| Michael Caine | ... | Dr. Frank Bryant | |
| Julie Walters | ... | Rita Susan White | |
| Michael Williams | ... | Brian | |
| Maureen Lipman | ... | Trish | |
| Jeananne Crowley | ... | Julia | |
| Malcolm Douglas | ... | Denny | |
| Godfrey Quigley | ... | Rita's Father | |
| Dearbhla Molloy | ... | Elaine | |
| Patrick Daly | ... | Bursar (as Pat Daly) | |
| Kim Fortune | ... | Collins | |
| Philip Hurd-Wood | ... | Tiger (as Philip Hurdwood) | |
| Hilary Reynolds | ... | Lesley | |
| Jack Walsh | ... | Price | |
| Christopher Casson | ... | Professor | |
| Rosamund Burton | ... | Denise | |
| Marcus O'Higgins | ... | Marcus | |
| Mark Drew | ... | Disco Manager | |
| Gabrielle Reidy | ... | Barbara | |
| Des Nealon | ... | Invigilator | |
| Marie Conmee | ... | Customer in Hairdressers | |
| Oliver Maguire | ... | Tutor | |
| Derry Power | ... | Photographer | |
| Alan Stanford | ... | Bistro Manager | |
| Gerry Sullivan | ... | Security Officer | |
| Patricia Jeffares | ... | Rita's Mother | |
| Maeve Germaine | ... | Sandra | |
| Liam Stack | ... | Sandra's Fiancé |
Directed by | |||
| Lewis Gilbert | |||
Writing credits | ||
| Willy Russell | (screenplay) | |
| Willy Russell | play (uncredited) | |
Produced by | |||
| William P. Cartlidge | .... | co-producer | |
| Lewis Gilbert | .... | producer | |
| Herbert L. Oakes | .... | executive producer | |
Original Music by | |||
| David Hentschel | |||
Cinematography by | |||
| Frank Watts | (director of photography) | ||
Film Editing by | |||
| Garth Craven | |||
Casting by | |||
| Weston Drury Jr. | |||
| Nuala Moiselle | |||
Art Direction by | |||
| Maurice Fowler | |||
Set Decoration by | |||
| Josie MacAvin | |||
Costume Design by | |||
| Candy Paterson | |||
Makeup Department | |||
| Patricia McDermott | .... | key hair stylist | |
| Freddie Williamson | .... | makeup artist | |
Production Management | |||
| Jack Phelan | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Michel Cheyko | .... | assistant director | |
| Martin O'Malley | .... | second assistant director | |
| John G. Phelan | .... | third assistant director | |
Art Department | |||
| Joe Lee | .... | construction manager | |
| Sunny Mulligan | .... | production buyer | |
Sound Department | |||
| Ken Barker | .... | dubbing mixer | |
| Daniel Brisseau | .... | sound mixer | |
| Ron Davis | .... | dubbing editor | |
| John Hayward | .... | sound re-recording mixer | |
| Philip Rogers | .... | sound recordist | |
| Liam Saurin | .... | sound mixer | |
Special Effects by | |||
| Gerry Johnston | .... | special effects | |
Visual Effects by | |||
| Alan Church | .... | optical camera (uncredited) | |
| Tony Willis | .... | effects cameraman (uncredited) | |
Camera and Electrical Department | |||
| Tom Collins | .... | still photographer | |
| Louie Conroy | .... | gaffer | |
| Patrick Conroy | .... | electrical gaffer | |
| Phillip Grosvenor | .... | assistant camera | |
| Luke Quigley | .... | camera grip | |
| Tony White | .... | camera operator | |
Costume and Wardrobe Department | |||
| Jack Gallagher | .... | wardrobe master | |
| Rita Wakely | .... | wardrobe mistress | |
Editorial Department | |||
| Michael Kelliher | .... | assistant editor | |
Transportation Department | |||
| Arthur Dunne | .... | transportation manager | |
Other crew | |||
| Jean Bourne | .... | continuity coordinator | |
| Con Cremins | .... | accounting assistant | |
| Brian Doyle | .... | unit publicist | |
| Vernon Harris | .... | script editor | |
| Marie McFerran | .... | production assistant | |
| Rex Mitchell | .... | production accountant | |
| Grania O'Shannon | .... | location manager | |
| Candy Paterson | .... | hair and fashion consultant | |
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| Wonder Boys | The History Boys | Shadowlands | Thirteen Conversations About One Thing | Pygmalion |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
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From the first time I watched this film I was moved, the characters are superb, and the actors chosen were perfect to convey the thoughts and emotions. I think that each individual perceives the film from an alternative, personal perspective hoping for a specific events to conclude in various outcomes. I have watched this film on numerous occasions and have never ceased to tire of the simple, realism of the film! It sets the imagination flowing full of what ifs, and maybes, wishing perhaps to change the course of events! Personally the film even allows me to gain insight into my personal life. An excellent film a must see for anyone.