The Verdict (1982)

User Rating:

7.7/10   

Director:

Sidney Lumet

Writers:

Barry Reed (based upon the novel by)
David Mamet (screenplay)

Release Date:

8 December 1982 (USA)

Genre:

Drama

Plot:

A lawyer sees the chance to salvage his career and self-respect by taking a medical malpractice case to trial rather than settling.

Plot Keywords:

Lawyer | Malpractice | Medical Malpractice | Career | Ambulance Chasing

Awards:

Nominated for 5 Oscars. Another 2 wins & 6 nominations

Cast

Paul Newman	...	Frank Galvin
Charlotte Rampling	...	Laura Fischer
Jack Warden	...	Mickey Morrissey
James Mason	...	Ed Concannon
Milo O'Shea	...	Judge Hoyle
Lindsay Crouse	...	Kaitlin Costello
Ed Binns	...	Bishop Brophy (as Edward Binns)
Julie Bovasso	...	Maureen Rooney
Roxanne Hart	...	Sally Doneghy
James Handy	...	Kevin Doneghy
Wesley Addy	...	Dr. Towler
Joe Seneca	...	Dr. Thompson
Lewis J. Stadlen	...	Dr. Gruber (as Lewis Stadlen)
Kent Broadhurst	...	Joseph Alito
Colin Stinton	...	Billy

Runtime:

129 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Australia:M | Norway:16 | Iceland:L | Netherlands:12 | South Korea:15 | Finland:K-12 | Sweden:11 | UK:15 | USA:R (PCA #26710) | West Germany:6 | Singapore:PG

Filming Locations:

Boston, Massachusetts, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Dustin Hoffman, Roy Scheider, Frank Sinatra, and Cary Grant were all considered for, or wanted, parts in this movie.

Goofs:

Continuity: Frank takes Polaroids of Deborah and lays them on the bed apart from each other, but when seen from an overhead view, they are touching.

Quotes:

Kevin Doneghy: You guys... you guys are all the same! The doctors at the hospital, you... it's always what I'm going to do for you. And then you screw up, and it's, "Ah, we did the best that we could, I'm dreadfully sorry." And people like us live with your mistakes the rest of our lives.

Movie Connections:

Referenced in Milestones in Cinema History: The Verdict (2007) (V)

Newman should have won the Oscar for this one.

If Newman hadn't been up against Ghandi, he probably would have. I think the Academy realized their error and Newman's win for The Color of Money was really for his portrayal of Frank Galvin, in this well-done tale of moral decrepitude and ultimate redemption. Writer Mamet and Director Lumet are into heavy symbolism throughout, with the scene of the developing Poloroids of the victim (the case becomes clear in Galvin's mind), to Galvin's pilfering of a woman's mail to run down a lead on a potential witness. The closing statement of Newman's character to the jury is powerful.