Dracula (1979)

Director:

John Badham

Writers:

Bram Stoker (novel)
Hamilton Deane (play) ...

Release Date:

20 July 1979 (USA)

Genre:

Horror | Romance

Tagline:

Throughout history he has filled the hearts of men with terror, and the hearts of women with desire.

Plot:

When a ship is wrecked off Whitby, the only survivor, Count Dracula, is discovered lying on the beach by the sickly young Mina...

Plot Keywords:

Countryside | Vampire Human Love | Bloodshed | Immortality | Gothic

Awards:

1 win & 4 nominations

Cast

Frank Langella	...	Count Dracula
Laurence Olivier	...	Prof. Abraham Van Helsing
Donald Pleasence	...	Dr. Jack Seward
Kate Nelligan	...	Lucy Seward
Trevor Eve	...	Jonathan Harker
Jan Francis	...	Mina Van Helsing
Janine Duvitski	...	Annie
Tony Haygarth	...	Milo Renfield
Teddy Turner	...	Swales
Sylvester McCoy	...	Walter (as Sylveste McCoy)
Kristine Howarth	...	Mrs. Galloway
Joe Belcher	...	Tony Hindley
Ted Carroll	...	Scarborough Sailor
Frank Birch	...	Harbormaster
Gabor Vernon	...	Captain of Demeter

Runtime:

109 min

Country:

USA | UK

Language:

English | Dutch | Romanian

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby

Certification:

Netherlands:16 | UK:X (theatrical rating) | Canada:13+ (Quebec) | Singapore:PG | Canada:14A (Ontario) | Australia:M | Finland:K-18 | Norway:18 | Sweden:15 | UK:15 | USA:R | West Germany:12

Filming Locations:

Carlyon Bay, St Austell, Cornwall, England, UK

Company:

Universal Pictures

Trivia:

Sylvester McCoy was interviewed for Renfield

Goofs:

Anachronisms: Just before dancing with Dracula, Lucy flips over the record on the player and sets it playing again. The record is moving around at a leisurely pace; however, the earliest disc recordings played at around 78 RPM - a much faster speed. Records playable at lower rates were much later inventions.

Quotes:

Milo Renfield: "Please master. Hurt me, torture me, I deserve it. But Please, don't kill me."
Count Dracula: "Renfield, you disappoint me."

Movie Connections:

Spoofed in Darakula (1982)

A Gothic masterpiece. The quintessential vampire movie.

After so many years, Lugosi's performance of Dracula wilts into camp, and the overblown Coppola version, while visually stimulating, comes across as so much hyperbole (Oldman was brilliant, but a few of his lines were poorly delivered, almost laughably so.)

But Langella was the master of all vampires, his performance reels with sexual presence and a charm and sophistication that renders all other Dracula movies null and void. And why not? He had countless performances on Broadway to perfect his character, and perfect it he did. He insisted on touches, such as never wearing fangs, or never appearing with blood on his face, that added class to the vampire legend and places this version a cut above the rest.

Kate Nelligan (Prince of Tides) was so young and beautiful then and it was easy to believe that she could inspire a love that could transcend death and time. Olivier was already a ghost, and many of the scenes that involved activity no more strenuous than walking actually had to be shot with a stand in. It is rumored that Sir Larry's performance was so frail that impressionist Rich Little actually had to be called in to dub some of Olivier's lines, as he had done for David Niven in his final Pink Panther film, because the originals were virtually unintelligible given the poor health of the actors.

The brooding and regal score by John Williams drives the movie quite nicely. The film was edited by John Bloom, who a couple of years later would edit The French Lieutenant's Woman with a similar feel, and shot by Gil Taylor who shot, among other greats, the original Star Wars. Stoker would have been proud of the final result, particularly so with Langella's masterful and groundbreaking performance that launched a career. Dracula is a Gothic masterpiece that has never been given its due.

In 2004 director Badham decided to release a version in which the color had been drained from the movie, in much the same way as its central character drained color, blood and life from his victims, perhaps an intentional comparison. The "making of" featurette is delightful, and producer Mirisch's hilarious tongue in cheek observation of the "holy water" effect has already been misquoted by earnest IMDb reviewers. The remake is nice, but it was gilding the lily. And although the film was indeed improved by this modification, it had already surpassed any of its would be peers and remains the quintessential vampire movie.