Die Blechtrommel (1979)

Director:

Volker Schlöndorff

Writers:

Jean-Claude Carrière (writer)
Günter Grass (additional dialogue)

Release Date:

11 April 1980 (USA)

Genre:

Drama | History | War

Tagline:

Academy Award Winner Best Foreign Language Film 1979

Plot:

Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with...

Plot Keywords:

Birthday | Tin Drum | Germany | Danzig | Nazi

Awards:

Won Oscar. Another 12 wins & 1 nomination

Cast

Mario Adorf	...	Alfred Matzerath
Angela Winkler	...	Agnes Matzerath
David Bennent	...	Oskar Matzerath
Katharina Thalbach	...	Maria Matzerath
Daniel Olbrychski	...	Jan Bronski
Tina Engel	...	Anna Koljaiczek (jung)
Berta Drews	...	Anna Koljaiczek
Roland Teubner	...	Joseph Koljaiczek
Tadeusz Kunikowski	...	Onkel Vinzenz
Andréa Ferréol	...	Lina Greff (as Andréa Ferreol)
Heinz Bennent	...	Greff
Ilse Pagé	...	Gretchen Scheffler
Werner Rehm	...	Scheffler
Käte Jaenicke	...	Mutter Truczinski
Helmut Brasch	...	Der Alte Heilandt (as Helmuth Brasch)

Also Known As:

The Tin Drum (UK) (USA)
Blaszany bebenek (Poland)
Le tambour (France)
Limeni dobos (Yugoslavia: Serbian title)

Runtime:

142 min

Country:

West Germany | France | Poland | Yugoslavia

Language:

Hebrew | Italian | German | Polish | Russian

Color:

Black and White | Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Singapore:R21 | Australia:R | Argentina:X (original rating) | Argentina:18 (re-rating) | Australia:MA (re-rating: 2007) | Chile:18 | Finland:K-16 | France:-12 | Hong Kong:III | New Zealand:R18 | Norway:18 | Sweden:15 | UK:15 (re-rating) (1994) (cut) | UK:15 (re-rating) (2003) (uncut) | UK:X (original rating) (cut) | USA:R | West Germany:16 (bw)

Filming Locations:

CCC-Atelier, Spandau, Berlin, Germany

Company:

Argos Films

Trivia:

In June 1997, at the urging of a Christian fundamentalist group and after viewing only a few isolated scenes, an Oklahoma County District Court judge declared that this film contained child pornography (as defined by Oklahoma's obscenity laws) and as such was illegal. Without obtaining the necessary search warrants or court orders, police in Oklahoma City confiscated all copies of the film from libraries and rental outlets. They intimidated video store managers into supplying them with the addresses of those currently renting the movie, went to those homes, and confiscated those tapes as well. The local District Attorney declared that anyone possessing a copy of the movie would be arrested. Within weeks the D.A. was forced to back down on this statement, and by December most of the seized videos had been returned. By October of 1998, over the course of rulings in several related lawsuits, the U.S. federal courts found that the confiscation of the tapes had been unconstitutional, and ruled that the movie did not violate Oklahoma's state laws. The U.S. Court of Appeals closed the final case in May 2001, and the movie is once again available for rental in Oklahoma County.

Goofs:

Anachronisms: When Oskar and Maria are at the beach, a modern day cargo ship is clearly visible in the background, although this movie is set around 1937.

Quotes:

Bebra: You must join us, you must!
Oskar Matzerath: You know, Mr. Bebra... to tell the truth, I prefer to be a member of the audience, and let my little art flower in secret.
Bebra: My dear Oskar, trust an experienced colleague. Our kind must never sit in the audience. Our kind must perform and run the show, or the others will run *us*. The others are coming. They will occupy the fairgrounds, they will stage torchlight parades, build rostrums, fill the rostrums, and from those rostrums preach our destruction.

Movie Connections:

Featured in "Cinemania: I anodos kai i ptosi tou Nazismou" (2008)

Absorbing and Thought Provoking

"That day, thinking about the grown-up world and my own future, I decided to call a halt. To stop growing then and there and remain a three-year-old, a gnome, once and for all" - Oskar Metzertath

The Tin Drum is based on Gunter Grass's highly acclaimed novel which used magic realism to capture the madness of war, and the folly of the people who made it possible. This movie only tackles the first two sections of the novel, leaving out the post-war events. The film won the Academy Award for Best Foreign film in 1980, and the Palm d'Or at Cannes. It was also banned in Oklahoma as "child pornography". Despite moments of brilliance, The Tin Drum left me feeling incomplete and curiously unmoved.

It is a very different kind of film from the others I saw this week, using satire and surrealism to explore people's reactions during the period from 1939 to 1945. It seems to be saying that it is all right to stop growing (that is, participating in the world) as a protest against the cynicism and corruption of the adult world. The setting for the majority of the film, Danzig (now Gdansk) is a major northern port town in Poland. Danzig was a free and independent city until September 1, 1939, when it became the first region taken by Germany at the outset of WWII. After the war, Danzig became a part of Poland again.

The Tin Drum is the story of Oskar Matzerath, a boy who grows up in Eastern Germany before and during World War II. Oskar decides the only way to protest being part of the adult world is by banging on his drum and remaining a child forever. This is his rebuttal of society and his tin drum is his protest against the mentality of his family and neighborhood, or perhaps against all passive people in Nazi Germany at that time. Oskar tries to shock the world out of its inhumanity. His life reflects Germany's struggle to free itself from its own dream of Teutonic superiority and find peace in the national soul.

David Bennent as Oskar gives an outstanding performance, creating a character that is both haunting and frightening. He looks like a little man in a child's body but his eyes are deep and have a very knowing look that seemed to be looking right through me.

Oskar is not a cute little updated version of Peter Pan. Since age three (when he was given his first tin drum), Oskar can scream with such a high pitch that he can shatter any piece of glass. He even controls his scream to the point where he can break windows on the other side of the city, or etch writing into glass. Oskar uses his ability to manipulate and control the adult world, often using vicious and cynical snide comments about the insanity around him. At one point, he disrupts a Nazi rally by changing the beat of his tin drum to the Blue Danube which the band then follows. The ensuing scene where the crowd breaks into a dance and the rain comes down leaving the Nazi soldiers bewildered is one of the best in the film.

I found the scenes where Oskar joins a midget troupe and finds loving companions of his own kind to be very tender and moving. However, the film became morally ambiguous for me when Oskar and his troupe decide to entertain the Nazi soldiers at the front lines. Schlondorff never really makes it clear what his motivations are and Oskar's actions seems to contradict his essentially anarchist protest for most of the film. The Tin Drum also contains some objectionable scenes of childhood sexuality and grotesque depictions of slithering eels being caught using a severed horse head as bait. The result, needless to say, is stomach churning.

I found The Tin Drum to be absorbing and thought provoking yet, despite moments of brilliance, for me it did not add up to a totally satisfying experience.