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Apocalypse Now
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Overview

User Rating:
MOVIEmeter: ?
Up 143% in popularity this week. See why on IMDbPro.
Writers:
John Milius (screenplay) and
Francis Ford Coppola (screenplay) ...
(more)
Contact:
View company contact information for Apocalypse Now on IMDbPro.
Release Date:
15 August 1979 (USA) more
Genre:
Tagline:
The Horror. . . The Horror. . .
Plot:
During the on-going Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe. full summary | full synopsis
Plot Keywords:
Awards:
Won 2 Oscars. Another 13 wins & 32 nominations more
NewsDesk:
(93 articles)
The First Day of the Rest of Your Life | Film review
 (From The Guardian - Film News. 21 November 2009, 4:07 PM, PST)

The Making of The Wolfman
 (From Beyond Hollywood. 20 November 2009, 11:04 AM, PST)

User Comments:
The Dark Side of Man more (767 total)
US TV Schedule:

Cast

  (in credits order) (verified as complete)

Marlon Brando ... Colonel Walter E. Kurtz

Martin Sheen ... Captain Benjamin L. Willard

Robert Duvall ... Lieutenant Colonel Bill Kilgore

Frederic Forrest ... Jay 'Chef' Hicks
Sam Bottoms ... Lance B. Johnson

Laurence Fishburne ... Tyrone 'Clean' Miller (as Larry Fishburne)

Albert Hall ... Chief Phillips

Harrison Ford ... Colonel Lucas

Dennis Hopper ... Photojournalist
G.D. Spradlin ... General Corman
Jerry Ziesmer ... Jerry, Civilian

Scott Glenn ... Lieutenant Richard M. Colby
Bo Byers ... MP Sergeant #1

James Keane ... Kilgore's Gunner

Kerry Rossall ... Mike from San Diego
Ron McQueen ... Injured Soldier
Tom Mason ... Supply Sergeant
Cynthia Wood ... Playmate of the Year

Colleen Camp ... Playmate, Miss May
Linda Carpenter ... Playmate
Jack Thibeau ... Soldier in Trench
Glenn Walken ... Lieutenant Carlsen

George Cantero ... Soldier with Suitcase

Damien Leake ... Machine Gunner
Herb Rice ... Roach
William Upton ... Spotter
Larry Carney ... MP Sergeant #2

Marc Coppola ... AFRS Announcer
Daniel Kiewit ... Major from New Jersey
Father Elias ... Catholic Priest
Bill Graham ... Agent
Hattie James ... Mrs. Miller, Clean's Mother (voice)
Jerry Ross ... Johnny from Malibu / Mike from San Diego
Dick White ... Helicopter Pilot
Christian Marquand ... Hubert de Marais (Redux version only)
Aurore Clément ... Roxanne Sarrault (Redux version only)
Michel Pitton ... Philippe de Marais (Redux version only)
Franck Villard ... Gaston de Marais (Redux version only)
David Olivier ... Christian de Marais (Redux version only)
Chrystel Le Pelletier ... Claudine (Redux version only)
Robert Julian ... The Tutor (Redux version only)
Yvon LeSeaux ... Sergeant Le Fevre (Redux version only)

Roman Coppola ... Francis de Marais (Redux version only)
Gian-Carlo Coppola ... Gilles de Marais (Redux version only)
Henri Sadardeil ... French Soldier #1 (Redux version only) (as Henri Sadardiel)
Gilbert Renkens ... French Soldier #2 (Redux version only)
rest of cast listed alphabetically:
Don Gordon Bell ... Soldier (uncredited)

Francis Ford Coppola ... Director of TV Crew (uncredited)

R. Lee Ermey ... Eagle Thrust Seven Helicopter Pilot (uncredited)
Jim Gaines ... Extra (uncredited)
Evan A. Lottman ... Soldier (uncredited)
Nick Nicholson ... Soldier (uncredited)
Linn Phillips III ... Guitarist in Band (uncredited)
Pierre Segui ... French Soldier (Redux version only) (uncredited)
Vittorio Storaro ... TV Photographer (uncredited)
Henry Strzalkowski ... Bit part (uncredited)
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Directed by
Francis Ford Coppola  (as Francis Coppola)
 
Writing credits
Joseph Conrad (novel "Heart of Darkness") uncredited

John Milius (screenplay) and
Francis Ford Coppola (screenplay)

Michael Herr (narration)

Produced by
John Ashley .... associate producer
Kim Aubry .... producer (version "Apocalypse Now Redux (2001)")
Francis Ford Coppola .... producer (as Francis Coppola)
Gray Frederickson .... co-producer
Shannon Lail .... co-producer (version "Apocalypse Now Redux (2001)")
Eddie Romero .... associate producer
Fred Roos .... co-producer
Mona Skager .... associate producer
Tom Sternberg .... co-producer
 
Original Music by
Carmine Coppola 
Francis Ford Coppola  (as Francis Coppola)
 
Cinematography by
Vittorio Storaro 
 
Film Editing by
Lisa Fruchtman 
Gerald B. Greenberg 
Walter Murch 
 
Casting by
Terry Liebling 
Vic Ramos 
 
Production Design by
Dean Tavoularis 
 
Art Direction by
Angelo P. Graham  (as Angelo Graham)
 
Set Decoration by
George R. Nelson 
 
Makeup Department
Fred C. Blau Jr. .... makeup artist
Jack H. Young .... makeup artist (as Jack Young)
 
Production Management
Leon Chooluck .... production manager
Barrie M. Osborne .... production manager (as Barrie Osborne)
 
Second Unit Director or Assistant Director
Tony Brandt .... additional assistant director
Larry J. Franco .... second assistant director
Jerry Ziesmer .... assistant director
 
Art Department
James B. Casey .... sculptor (as James Casey)
Roger Dietz .... set artist
Gary Fettis .... leadman
Willie E. Hunter .... assistant property master
John La Salandra .... construction coordinator (as John LaSalandra)
Douglas E. Madison .... property master (as Doug Madison)
James J. Murakami .... assistant art director (as James Murakami)
Thomas L. Roysden .... assistant property master (as Tom Roysden)
Robert Scaife .... construction foreman (as Bob Scaife)
Tom Shaw Jr. .... assistant property master (as Tom Shaw)
Alex Tavoularis .... production illustrator
Matt Tomich .... assistant property master
Thomas Wright .... production illustrator (as Thomas A. Wright)
 
Sound Department
Richard Beggs .... sound re-recordist
David Bell .... sound intern: redux version 2001
Louis Benioff .... apprentice sound editor
Mark Berger .... sound re-recordist
George Berndt .... adr editor: redux version
Jim Borgardt .... dialogue editor (as James A. Borgardt)
Nathan Boxer .... production sound recordist
Richard P. Cirincione .... supervising sound editor (as Richard Cirincione)
Kyrsten Mate Comoglio .... sound effects editor: Redux version
Joanne D'Antonio .... dialog editor
Dave Davis .... assistant sound editor (as Dave Davies)
Ethan Derner .... assistant sound editor: redux version 2001
Barbara Ellis .... apprentice sound editor
Rob Fruchtman .... apprentice sound editor
Jephrey Hetz .... apprentice sound editor
Leslie Hodgson .... sound editor
Tim Holland .... assistant sound editor
Pete Horner .... sound editor: Redux version 2001
Pat Jackson .... sound editor
Jack C. Jacobsen .... production sound recordist (as Jack Jacobsen)
Michael Kirchberger .... supervising sound editor: redux version 2001
Cliff Latimer .... sound department assistant
Barbara McBane .... assistant sound editor
Jay Miracle .... sound editor
Jeremy Molod .... foley editor: redux version
Everett Moore .... apprentice sound editor (Redux version)
Walter Murch .... sound designer
Walter Murch .... sound montage
Walter Murch .... sound re-recording mixer
John Nutt .... dialogue editor
Maurice Schell .... sound editor
Thomas Scott .... sound re-recording mixer
Leslie Shatz .... dialogue editor
Brian Slack .... adr mixer
Erich Stratmann .... assistant sound editor: redux version 2001 (as Erich Stratman)
Dale Strumpell .... sound re-recording mixer
Randy Thom .... post-production sound recordist
Denise Thorpe .... apprentice sound editor (as Denise Thorp)
Jeff Watts .... apprentice sound editor
Nina Wax .... assistant sound editor
Les Wiggins .... sound editor
Karen G. Wilson .... assistant sound editor (as Karen Wilson)
Steve Bartlett .... sound (uncredited)
Philip Rogers .... sound remastering of orig 6 track magnetic sound elements (restored version) (uncredited)
 
Special Effects by
Eddie Ayay .... special effects
Mario Carmona .... special effects
Lawrence J. Cavanaugh .... special effects (as Larry Cavanaugh)
Gerald Endler .... special effects (as Jerry Endler)
A.D. Flowers .... special effects coordinator
John Fraser .... special effects
Richard O. Helmer .... special effects (as Richard Helmer)
Rudy Liszczak .... special effects
Joe Lombardi .... special effects coordinator (as Joseph Lombardi)
Ted Martin .... special effects
David St. Ana .... special effects
 
Stunts
Steve Boyum .... stunts
Joe Finnegan .... stunts
Terry Leonard .... stunt coordinator (as Terry J. Leonard)
Kerry Rossall .... stunts (as Kerry Rossal)
Chuck Waters .... stunts
Steven Burnett .... stunts (uncredited)
Terry Leonard .... stunts (uncredited)
 
Camera and Electrical Department
Giuseppe Alberti .... assistant camera
Luigi Bernardini .... assistant camera (as Rino Bernardini)
Stephen H. Burum .... director of photography: second unit
David L. Butler .... aerial camera operator (as David Butler)
Rogilio De La Rama .... assistant camera
Caleb Deschanel .... director of photography: insert
Luciano Galli .... gaffer
Chas Gerretsen .... still photographer
Efren Lapid .... assistant camera
Alfredo Marchetti .... key grip
Mauro Marchetti .... assistant camera
Hiro Narita .... camera operator: insert
David B. Nowell .... assistant camera (as David Nowell)
Piero Servo .... camera operator: second unit
Enrico Umetelli .... camera operator
Josh Weiner .... still photographer
 
Casting Department
Sue Bastian .... casting assistant
Heig Beck .... casting assistant
Randy Carter .... casting: Philippines
Marc Coppola .... casting assistant
Éva Gárdos .... casting: Montagnard tribesmen (as Eva Gardos)
Ken Metcalfe .... casting assistant
Lou Whitehill .... casting: Philippines
 
Costume and Wardrobe Department
Luster Bayless .... costumer
Norman A. Burza .... costumer (as Norman Burza)
Dennis Fill .... costumer (as Dennis M. Fill)
Charles E. James .... costume supervisor
George L. Little .... costumer (as George Little)
Haleen K. Holt .... costume illustrator (uncredited)
 
Editorial Department
Susan Arnold .... apprentice film editor
George Berndt .... associate editor
Jay Boekelheide .... assistant film editor
Richard Candib .... assistant film editor
Doug Claybourne .... post-production coordinator
Arthur Coburn .... assistant film editor
Sean Cullen .... assistant editor: avid
Rudi Fehr .... foreign post-production coordinator
Ken Fischer .... assistant film editor (as Ken Fisher)
Dale E. Grahn .... color timer (Redux version)
Mo Henry .... negative cutter (Redux version)
Michael Jacobi .... first assistant film editor
Michael Kirchberger .... assistant film editor
Evan A. Lottman .... additional editor (as Evan Lottman)
Blackie Malkin .... additional editor
Barbara Marks .... post-production coordinator
Richard Marks .... supervising editor
Walter Slater Murch .... assistant film editor (Redux version)
Jerry Ross .... assistant film editor
Stephen Semel .... assistant film editor (as Steve Semel)
Tracey Smith .... assistant film editor
Daniel R. Suhart .... post-production assistant: Fred Roos (uncredited)
 
Music Department
Jordan Amarantha .... musician
Richard Beggs .... musician: synthesizer
Greg Errico .... musician
Patrick Gleeson .... musician: master synthesizer
Ed Goldfarb .... music arranger (Redux version)
Randy Hansen .... musician: guitar
Mickey Hart .... musician
Michael Hinton .... music production assistance
Zakir Hussain .... musician
Bernard Krause .... musician: synthesizer (as Bernard L. Krause)
Bill Kreutzmann .... musician (as Billy Kreutzmann)
Phil Lesh .... musician
Jim Loveless .... musician
Airto Moreira .... music production assistance
Don Preston .... musician: synthesizer
David Rubinson .... music producer
Nyle Steiner .... musician: synthesizer
Shirley Walker .... musician: synthesizer
Stan Witt .... music editor
Randy Hansen .... composer: additional music (uncredited)
Mickey Hart .... composer: additional music (uncredited)
 
Transportation Department
Dennis Hollis .... transportation coordinator
John Reade .... transportation coordinator (as John C. Reade)
 
Other crew
John Addington .... fixed wing pilot
Marisa Alcaraz .... production coordinator
Jean A. Autrey .... production controller
Lee Beaupre .... marketing director
John Calvert .... choreographer: playmate show
Robert Carroll .... production assistant
John Chapman .... production assistant
Doug Claybourne .... special assistant to producers
Patti Claybourne .... production assistant
Pete Cooper .... marine coordinator
Eleanor Coppola .... documentary supervisor
Francis Ford Coppola .... presenter
Russ Corin .... production assistant
Catherine Craig .... archivist (Redux version)
Loolee DeLeon .... production coordinator (as Loolee De Leon)
Brett Dicker .... foreign publicity coordinator
Tony Dingman .... production assistant
Richard Dioguardi .... military advisor
Shane Edwards .... marine coordinator
Jack English .... location coordinator
Deborah Fine .... production liaison and research: USA
Wayne Fitzgerald .... title designer
Jack Fritz .... executive assistant
Ernst Goldschmidt .... representative: foreign producer
Paul Gregory .... military advisor
Paul G. Hensler .... military advisor (as Paul Hensler)
Nancy Hopton .... script supervisor (as Nancy Tonery)
Kevin Hughes .... production assistant
Linda Ignacio .... department of tourism: Philippines
Dennis Jakob .... creative consultant
J. David Jones .... aerial coordinator (as David Jones)
Dennis Juban .... military liaison: Philippines
Peter Kama .... military advisor (as Lt. Colonel Peter Kama)
Lloyd Kind .... production assistant (as Lloyd Kino)
John La Salandra .... production executive (as John LaSalandra)
Gwen M. Lucas .... assistant production controller
Melissa Mathison .... executive assistant
Dennis Murphy .... marine coordinator
Anahid Nazarian .... archivist (Redux version)
Ernesto Novelli .... supervising color technician
Barbara Parker .... production assistant
Ray Quiroz .... script supervisor (as Raymond Quiroz)
Phil Radcliffe .... production assistant
Fred Rexer .... military advisor (as Fred Rexer Jr.)
Francesca Rivieri .... production secretary: USA (as Francesca Riviere)
Larry Rovetti .... supervising color technician
Doug Ryan .... military advisor
Frank Simeone .... additional crew
Gabe Sumner .... campaign coordinator
Matt Tomich .... production assistant
Norman Webster .... production accountant
Dick White .... aerial coordinator
Dick White .... military advisor
Irwin Yablans .... producer's representative: USA and Canadian
Susan Leslie Battles .... secretary to the producers (uncredited)
Joe Benoit .... opticals: Modern Film Effects (uncredited)
Dan DiPaola .... production assistant (uncredited)
R. Lee Ermey .... military advisor (uncredited)
Joe Estevez .... stand-in/voice-over: Willard (uncredited)
Nancy Jencks .... film chain operator (uncredited)
Oli Laperal Jr. .... production assistant (uncredited)
Michael E. Uslan .... production attorney (uncredited)
Skip Watt .... opticals: Modern Film Effects (uncredited)
Wynne Wicker .... technical advisor: Vietnam (uncredited)
 
Thanks
Flora Purim .... special thanks
Jeff Scheftel .... special thanks
 
Crew verified as complete


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Additional Details

Also Known As:
Apocalypse Now Redux (International: English title) (longer version)
more
MPAA:
Rated R for disturbing violent images, language, sexual content and some drug use. (2001 director's cut)
Runtime:
153 min | 202 min (Redux version)
Country:
Color:
Aspect Ratio:
2.00 : 1 more
Sound Mix:
70 mm 6-Track (70 mm prints) | Dolby Digital (Redux version) | Dolby (35 mm prints) | DTS (Redux version)
Certification:
USA:R (certificate no. 25751) | Canada:18 (Nova Scotia) (Redux version) | Canada:18A (Alberta/British Columbia) (Redux version) | Canada:AA (Ontario) (re-rating) (1992) | Canada:AA (Ontario) (Redux version) | Canada:PA (Manitoba) | Canada:R (Nova Scotia/Ontario) (original rating) | Italy:VM14 | Hungary:16 | Italy:T (re-rating) (Redux version) | Philippines:R-18 | Brazil:14 (original version) | Brazil:16 (Redux version) | Argentina:18 | Australia:R | Canada:13+ (Quebec) | Chile:18 | Finland:K-15 (Redux version) | Finland:K-16 (original rating) | France:-12 | Germany:16 (bw) (Redux version) | Iceland:16 | Ireland:18 | Israel:PG | Netherlands:16 | New Zealand:R16 (Redux version) | Norway:15 (Redux version) | Norway:18 (original rating) | Peru:18 | Portugal:M/16 (Redux version) | Singapore:M18 (Redux version) (re-rating) | Singapore:R(A) (Redux version) | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 (Redux version) | UK:18 (re-rating) (1985) | UK:X (original rating) | West Germany:16
Filming Locations:

Fun Stuff

Trivia:
Marlon Brando improvised the line "You're an errand boy, sent by grocery clerks, to collect a bill." more
Goofs:
Crew or equipment visible: In Cambodia, when the crew is reading mail, then coming under fire and escaping, spray from the camera boat can be seen twice. more
Quotes:
[first lines]
Willard: [voiceover] Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
Willard: When I was home after my first tour, it was worse. I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was home after my first tour, it was worse.
[grabs at flying insect]
Willard: I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay in this room, I get weaker, and every minute Charlie squats in the bush, he gets stronger. Each time I looked around the walls moved in a little tighter.
more
Movie Connections:
Referenced in "Action: Blood Money (#1.3)" (1999) more
Soundtrack:
(I Can't Get No) Satisfaction more

FAQ

What are the differences between the Redux version and the original version?
A NOTE REGARDING SPOILERS
What is the movie based on?
more
62 out of 87 people found the following comment useful.
The Dark Side of Man, 14 August 2005
10/10
Author: ramstar22 from Texas

Francis Ford Coppola's "Apocalypse Now" is not a Vietnam War film. Do not confuse it with one. It is set to the back drop of the war, but it is a metaphorical exposition on the deteriorating effects that war has on the human psyche. It is also one of the most audacious films ever made, produced, or even conceived (second to the Lord of the Rings trilogy. To call it a masterpiece would be an understatement of proportions as ambitious as the film's production levels.

Opening with no credits and following a memorable first scene playing to the tune of the Doors "The End" as Martin Sheen's Captain Benjamin L. Willard hallucinates to images of helicopters and napalm, the plot is essentially laid out in the first 15 minutes. Willard's mission is to "terminate... with extreme prejudice" Colonel Kurtz (Marlon Brando) who has invariably gone AWOL in the far reaches of the Cambodian jungle and, as told by his general, is "out there operating without any decent restraint, totally beyond the pale of any acceptable human conduct. And he is still in the field commanding troops." Kurtz is a delusional Colonel now being worshipped by a large group of followers who have dubbed him a god. For Willard, this covert operation seems somewhat more manageable than actual combat, yet, the journey he is about to take will be a personal quest that will challenge the limits of his human behavior.

Teaming up with a small crew, they embark down the vast reaches of the river in a rickety boat. Along the way, Willard educates himself on all things Kurtz. During Sheen's raspy voice over, he details his thoughts on the abundance of material he reads. Kurtz was a highly decorated and respected Green Beret. He was a normal man with a family, until a part of him succumbed to the horrors of human brutality and he led himself down the path that Willard is being led. The descent into the jungle is marked by a mesmerizing aura that echoes the battles being fought not to far away. Eventually the power of the experience weights on the group as drugs and a sort of solitary confinement attacks their senses. But Willard seems unfazed and desensitized in his quest to find Kurtz. As he reads about this mythic figure, he is drawn to the man's power and why he has become what he has become. We know that Willard's slow decay will parallel that of Kurtz's.

Marlon Brando has been revered for decades. His presence: unmatchable. His genius: undeniable. But for those unacquainted with his acting prowess and unaccustomed to his physical nuance, Brando can be perceived, in the eyes of an uncompromising film-goer, as a hack. He is most certainly not. Brando was difficult to work with, hard to interpret and impossible to understand, but his talent for unintelligible rants and unparalleled monologues is irrefutable. The man obviously knew what he was doing even if we didn't. His Colonel Kurtz is a being of limitless delusions and continual profundity.

If the film is any indication of the journeys into hell than Francis Ford Coppola's actual experience with making this masterpiece is a true life account of one man's fanatical struggle to produce a movie. It is reported that during the film's 200 plus day principle photography schedule, Coppola contemplated suicide. The film was not only an undeniable struggle to make; it is a grueling film to watch. Coppola's sweat and blood seep through the pores of the steamy locals and his dedication filters through the orifices of Martin Sheen's haunted soldier Willard.

I can not help but feel a warm sense of nostalgia for this type of film. At the dawn of all that was original and unprecedented, films that challenged as well as stimulated were commonplace. Audacity aside, Apocalypse Now is pure film-making. My respect and admiration for Mr. Coppola is of the highest order. But I shudder at the return to what has become the norm for today's standards for film: a lack of innovation. It is not simply the unoriginality of the world of cinema today; it is the fact that nobody seems to care to tell a story anymore or to tell one with heart. But we still have the great ones like Coppola's masterpiece, a film which bathed in its ability to give us something deeper than that which we could comprehend.

That depth in Apocalypse Now is the step into madness. The killing can disturb. The loss of innocence can unhinge. But it is the damage from within; the countless barrages of images that distress, unnerve and detach us from our everyday world and the memories that plague our deepest thoughts that eventually segregates us from humanity and propels us into the realm of the instinctual, the savage and the animalistic. If the thought of killing does not provide sustenance, the act of killing provides man with its fundamental catharsis.

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