WarGames (1983)

Director:

John Badham

Writers:

Lawrence Lasker (written by) &
Walter F. Parkes (written by)
(more)

Release Date:

3 June 1983 (USA)

Genre:

Drama | Thriller

Tagline:

The only winning move is not to play.

Plot:

A young man finds a back door into a military central computer in which reality is confused with game-playing, possibly starting World War III.

Plot Keywords:

Computer | Military | Backdoor | Teen | Seattle Washington

Awards:

Nominated for 3 Oscars. Another 3 wins & 11 nominations

Cast

Matthew Broderick	...	David
Dabney Coleman	...	McKittrick
John Wood	...	Falken
Ally Sheedy	...	Jennifer
Barry Corbin	...	General Beringer
Juanin Clay	...	Pat Healy
Kent Williams	...	Cabot
Dennis Lipscomb	...	Watson
Joe Dorsey	...	Conley
Irving Metzman	...	Richter
Michael Ensign	...	Beringer's Aide
William Bogert	...	Mr. Lightman
Susan Davis	...	Mrs. Lightman
James Tolkan	...	Nigan
David Clover	...	Stockman
Drew Snyder	...	Ayers
John Garber	...	Corporal in the Infirmary
Duncan Wilmore	...	Major Lem
Billy Ray Sharkey	...	Radar Analyst
John Spencer	...	Jerry
Michael Madsen	...	Steve
Erik Stern	...	Commander
Gary Bisig	...	Deputy
Gary Sexton	...	Technician
Jason Bernard	...	Captain Knewt
Frankie Hill	...	Airman Fields
Jesse D. Goins	...	Sergeant (as Jesse Goins)
Alan Blumenfeld	...	Mr. Liggett
Len Lawson	...	Boys Vice Principal
Maury Chaykin	...	Jim Sting
Eddie Deezen	...	Malvin
Stephen Lee	...	Sgt. Schneider
Lucinda Crosby	...	Nurse in Infirmary
Stack Pierce	...	Airman
Art LaFleur	...	Guard
Brad David	...	Flight Pilot Leader (as Brad David Berwick)
Martha Shaw	...	Vice Principal's Secretary
Howie Allen	...	Boy in Arcade
Michael Adams	...	Travis
James Ackerman	...	Joshua
Jim Harriott	...	Newscaster
Tom Lawrence	...	Sgt. Sims
Frances E. Nealy	...	Visitor (as Frances Nealy)
Charles Akins	...	Major Ford
Glenn Standifer	...	Major Wenstin
Edward Jahnke	...	NORAD Officer
Paul V. Picerni Jr.	...	Technician

Directed by
John Badham

Writing credits
Lawrence Lasker		(written by) &
Walter F. Parkes		(written by)
Walon Green		uncredited

Produced by
Leonard Goldberg	....	executive producer
Richard Hashimoto	....	associate producer
Harold Schneider	....	producer
Bruce McNall	....	producer (uncredited)

Original Music by
Arthur B. Rubinstein

Cinematography by
William A. Fraker		(director of photography)

Film Editing by
Tom Rolf

Casting by
Wallis Nicita

Production Design by
Angelo P. Graham

Art Direction by
James J. Murakami

Set Decoration by
Jerry Wunderlich

Costume Design by
Barry Francis Delaney		(costumes: men) (as Barry F. Delaney)

Makeup Department
Michael Germain	....	makeup artist (as Perry Michael Germain)
Lynda Gurasich	....	hair stylist
Brenda Todd	....	makeup artist

Production Management
Richard Hashimoto	....	unit production manager

Second Unit Director or Assistant Director
Newt Arnold	....	first assistant director
Robert J. Doherty	....	second assistant director

Art Department
Gregg H. Bilson	....	property master
Robert Scaife	....	construction coordinator
John M. Schenk	....	assistant property master
Kevin Shanks	....	tile/floor covering (uncredited)
Daniel Turk	....	carpenter (uncredited)

Sound Department
Milton C. Burrow	....	supervising sound effects editor
Willie D. Burton	....	sound mixer
Carlos Delarios	....	sound re-recording mixer
Michael J. Kohut	....	sound re-recording mixer
William L. Manger	....	supervising sound effects editor
Aaron Rochin	....	sound re-recording mixer
Craig Harris	....	voice processing (uncredited)
Philip Rogers	....	sound recordist (uncredited)

Special Effects by
Mick Baran	....	special electronic effects crew
Bill Cobb	....	special electronic effects crew
Robert Cole	....	special electronic effects foreman
Joe Digaetano	....	special effects
Richard Hoffenberg	....	special electronic effects crew
Bruce Knechtges	....	special electronic effects crew
Robin Dean Leyden	....	special electronic effects crew
Robin Reilly	....	special electronic effects crew
Mark Stivers	....	special electronic effects crew
Robert Wilcox	....	special electronic effects crew (as Robert G. Wilcox Jr.)
David Domeyer	....	special effects (uncredited)
R.J. Hohman	....	special effects wireman (uncredited)

Visual Effects by
Colin Cantwell	....	computer graphics design consultant
Jack Cooperman	....	miniature photography
Marcia Dripchak	....	computer graphics unit
Michael L. Fink	....	visual effects supervisor
Linda Fleisher	....	visual effects consultant
Steve Grumette	....	computer video consultant
Don Hansard	....	process coordinator
David R. Hardberger	....	computer graphics unit (as David Hardberger)
Judith Herman	....	computer graphics unit
Geoffrey Kirkland	....	visual consultant
Sylvia Lovegren	....	computer graphics unit
Jonathan Seay	....	computer graphics unit
Wayne Baker	....	assistant camera: miniature unit (uncredited)

Stunts
Tom Elliott	....	stunt double: Matthew Broderick
Marguerite Happy	....	stunts
Al Jones	....	stunts
Michael Adams	....	stunt coordinator (uncredited)
Rick Avery	....	stunts (uncredited)

Camera and Electrical Department
Dave Anderberg	....	grip
Gerald H. Boatright	....	assistant chief lighting technician
David E. Diano	....	assistant camera
Gary R. Dodd	....	key grip (as Gary Dodd)
To Lee	....	camera assistant trainee
Ralph Nelson	....	still photographer (as Ralph Nelson Jr.)
Doug Pentek	....	chief lighting technician
Richard Turner	....	assistant camera
Richard Walden	....	additional camera operator
Steve Yaconelli	....	camera operator

Casting Department
Pat Orseth	....	location casting: Seattle

Costume and Wardrobe Department
Linda Matthews	....	costumer: women
Ray Summers	....	wardrobe supervisor

Editorial Department
Ray Martin	....	color timer
Liza Randol	....	assistant film editor
Michael Ripps	....	associate film editor

Music Department
Mark Hoder	....	orchestrator
Joe Tuley	....	music editor
Anthony Marinelli	....	musician: synthesizer (uncredited)
Anthony Marinelli	....	song producer (uncredited)

Transportation Department
Randy Musselman	....	driver captain

Other crew
Joy Anzarouth	....	production coordinator
Robert C. Decker	....	location manager (as Robert Decker)
Robert Eggenweiler	....	location manager
Lyla Foggia	....	unit publicist
John Garber	....	dialogue coach
Dana Satler Hankins	....	assistant: Mr. Badham (as Dana Satler)
Richard Keefe	....	process librarian
Harold Michelson	....	continuity consultant
H. Bud Otto	....	script supervisor
Derry J. Pearce	....	production auditor
Bill Watson	....	pterosaur consultant
Duncan Wilmore	....	technical advisor
Mike Berro	....	computer programmer (uncredited)
Lynn Hendee	....	production executive (uncredited)
Kevin King	....	payroll accountant (uncredited)
Anthony Marinelli	....	synthesizer programmer (uncredited)
Lynn Dee Schwarz	....	location scout (uncredited)

Production Companies

• Metro-Goldwyn-Mayer (MGM)
• Sherwood
• The Leonard Goldberg Company
• United Artists

Distributors

• MGM/UA Entertainment Company (1983) (USA) (theatrical)
• Chapel Distribution (1997) (Australia) (theatrical) (35mm print)
• United International Pictures (UIP) (1983) (UK) (theatrical)
• Guardian Television Network (GTN) (2006) (USA) (TV)
• MGM Home Entertainment (Europe) (2000) (UK) (DVD)
• MGM Home Entertainment (2007) (USA) (DVD)
• MGM Home Entertainment (2008) (USA) (DVD) (25th anniversary edition)
• MGM/UA Home Entertainment (USA) (DVD)
• MGM/UA Home Entertainment (USA) (VHS)
• Warner Home Video (1985-1986) (UK) (VHS)
• Warner Home Vídeo (Brazil) (VHS)

Other Companies

• Dolby Laboratories  sound post-production
• Intrada  score album released by (limited edition)
• Metro-Goldwyn-Mayer (MGM)  titles and opticals
• UAA Films Limited, Australia  production services

Also Known As:

War Games (USA) (alternative spelling)

Runtime:

114 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Canada:PG (Ontario) | Iceland:L | South Korea:All | New Zealand:PG | Australia:PG | Finland:K-12 | France:U | Norway:12 (1984) | Sweden:11 | UK:PG | USA:PG | West Germany:12 | Singapore:PG

Filming Locations:

7-Eleven Convenience Store - 41440 Big Bear Boulevard, Big Bear Lake, Big Bear Valley, San Bernardino National Forest, California, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

According to John Badham, the scene of the jeep trying to crash through the gate at NORAD and turning over was an actual accident. The jeep was supposed to continue through the gate. They added the scene of the characters running from the jeep and down the tunnel and used the botched jeep stunt.

Goofs:

Factual errors: After David is arrested, the next scene is at NORAD where a tour group is being escorted. The escort asks a woman with a camera around her neck to sit in the command chair. A visitor would not be allowed to bring a camera into NORAD.

Quotes:

Malvin: I can't believe it, Jim. That girl's standing over there listening and you're telling him about our back doors?
Jim Sting: [yelling] Mister Potato Head! Mister Potato Head! Back doors are not secrets!
Malvin: Yeah, but Jim, you're giving away all our best tricks!
Jim Sting: They're not tricks.

Movie Connections:

Referenced in "The Simpsons: HOM'R (#12.9)" (2001)

Soundtrack:

Video Fever

wonderful film

Cyberthrillers may not have started with "WarGames," but it was here the form achieved an early peak. As more filmmakers follow its example of portraying a high-tech face-off between man and machine, "WarGames" remains a standard to be measured against. While it's not a film classic, it's a very, very good popcorn thriller of uncommon craft, charm, and humanity.

Seattle high schooler David Lightman (Matthew Broderick) has only a few hours to undo what he thought was a sneak preview of an upcoming computer game but what instead got him tinkering with the U.S. Air Force's WOPR (War Operation Planned Response) computer system in such a way as to trigger a countdown to World War III. The FBI thinks he's a Soviet spy, while classmate Jennifer Mack (Ally Sheedy) is wondering if this isn't all really about a re-jiggered biology grade.

Broderick is solid, and Sheedy even better, but what really sells this film is everything else. Start with the excellent supporting performances. John Wood as a reclusive professor and Barry Corbin as a tobacco-chewing general get much of the kudos, and rightly, but there's a whole deep bench of quality work beyond that, like Kent Williams as a curt White House adviser, William Bogert and Susan Davis as David's out-of-it parents, Alan Blumenfeld as the swaggering bully of a biology teacher, and Juanin Clay as a beautiful but under-appreciated assistant (even by herself as she uses her own mouth as an ashcan for her boss's discarded gum.) You know the casting people behind this movie were on the ball when the opening sequence features two very recognizable faces, those of Michael Madsen and John Spencer, in what were film debuts for both.

That sequence with Madsen and Spencer as missile men point up another quality of "WarGames," the way the movie works in terms of setting up expectations and developing pace. The harrowing business between the two of them is mercilessly presented ("Turn your key, sir!") and then effectively abandoned so as to work in the central storyline, the replacement of these men with computers. We get a macro-view where Dabney Coleman as a tunnel-visioned war room executive effectively makes the case for "taking the men out of the loop" and then zoom back into what seems a totally unrelated story, that of slacker teen David Lightman and his high school travails.

The film could have just started with Lightman, and worked its way out to the business with the WOPR. But the early peek behind the curtain is a clever way of raising the stakes with the audience before the protagonist realizes what's up.

The set design, cinematography, lighting, music, and editing all work wonders as well. The NORAD war room is really a character onto itself, the ultimate source of reality in this film (and better for my money than the war room in 'Dr. Strangelove,' an obvious inspiration.) The way the cameras dart around from terminal to terminal as uniformed USAF technicians follow the progress of an apparent Soviet attack, lighting onto one of them just before he or she relays an important piece of information, is highly addictive and entertaining.

There's some sloppiness in the movie. Madsen and Spencer's talk about this great pot Spencer's character has scored strains credulity in the high-security setting they are in, and its blindingly obvious that the two men we see exiting a helicopter and entering a jeep during the credits are not the same two men getting out of the jeep moments later. And there's no real examination of the morality of Lightman's serial lawbreaking.

But this is a funny, exciting, consciousness-raising movie that is as entertaining now with the Cold War more than a decade behind us as it was all those years ago. For all the technical innovation on display, it's ironically appropriate we remember it for showing us how to butter an ear of corn, because it's the human side of the equation 'WarGames' keeps in its sights at all times.