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Nashville (1975)
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Overview
User Rating:
Release Date:
21 September 1975 (UK) moreTagline:
Wild. Wonderful. Sinful. Laughing. Explosive. morePlot:
Over the course of a few hectic days, numerous interrelated individuals prepare for a political convention as secrets and lies are surfaced and revealed. full summary | add synopsisAwards:
Won Oscar. Another 20 wins & 23 nominations moreNewsDesk:
(34 articles)
Crashville: The Risky Route To Oscar Glory (From SoundOnSight. 6 November 2009, 10:00 PM, PST)
Dog Ears Music: Volume Ninety-Six
(From Huffington Post. 30 October 2009, 8:38 AM, PDT)
User Comments:
a milestone in my filmgoing experience more (113 total)Cast
(Cast overview, first billed only)| David Arkin | ... | Norman | |
| Barbara Baxley | ... | Lady Pearl | |
| Ned Beatty | ... | Delbert Reese | |
| Karen Black | ... | Connie White | |
| Ronee Blakley | ... | Barbara Jean | |
| Timothy Brown | ... | Tommy Brown | |
| Keith Carradine | ... | Tom Frank | |
| Geraldine Chaplin | ... | Opal | |
| Robert DoQui | ... | Wade (as Robert Doqui) | |
| Shelley Duvall | ... | L. A. Joan | |
| Allen Garfield | ... | Barnett | |
| Henry Gibson | ... | Haven Hamilton | |
| Scott Glenn | ... | Pfc. Glenn Kelly | |
| Jeff Goldblum | ... | Tricycle Man | |
| Barbara Harris | ... | Albuquerque |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
159 minCountry:
USALanguage:
EnglishColor:
Color (Metrocolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
4-Track Stereo (magnetic prints)Certification:
Canada:PG (Ontario) | Singapore:NC-16 | Netherlands:12 | West Germany:12 | UK:AA (original rating) | Finland:K-12 | Sweden:11 | UK:15 | USA:RFun Stuff
Trivia:
In 2007, the American Film Institute ranked this as the #59 Greatest Movie of All Time. It was the first inclusion of this film on the list. moreGoofs:
Factual errors: When attempting to interview Tommy Brown, Opal says that she is from the BBC. When questioned, she explains that this stands for the British Broadcasting Company. It actually stands for the British Broadcasting Corporation. moreQuotes:
Bill: You're supposed to wear the blue dress when I wear this.Mary: I don't want to dress like twins anymore.
Bill: We're not twins. We're a trio.
more
Soundtrack:
Let Me Be the One moreFAQ
This FAQ is empty. Add the first question.more (113 total)
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I saw Nashville when it was first shown, billed as Altman's "birthday card" to America on the occasion of the bicentennial. The greatest tribute I can pay is that, despite its frequent shifts of location, many individual scenes and characterizations, as well as the overarching story line, remained vivid in my mind over the years before I was able to purchase the film on video. When I taught Film History at my college I used Nashville as the final examination for the course. After having viewed the film, students were instructed to identify the elements of film technique previously studied(such as overlapping dialogue, jump shots, widescreen, etc) in order to forward the narrative, as they were employed by Altman. In general, they did very well; even those who disliked the film. There are too many admirable performances for me to mention; however, those that remained most vivid in my mind over the years were those of Gwen Welles, Ronee Blakley, Henry Gibson, and Lily Tomlin. One last note of appreciation regards the fact that all the characters were introduced within the first twenty minutes at the airport; their personalities brought out in the highway scene;and their being brought together again, cyclically, during the last twenty minutes at the "Parthenon". It has been several years since I used Nashville for pedagogical purposes. When I purchased the DVD recently I found that, despite my numerous viewings and classroom analysis, the impact was virtually the same as when I first saw it in 1976. For me, it did not "murder to dissect" this personal milestone.