Fanny och Alexander (1982)

Director:

Ingmar Bergman

Writer:

Ingmar Bergman (written by)

Release Date:

17 December 1982 (Sweden)

Genre:

Drama | Fantasy | Mystery

Tagline:

En film av Ingmar Bergman

Plot:

The title characters are children in the exuberant and colorful Ekdahl household in a Swedish town early in the twentieth century...

Plot Keywords:

Jewish | Bishop | Theater | Period Piece | Dinner

Awards:

Won 4 Oscars. Another 18 wins & 7 nominations

Cast

Pernilla Allwin	...	Ekdahlska huset - Fanny Ekdahl
Bertil Guve	...	Ekdahlska huset - Alexander Ekdahl
Börje Ahlstedt	...	Ekdahlska huset - Carl Ekdahl
Allan Edwall	...	Ekdahlska huset - Oscar Ekdahl
Ewa Fröling	...	Ekdahlska huset - Emilie Ekdahl
Gunn Wållgren	...	Ekdahlska huset - Helena Ekdahl (as Gun Wållgren)
Jarl Kulle	...	Ekdahlska huset - Gustav Adolf Ekdahl
Jan Malmsjö	...	Biskopsgården - Bishop Edvard Vergerus
Christina Schollin	...	Ekdahlska huset - Lydia Ekdahl
Kerstin Tidelius	...	Biskopsgården - Henrietta Vergerus
Emelie Werkö	...	Ekdahlska huset - Jenny Ekdahl
Marianne Aminoff	...	Biskopsgården - Blenda Vergérus
Sonya Hedenbratt	...	Ekdahlska huset - Aunt Emma
Svea Holst	...	Ekdahlska huset - Miss Ester
Kristina Adolphson	...	Ekdahlska huset - Siri

Also Known As:

Fanny and Alexander (UK) (USA)
Fanny et Alexandre (France)
Fanny und Alexander (West Germany)

Runtime:

188 min | Sweden:312 min (director's cut)

Country:

Sweden | France | West Germany

Language:

Swedish | German | Yiddish | English

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Italy:T | South Korea:15 | Philippines:R-13 | Australia:M | Argentina:16 | Canada:14A | Canada:G (Quebec) | Chile:18 | Finland:K-16 | Iceland:L | Singapore:M18 | Sweden:11 | UK:15 | USA:R | West Germany:16 | Norway:16 (original rating)

Filming Locations:

Europa Studios, Bromma, Stockholm, Stockholms län, Sweden

Company:

Cinematograph AB

Trivia:

The part of Bishop Edvard Vergérus was written by Ingmar Bergman with Max von Sydow in mind. When the screenplay was completed, von Sydow was contacted about playing the role, which would have been his first in a Bergman film since Beröringen (1971). Von Sydow was willing and, in fact, very excited about playing the role. However, Bergman was not aware of this, since von Sydow was in Los Angeles at the time, and could only be reached through his agent who, acting in what he perceived as von Sydow's interest, told Bergman and his producers that von Sydow would only play the role if he could have a percentage of the film's profits, in addition to his salary. The producers, already stretched to their financial limits, of course balked, and told the agent that, sadly, there could be no such compromise, and began looking for other actors to play the pivotal part. By the time von Sydow had learned why his beloved role had been taken from him, Jan Malmsjö had already been cast as the Bishop, and von Sydow lost his chance to star in what would later be known to be Bergman's "last film" (although he would play key roles in Den goda viljan (1992) and Enskilda samtal (1996) (TV), both written by Bergman). Von Sydow was furious about the incident, and, by certain accounts, still harbours a bitter grudge about it to this day.

Goofs:

Continuity: In the theatre scene, early in the movie, Georg Årlin, who plays a high ranking military man, is seen whispering with a person sitting next to him. The next shot shows other people talking, and then Årlin is seen behind them at the left corner, in conversation with no one, staring into space in front of him.

Quotes:

Ekdahlska huset - Gustav Adolf Ekdahl: The world is a den of thieves and night is falling. Evil breaks its chains and runs through the world like a mad dog.

Movie Connections:

Featured in Ingmar Bergman: Om liv och arbete (1998) (TV)

Triumphant

This film could never have been made in the United States. I realize when it was made Bergman had been around for a long time and had his own clout but it still has too much of a philosophical slant to be mainstream here. This film is amazing. The first hour moves at a slow pace but it really sets up the rest of the movie well and then it really picks up. The cinematography is breathtaking and while this story makes you think a lot you don't feel ambivalent towards the characters through the rest of the first film after having been slowly introduced to all the characters you have a certain identifcation that is purely emotional and blends wonderfully with the other aspects of the film. It's truly great and should be considered one of Bergman's best works.