| Photos (see all 7 | slideshow) |
| Ken Ogata | ... | Tatsuhei | |
| Sumiko Sakamoto | ... | Orin | |
| Tonpei Hidari | ... | Risuke | |
| Aki Takejo | ... | Tamayan (as Aki Takejô) | |
| Shoichi Ozawa | ... | Katsuzô (as Shôichi Ozawa) | |
| Fujio Tokita | ... | Jinsaku | |
| Sanshô Shinsui | ... | Zeniya no Tadayan | |
| Seiji Kurasaki | ... | Kesakichi | |
| Junko Takada | ... | Matsuyan | |
| Mitsuko Baisho | ... | Oei (as Mitsuko Baishô) | |
| Taiji Tonoyama | ... | Teruyan | |
| Casey Takamine | ... | Arayashiki (as Kêshi Takamine) | |
| Nenji Kobayashi | ... | Tsune | |
| Nijiko Kiyokawa | ... | Okane | |
| Akio Yokoyama | ... | Amaya | |
| Kaoru Shimamori | ... | Tomekichi | |
| Yukie Shimura | ... | Amaya no Nyôbô | |
| Masami Okamoto | ... | Amaya no Chônan | |
| Hideo Hasegawa | |||
| Ben Hiura | ... | Yakimatsu | |
| Kenji Murase | |||
| Kosei Sato | |||
| Norihei Miki | ... | Shioya | |
| Kansai Eto | ... | Kin'yan (as Kan Etô) | |
| Ryutaro Tatsumi | ... | Zeniya no Matayan (as Ryûtarô Tatsumi) | |
| Satoko Iwasaki | |||
| Sayaka Nakamaru | |||
| Azumi Tanba |
Directed by | |||
| Shohei Imamura | |||
Writing credits | ||
| Shohei Imamura | (screenplay) | |
| Shichirô Fukazawa | (novel) | |
Produced by | |||
| Goro Kusakabe | .... | producer | |
| Jiro Tomoda | .... | producer | |
Original Music by | |||
| Shinichirô Ikebe | |||
Cinematography by | |||
| Hiroshi Kanazawa | |||
| Shigeru Komatsubara | |||
| Masao Tochizawa | |||
Film Editing by | |||
| Toshihiko Kojima | |||
| Fusako Matsumoto | |||
| Hajime Okayasu | |||
| Yoshiko Onodera | |||
| Masahito Watanabe | |||
Production Design by | |||
| Nobutaka Yoshino | |||
Art Direction by | |||
| Tadataka Yoshino | |||
Set Decoration by | |||
| Hisao Inagaki | |||
Costume Design by | |||
| Kyoto Isho | |||
Makeup Department | |||
| Seiko Igawa | .... | makeup artist | |
Production Management | |||
| Kimiyoshi Adachi | .... | production manager | |
| Kanji Aoi | .... | production manager | |
| Sôji Fukushima | .... | production manager | |
| Hisashi Iino | .... | assistant production manager | |
| Shinji Komiya | .... | unit production manager | |
| Ikuko Murase | .... | assistant unit manager | |
| Nobutsugu Tsubomi | .... | production manager | |
Sound Department | |||
| Kenichi Benitani | .... | sound | |
Camera and Electrical Department | |||
| Yasuo Iwaki | .... | gaffer | |
| Yasuo Iwaki | .... | lighting technician | |
| Tadahiro Kimura | .... | gaffer | |
| Yûjirô Miura | .... | gaffer | |
| Masayuki Okao | .... | gaffer | |
Editorial Department | |||
| Kazuko Okayasu | .... | negative cutter | |
Other crew | |||
| Katsuyuki Katô | .... | unit publicist | |
| Shinji Komiya | .... | production controller | |
| Midori Kuwabara | .... | script supervisor | |
| Toshiyuki Mogi | .... | publicist | |
| Ryôhei Nakagawa | .... | caterer | |
| Hideo Suzuki | .... | title designer | |
| Uichiro Takeda | .... | hawk trainer | |
| Tsuneyoshi Yamada | .... | publicist | |
| Yasuo Yamamoto | .... | publicist | |
|
|
|
|
|
| Nói albínói | Blown Away | Au hasard Balthazar | Volver | Kuroi yuki |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section | Add this title to MyMovies |
This is a film about a culture that has evolved to deal with food scarcity. The people of the village have taken their choices to the extreme. Food is so hard to get (and keep) that the very old and very young must leave. Babiy boys are left to die in the snow, baby girls are raised only to be sold, and the old are brought to the mountain to die. The only thing there is plenty of is sex, for all but one man called Stinker by his peers.
The villagers are intent to secure life for themselves and their family and will do anything necessary. In the middle of this all lives an old lady, almost 70 (the dying age) but healthy and strong. She does not want to burden the family, so she gives up her place in order for the young ones to live.
Imamura registers all this without judgment. This is a lesson to most people, filmmakers in particular. See, feel, but don't judge right away. See, feel, think, and then try to understand.