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Lawrence Lasker (written by) &
Walter F. Parkes (written by)
(more)
3 June 1983 (USA) more
The only winning move is not to play. more
A young man finds a back door into a military central computer in which reality is confused with game-playing, possibly starting World War III. full summary | full synopsis
Nominated for 3 Oscars. Another 3 wins & 11 nominations more
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An Old Favorite For Many more (121 total)
Directed by | |||
| John Badham | |||
Writing credits | ||
| Lawrence Lasker | (written by) & | |
| Walter F. Parkes | (written by) | |
| Walon Green | uncredited | |
Produced by | |||
| Leonard Goldberg | .... | executive producer | |
| Richard Hashimoto | .... | associate producer | |
| Harold Schneider | .... | producer | |
| Bruce McNall | .... | producer (uncredited) | |
Original Music by | |||
| Arthur B. Rubinstein | |||
Cinematography by | |||
| William A. Fraker | (director of photography) | ||
Film Editing by | |||
| Tom Rolf | |||
Casting by | |||
| Wallis Nicita | |||
Production Design by | |||
| Angelo P. Graham | |||
Art Direction by | |||
| James J. Murakami | |||
Set Decoration by | |||
| Jerry Wunderlich | |||
Costume Design by | |||
| Barry Francis Delaney | (costumes: men) (as Barry F. Delaney) | ||
Makeup Department | |||
| Michael Germain | .... | makeup artist (as Perry Michael Germain) | |
| Lynda Gurasich | .... | hair stylist | |
| Brenda Todd | .... | makeup artist | |
Production Management | |||
| Richard Hashimoto | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director | |
| Robert J. Doherty | .... | second assistant director | |
Art Department | |||
| Gregg H. Bilson | .... | property master | |
| Robert Scaife | .... | construction coordinator | |
| John M. Schenk | .... | assistant property master | |
| Kevin Shanks | .... | tile/floor covering (uncredited) | |
| Daniel Turk | .... | carpenter (uncredited) | |
Sound Department | |||
| Milton C. Burrow | .... | supervising sound effects editor | |
| Willie D. Burton | .... | sound mixer | |
| Carlos Delarios | .... | sound re-recording mixer | |
| Michael J. Kohut | .... | sound re-recording mixer | |
| William L. Manger | .... | supervising sound effects editor | |
| Aaron Rochin | .... | sound re-recording mixer | |
| Craig Harris | .... | voice processing (uncredited) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Mick Baran | .... | special electronic effects crew | |
| Bill Cobb | .... | special electronic effects crew | |
| Robert Cole | .... | special electronic effects foreman | |
| Joe Digaetano | .... | special effects | |
| Richard Hoffenberg | .... | special electronic effects crew | |
| Bruce Knechtges | .... | special electronic effects crew | |
| Robin Dean Leyden | .... | special electronic effects crew | |
| Robin Reilly | .... | special electronic effects crew | |
| Mark Stivers | .... | special electronic effects crew | |
| Robert Wilcox | .... | special electronic effects crew (as Robert G. Wilcox Jr.) | |
| David Domeyer | .... | special effects (uncredited) | |
| R.J. Hohman | .... | special effects wireman (uncredited) | |
Visual Effects by | |||
| Colin Cantwell | .... | computer graphics design consultant | |
| Jack Cooperman | .... | miniature photography | |
| Marcia Dripchak | .... | computer graphics unit | |
| Michael L. Fink | .... | visual effects supervisor | |
| Linda Fleisher | .... | visual effects consultant | |
| Steve Grumette | .... | computer video consultant | |
| Don Hansard | .... | process coordinator | |
| David R. Hardberger | .... | computer graphics unit (as David Hardberger) | |
| Judith Herman | .... | computer graphics unit | |
| Geoffrey Kirkland | .... | visual consultant | |
| Sylvia Lovegren | .... | computer graphics unit | |
| Jonathan Seay | .... | computer graphics unit | |
| Wayne Baker | .... | assistant camera: miniature unit (uncredited) | |
Stunts | |||
| Tom Elliott | .... | stunt double: Matthew Broderick | |
| Marguerite Happy | .... | stunts | |
| Al Jones | .... | stunts | |
| Michael Adams | .... | stunt coordinator (uncredited) | |
| Rick Avery | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Dave Anderberg | .... | grip | |
| Gerald H. Boatright | .... | assistant chief lighting technician | |
| David E. Diano | .... | assistant camera | |
| Gary R. Dodd | .... | key grip (as Gary Dodd) | |
| To Lee | .... | camera assistant trainee | |
| Ralph Nelson | .... | still photographer (as Ralph Nelson Jr.) | |
| Doug Pentek | .... | chief lighting technician | |
| Richard Turner | .... | assistant camera | |
| Richard Walden | .... | additional camera operator | |
| Steve Yaconelli | .... | camera operator | |
Casting Department | |||
| Pat Orseth | .... | location casting: Seattle | |
Costume and Wardrobe Department | |||
| Linda Matthews | .... | costumer: women | |
| Ray Summers | .... | wardrobe supervisor | |
Editorial Department | |||
| Ray Martin | .... | color timer | |
| Liza Randol | .... | assistant film editor | |
| Michael Ripps | .... | associate film editor | |
Music Department | |||
| Mark Hoder | .... | orchestrator | |
| Joe Tuley | .... | music editor | |
| Anthony Marinelli | .... | musician: synthesizer (uncredited) | |
| Anthony Marinelli | .... | song producer (uncredited) | |
Transportation Department | |||
| Randy Musselman | .... | driver captain | |
Other crew | |||
| Joy Anzarouth | .... | production coordinator | |
| Robert C. Decker | .... | location manager (as Robert Decker) | |
| Robert Eggenweiler | .... | location manager | |
| Lyla Foggia | .... | unit publicist | |
| John Garber | .... | dialogue coach | |
| Dana Satler Hankins | .... | assistant: Mr. Badham (as Dana Satler) | |
| Richard Keefe | .... | process librarian | |
| Harold Michelson | .... | continuity consultant | |
| H. Bud Otto | .... | script supervisor | |
| Derry J. Pearce | .... | production auditor | |
| Bill Watson | .... | pterosaur consultant | |
| Duncan Wilmore | .... | technical advisor | |
| Mike Berro | .... | computer programmer (uncredited) | |
| Lynn Hendee | .... | production executive (uncredited) | |
| Kevin King | .... | payroll accountant (uncredited) | |
| Anthony Marinelli | .... | synthesizer programmer (uncredited) | |
| Lynn Dee Schwarz | .... | location scout (uncredited) | |
War Games (USA) (alternative spelling)
more
114 min
Color (Metrocolor)
1.85 : 1 more
70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)
Canada:PG (Ontario) | Iceland:L | South Korea:All | New Zealand:PG | Australia:PG | Finland:K-12 | France:U | Norway:12 (1984) | Sweden:11 | UK:PG | USA:PG | West Germany:12 | Singapore:PG
7-Eleven Convenience Store - 41440 Big Bear Boulevard, Big Bear Lake, Big Bear Valley, San Bernardino National Forest, California, USA more
When David comes home the day after the NORAD computer break-in, the newscaster on the television is talking about a prophylactic recycling center. more
Factual errors: While WOPR is running through its nuclear war strategies at the end of the movie, two of the strategies it displays on screen are misspelled: "Angentina Escalation" and "Palistinian Local." more
David Lightman:
[typing] What is the primary goal?
Joshua:
You should know, Professor. You programmed me.
David Lightman:
Oh, come on.
David Lightman:
[typing] What is the primary goal?
Joshua:
To win the game.
more
Referenced in Command & Conquer: Red Alert 2 (2001) (VG) more
Video Fever more
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This was an old favorite for many younger baby-boomers, who were teenagers and in their twenties at the dawn of the personal computer age.
This one was a bit more than amusing, though. It opened many eyes to both the potential and the dangers we faced while coming into the computer age. The government had these marvelous machines and the internet by which they communicated for decades before the public was given access from these ancient Commodore 64's, Amigas, and Atari home computers via phone line, back in the late 1970's.
While this work is entertaining, it also bears a valid warning, even today.
Broderick and Ally Sheedy both were 21, playing 17 year olds, competently.
It rates a 7.6/10 from...
the Fiend :.