry between Gibson and Weaver. You can feel the heat between them. Unlike other posters here, I believe their romance is one of the film's strong points.
I agree that the ending is a bit of a letdown, but it doesn't diminish Weir's accomplishments. "The Year of Living Dangerously" is a startling unique film, and certainly one his best.