Pennies from Heaven (1981)

User Rating:

6.4/10   

Director:

Herbert Ross

Writers:

Dennis Potter (written for the screen by)
Dennis Potter (miniseries)

Release Date:

11 December 1981 (USA)

Genre:

Drama | Musical | Romance

Tagline:

There's a world on both sides of the rainbow where songs come true and every time it rains, it rains...

Plot:

In Chicago during the depression, sheet music salesman, Arthur Parker, is trying to sell his products...

Plot Keywords:

Sheet Music | Teacher | Dancer | Great Depression | Song

Awards:

Nominated for 3 Oscars. Another 3 wins & 2 nominations

Cast

Steve Martin	...	Arthur
Bernadette Peters	...	Eileen
Christopher Walken	...	Tom
Jessica Harper	...	Joan
Vernel Bagneris	...	The Accordion Man
John McMartin	...	Mr. Warner
John Karlen	...	The Detective
Jay Garner	...	The Banker
Robert Fitch	...	Al
Tommy Rall	...	Ed
Eliska Krupka	...	The Blind Girl
Francis X. McCarthy	...	The Bartender (as Frank McCarthy)
Raleigh Bond	...	Mr. Barrett
Gloria LeRoy	...	A Prostitute
Nancy Parsons	...	The Old Whore

Runtime:

108 min

Country:

USA

Language:

English

Color:

Black and White | Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:12 | Australia:M | Argentina:13 | Chile:14 | Finland:K-16 | Sweden:11 | USA:R (#26127) | Singapore:NC-16

Filming Locations:

Chicago, Illinois, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

At least four paintings are recreated as "tableaux vivants" in the film: "Hudson Bay Fur Company" (1932) and "20 Cent Movie" (1936), both by Reginald Marsh, and "New York Movie" (1939) and "Nighthawks" (1942), both by Edward Hopper. Three of the four were painted after 1934, when the movie takes place, and all depict scenes in New York, not Chicago, the setting of the movie. Turner Classic Movies uses the "Fur Company" and "Nighthawks" shots in their "Open All Night" interstitial.

Goofs:

Anachronisms: Bar codes on railroad box cars.

Quotes:

[first lines]
Arthur Parker: Joan... Joanie? Sugar? C'mon, Joan... sugar... wake up, baby.
Joan Parker: No, Arthur, don't.
Arthur Parker: Oh, baby... come on, sugar.
Joan Parker: No, it's too early, Arthur.
Arthur Parker: Oh, Joan.
Joan Parker: Arthur, there isn't time.
Arthur Parker: Oh, there's always time for this. Joan, come on.
Joan Parker: Stop it, Arthur! No, don't!
Joan Parker: [getting out of bed] No... I said no!
[...]

Movie Connections:

Featured in Edward Hopper (2007) (V)

Soundtrack:

LIFE IS JUST A BOWL OF CHERRIES

Spactacular; possibly the most underrated film of the last 20 years

An Americanized adaptation of the six-part 1978 British miniseries, underrated director Herbert Ross' brilliant PENNIES FROM HEAVEN was a huge commercial flop in US when originally released. Audiences of 1981 did not seem to understand the concept of a depression-era musical, where the actors lip-synch to original recording from the in 1930s in elaborate fantasies that are far removed from the actual world in which they inhabit. Though extremely unconventional, this device is absolutely heart-wrenching as the dreariness of the real world breaks away to the brightly-colored, perpetually optimistic fantasy land that only lives in the lyrics of popular songs. It is the eternal agony of the dreamer that is expressed; the cold reality that leaves us destined to reach for the sky, but doomed to walk the earth.

This leaves the film's cast with a difficult task, as they must not only contend with their dramatic art, but also be well versed in a variety of demanding dances and highly disciplined choreography. Comedian Steve Martin is far from the first choice to portray the downtrodden protagonist in any film, but the actor acquits himself expertly in both the film's demanding dance and drama. Mousy Jessica Harper delves into her eternally repressed character so deeply that one is never certain where one stops and the other begins; a triumph of form for any thespian. Renowned dancer Vernel Bagneris is mesmerizing as the film's most ambiguous character, and his density-defying dance to Arthur Tracy's heartbreaking rendition of the title song is one of my favorite moments in any film.

Even more impressive is tough guy actor Christopher Walken's then-unexpected prowess on the dance floor, as he delivers a riotously funny and surprisingly sexy striptease to Irving Aaronson's "Let's Misbehave." In this sequence, Walken pulls off the difficult hat trick of satisfying both seasoned viewers and film neophytes, while still managing to leave both groups wanting more. Best of all, however, is the lovely Bernadette Peters in a superb, Golden Globe award-winning performance. Never before has Peters' slightly tarnished Kewpie-doll personae been better utilized, and the actress' transformation from repressed schoolmarm to hardened prostitute feels both stunningly and horrifyingly real.

Herbert Ross and his creative team manage to bind all of the pieces together into one seamless collage of lost hope, forced optimism, and never-ending desperation. Gordon Willis' cinematography is never less than completely awe-inspiring, and the combined efforts of top-drawer art and set direction and Bob Mackie's seemingly authentic period costumes helps cement the look and feel of desolate decade that the film represents. Over all films in every genre, PENNIES FROM HEAVEN would be a likely contender to receive my vote for the single most underrated film masterpiece of the last twenty years. It exudes all of the contradictory joy and heartbreak that the movies offer, and serves it all up in one stunning presentation.