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IMDb > Love Among the Ruins (1975) (TV)

Love Among the Ruins (1975) (TV) More at IMDbPro »

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Overview

User Rating:
7.8/10   334 votes
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Up 15% in popularity this week. See rank & trends on IMDbPro.
Director:
George Cukor
Writer:
James Costigan (writer)
Contact:
View company contact information for Love Among the Ruins on IMDbPro.
Release Date:
6 March 1975 (USA) more
Genre:
Drama | Comedy | Romance more
Plot:
An aging actress is being sued for breach of promise. She hires as her lawyer a man who was an ex-lover and is still in love with her... more | add synopsis
Awards:
Won 6 Primetime Emmys. Another 2 wins & 2 nominations more
User Comments:
Great actors, director, story, but made for tv so its unknown more

Cast

  (Cast overview, first billed only)

Katharine Hepburn ... Jessica Medlicott

Laurence Olivier ... Sir Arthur Glanville-Jones
Colin Blakely ... J.F. Devine
Richard Pearson ... Druce
Joan Sims ... Fanny Pratt
Leigh Lawson ... Alfred Pratt
Gwen Nelson ... Hermione Davis
Robert Harris ... The Judge
Peter Reeves ... Maiden
John Blythe ... Tipstall
Arthur Hewlett ... The Usher
John Dunbar ... The Clerk of the Court
Ian Sinclair ... Pratt's Solicitor
Mervyn Pascoe ... 1st Barrister
Colin Thomas ... 2nd Barrister
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Additional Details

Runtime:
100 min
Country:
UK
Language:
English
Color:
Color
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Mono
Filming Locations:
London, England, UK

Fun Stuff

Trivia:
Originally intended as a vehicle for legendary husband and wife performers of the Broadway stage, Alfred Lunt and Lynn Fontanne. more
Movie Connections:
Referenced in "ER: Love Among the Ruins (#1.23)" (1995) more

FAQ

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10 out of 10 people found the following comment useful:-
Great actors, director, story, but made for tv so its unknown, 18 May 2001
10/10
Author: jefu from slightly east of west

Katharine Hepburn and Laurence Olivier both put in great performances in this quiet, bittersweet romantic comedy. The writing is wonderful and the direction sublime. Olivier, in particular, as a lawyer (Sir Arthur Manville-Jones) defending a long lost love Jessica (Hepburn) in a "breach of promise" case, comes to life in a way that is far too rare on film. He is each of us remembering that one person we can never forget - and now he has the chance to reconnect with her.

But the ways of love are never smooth and Jessica's involvement with (and subsequent rejection of) a younger man who clearly is interested in her money (and played with precise sliminess by Leigh Lawson) now has her entangled in a court case and probably not in as strong a position as she (or Sir Arthur) would like.

To complicate matters, Sir Arthur is still in love and reminds her of how they met these long years ago. Jessica's memory may not be so good, but Sir Arthur is determined to do all possible to save her from the slimey young man.

The film centers around three kinds of scenes: almost all are focussed on Olivier. In some Sir Arthur remembers his earlier time with Jessica and plots his performance in court - with his clerk and others. In these we see Sir Arthur and the feelings he still has for Jessica and his hope that maybe you can go back again.

In other scenes the focus is on Jessica and Sir Arthur, his memories, her current situation, his plans for the trial. Sir Arthur's feelings are sometimes concealed (though not always well) while Jessica (once an actress) is better at masquerading.

Finally, there are the courtroom scenes in which Olivier transcends both Olivier and Sir Arthur and shows us a barrister putting on a performance in the court that is entirely different from all we have seen Sir Arthur do before.

But Jessica is also putting on a performance, and when the depth of this performance and the deliberateness of her deceit are revealed, you suddenly have a second chance to see who Jessica is and was and maybe who she will be.

There have been a number of great filmed love stories (and Hepburn is no stranger to them), but this is a bit different - its about young love - between two people who are far from young. Its about hope and how things work out sometimes. Its funny and sad - often at the same time. It may not be a great film - but its a very good one indeed, well worth watching and rewatching.

But since it was made for TV it seems to have been destined to be quietly ignored - this is a shame as it is far better than most of the stuff thats endlessly recycled on cable.

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