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Costa-Gavras (writer)
Thomas Hauser (book)
(more)
28 May 1982 (Sweden) more
When an idealistic writer disappears during the Right Wing military coup in 1973 Chile, his wife and American businessman father try to find him. full summary | add synopsis
Won Oscar. Another 8 wins & 13 nominations more
Oscar Week: The Best Best Actresses
(From Get The Big Picture. 18 February 2009, 5:22 PM, PST)
Berlinale 09: More competition and Panorama titles
(From QuietEarth. 15 January 2009, 11:42 AM, PST)
Still has the power..... more (62 total)
| Jack Lemmon | ... | Ed Horman | |
| Sissy Spacek | ... | Beth Horman | |
| Melanie Mayron | ... | Terry Simon | |
| John Shea | ... | Charles 'Charlie' Horman | |
| Charles Cioffi | ... | Capt. Ray Tower, USN | |
| David Clennon | ... | Consul Phil Putnam | |
| Richard Venture | ... | U.S. Ambassador | |
| Jerry Hardin | ... | Col. Sean Patrick | |
| Richard Bradford | ... | Andrew Babcock | |
| Joe Regalbuto | ... | Frank Teruggi | |
| Keith Szarabajka | ... | David Holloway | |
| John Doolittle | ... | David McGeary | |
| Janice Rule | ... | Kate Newman | |
| Ward Costello | ... | Congressman | |
| Hansford Rowe | ... | Senator | |
| Tina Romero | ... | Maria | |
| Richard Whiting | ... | Statesman | |
| Martin LaSalle | ... | Paris | |
| Terence Nelson | ... | Col. Clay (as Terry Nelson) | |
| Robert Hitt | ... | Peter Chernin | |
| Félix González | ... | Rojas | |
| M.E. Rios | ... | Mrs. Duran | |
| Jorge Russek | ... | Espinoza | |
| Edna Necoechea | ... | Pia (as Edna Nochoechea) | |
| Alan Penwrith | ... | Samuel Cross | |
| Alex Camacho | ... | Silvio | |
| Manuel Avila Camacho | ... | Doctor - mental hospital (as M. Avilla Camacho) | |
| Kimberley Farr | ... | Young woman (Ford Foundation) (as Kimberly Farr) | |
| Elizabeth Cross | ... | Ann | |
| Piero Cross | ... | Hotel manager | |
| Gary Richardson | ... | Operator at U.S. Embassy | |
| Josefina Echánove | ... | Woman doctor (basement ward) | |
| Robert Johnstreet | ... | Rob | |
| Linda Spheeris | ... | Woman (State Department) | |
| Colonel Jorge Mancilla | ... | Captain (airport) | |
| Gerardo Vigil | ... | Soldier (laundry) | |
| Mario Valdez | ... | Officer (laundry) | |
| Jaime Garza | ... | Young man (stadium) | |
| Joe I. Tompkins | ... | Marine officer | |
| John Fenton | ... | Carlos | |
| Jacqueline Evans | ... | Woman (Ford Foundation) | |
| Jorge Santoyo | ... | Young man (mental hospital) | |
| Juan Vázquez | ... | Little man (mental hospital) | |
| Antonio Medellín | ... | Rojas' assistant | |
| Albert Cates | ... | Marine officer #2 | |
| rest of cast listed alphabetically: | |||
| Miguel Cane | ... | Little boy at Beth's class (uncredited) | |
| Harry Kopoian | ... | Director of Morgue (uncredited) | |
Directed by | |||
| Costa-Gavras | |||
Writing credits(in alphabetical order) | ||
| Costa-Gavras | writer | |
| Thomas Hauser | book "Missing" | |
| John Nichols | uncredited | |
| Donald Stewart | writer | |
Produced by | |||
| Peter Guber | .... | executive producer | |
| Edward Lewis | .... | producer | |
| Mildred Lewis | .... | producer | |
| Terence Nelson | .... | associate producer | |
| Jon Peters | .... | executive producer | |
| Peter Guber | .... | producer (uncredited) | |
| Jon Peters | .... | producer (uncredited) | |
Original Music by | |||
| Vangelis | |||
Cinematography by | |||
| Ricardo Aronovich | |||
Film Editing by | |||
| Françoise Bonnot | |||
Casting by | |||
| Wallis Nicita | (as Wally Nicita) | ||
Production Design by | |||
| Peter Jamison | |||
Art Direction by | |||
| Lucero Isaac | |||
| Agustín Ituarte | |||
Set Decoration by | |||
| Linda Spheeris | |||
Costume Design by | |||
| Joe I. Tompkins | |||
Makeup Department | |||
| Esperanza Gómez | .... | hair stylist (as Esperanza Gomez) | |
| Bette Iverson | .... | hair stylist | |
| Mark Reedall | .... | makeup artist | |
Production Management | |||
| Carlos García F. | .... | location unit manager | |
Second Unit Director or Assistant Director | |||
| Elie Cohn | .... | first assistant director | |
| Jesús Marín | .... | location assistant director | |
| Anna Roth | .... | second assistant director | |
Art Department | |||
| Benito Cano | .... | prop man | |
| Antonio Mata | .... | property master | |
| Michael Milgrom | .... | property master | |
Sound Department | |||
| Michèle Boëhm | .... | sound effects editor (as Michele Boehm) | |
| Françoise Bonnot | .... | assistant dubbing mixer | |
| Daniel Brisseau | .... | sound mixer | |
| José García | .... | sound mixer (as Jose García) | |
| Jean-Pierre Lelong | .... | sound effects | |
| Jacques Lévy | .... | loop dialogue editor | |
| Vince Melandri | .... | loop dialogue editor | |
| Stephane Van den Bergh | .... | boom operator | |
| Claude Villand | .... | dubbing mixer | |
Special Effects by | |||
| Laurencio Cordero | .... | special effects | |
| Jesús 'Chuco' Durán | .... | special effects (as Jesus Duran) | |
Visual Effects by | |||
| Bill Taylor | .... | visual effects: matte photographer | |
| Albert Whitlock | .... | special visual effects | |
Camera and Electrical Department | |||
| Philippe Brun | .... | camera operator | |
| Gabriel Castro | .... | gaffer | |
| Daniel Leterrier | .... | assistant camera (as Daniel Letterier) | |
| Graciano Perez | .... | key grip | |
| Pablo Ríos | .... | assistant camera | |
| Peter Sorel | .... | still photographer | |
Casting Department | |||
| José Sánchez | .... | extras casting | |
Costume and Wardrobe Department | |||
| Adolfo Ramírez | .... | wardrobe: men | |
| Pamela Wise | .... | costume supervisor (as Pam Wise) | |
Editorial Department | |||
| Michèle Amsellem | .... | assistant film editor | |
| Marie Castro-Vasquez | .... | assistant film editor | |
| Suzanne Koch | .... | assistant film editor | |
| Sergio Ortega | .... | assistant film editor | |
Music Department | |||
| Vangelis | .... | music arranger | |
Transportation Department | |||
| Charles Enzen | .... | transportation captain | |
Other crew | |||
| Sylvette Baudrot | .... | script supervisor | |
| Ricardo Frera | .... | location auditor | |
| Emily Gamboa | .... | production secretary | |
| Hank Guzman | .... | location auditor | |
| Vic Heutschy | .... | publicist | |
| Keefe Millard | .... | assistant: Mr. Costa-Gavras | |
| Aurelio Ortiz | .... | location production assistant | |
122 min
Color (Technicolor)
1.85 : 1 more
Iceland:12 | Peru:14 | Argentina:18 (original rating) | Argentina:Atp (re-rating) | Canada:14+ | Australia:M | Chile:18 | Finland:K-16 | Norway:16 | Singapore:PG | Spain:18 | Sweden:15 | USA:PG | West Germany:12 (re-rating) | UK:15 (re-rating) (1987) | UK:AA (original rating)
Ed Horman and Joyce Horman ("Beth" in the film) worked very closely with Costa-Gavras, Lemmon, and Spacek throughout the film's production. Costa-Gavras said that after Pinochet died (in December 2006), both he and Joyce Horman felt regret that the former Chilean dictator was not brought to justice. more
Anachronisms: Several late-70s AMC/VAM (Vehiculos Automotores Mexicanos S.A.) cars such as Hornets and Pacers appear throughout the movie, despite depicting events in 1973. more
U.S. Ambassador:
We're not involved, Mr Horman. Our position has been completely nuetral.
Ed Horman:
That is a bald face lie, sir. How can you say a thing like that when you have army colonels, you have naval engineers, they're all over Viņa Del Mar!
U.S. Ambassador:
Please sit down. Look, it's very obvious you're harbouring some misconception regarding our role here.
Ed Horman:
What is your role here? Besides inducing a regime that murders thousands of human beings?
U.S. Ambassador:
Let's level with each other, sir. If you hadn't been personally involved in this unfortunate incident, you'd be sitting at home complacent and more or less oblivious to all of this. This mission is pledged to protect American interests, our interests.
[...]
more
References The Cocoanuts (1929) more
MY WHOLE WORLD IS FALLING DOWN more
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A terrific and brutal political thriller. It's supposed to shake you up and it really succeeds. It's a shame that they don't make films like this anymore. Costa-Gavras's "Missing" is emotionally riveting and thought provoking. For it's time, it still has the power to change the views of todays movie viewers. A must see. 5/5.