The Way We Were (1973)

User Rating:

6.9/10   

Director:

Sydney Pollack

Writer:

Arthur Laurents (written by)

Release Date:

19 October 1973 (USA)

Genre:

Drama | Romance

Tagline:

Everything seemed so important then .. even love!

Plot:

Two desperate people have a wonderful romance, but their political views and convictions drive them apart.

Plot Keywords:

College | Writing | Hollywood | Communist | Bittersweet

Awards:

Won 2 Oscars. Another 4 wins & 7 nominations

Cast

Barbra Streisand	...	Katie Morosky
Robert Redford	...	Hubbell Gardner
Bradford Dillman	...	J.J.
Lois Chiles	...	Carol Ann
Patrick O'Neal	...	George Bissinger
Viveca Lindfors	...	Paula Reisner
Allyn Ann McLerie	...	Rhea Edwards
Murray Hamilton	...	Brooks Carpenter
Herb Edelman	...	Bill Verso
Diana Ewing	...	Vicki Bissinger
Sally Kirkland	...	Pony Dunbar
Marcia Mae Jones	...	Peggy Vanderbilt
Don Keefer	...	Actor
George Gaynes	...	El Morocco Captain
Eric Boles	...	Army Corporal

Runtime:

118 min

Country:

USA

Language:

English

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Canada:G (Quebec) | Canada:PG (Manitoba/Ontario) | Iceland:12 | Argentina:13 | Chile:14 | Finland:K-12 | Sweden:11 | USA:PG | West Germany:12 | Australia:PG | Singapore:PG | Netherlands:12

Filming Locations:

Ballston Spa, New York, USA

Company:

Columbia Pictures Corporation

Trivia:

The college scenes were shot at Union College in Schenectady, New York. The large rotunda-like building is the Nott Memorial at Union College. The restaurant scene where Robert Redford and Barbra Streisand meet outside was filmed at the old Medberry Hotel in Ballston Spa, New York.

Goofs:

Continuity: At the end of the movie, Barbra Streisand and Robert Redford embrace. He's wearing a trench coat with the collar up. In the course of the embrace, shot from behind Redford, Streisand's gloved hand moves down the back of his head, ultimately flattening the collar of the trench coat. In the next shot, face-on to Redford, the collar of the trench coat is back up.

Quotes:

Katie Morosky Gardner: I don't have the right style for you do I?
Hubbell Gardner: No you don't have the right style.
Katie Morosky Gardner: I'll change.
Hubbell Gardner: No, don't change. You're your own girl, you have your own style.
Katie Morosky Gardner: But then I won't have you. Why can't I have you?
Hubbell Gardner: Because you push too hard, every damn minute. There's no time to ever relax and enjoy living. Every things too serious to be so serious.
Katie Morosky Gardner: If I push too hard it's because I want things to be better, I want us to be better, I want you to be better. Sure I make waves you have I mean you have to. And I'll keep making them till your everything you should be and will be. You'll never find anyone as good for you as I am, to believe in you as much as I do or to love you as much.
Hubbell Gardner: I know that.
Katie Morosky Gardner: Well then why?
Hubbell Gardner: Do you think if I come back its going to be okay by magic? What's going to change? What's going to be different? We'll both be wrong, we'll both lose.
[...]

Movie Connections:

Referenced in Big (1988)

Soundtrack:

The Way We Were

Despite some faults, it's still pretty good

The theme of a golden boy falling for a girl from "another world", be it social class, the "wrong side of the tracks" or fill in your cliché here, is one that goes back to the silent film era. One of the most famous examples is Sydney Pollack's 1973 film "The Way We Were". Set from the 1930's through the 1950's, Barbra Streisand plays Katie, an outspoken member of the Communist party and campus activist who does not have anything handed to her; she works two and sometimes three jobs in order to pay for her living and college tuition. Hubble (Redford) is your typical aforementioned golden boy, a "big man on campus" who indulges in sports, debutantes and all-around good times. The two know each other from the diner Katie works at (he being the patron) and at one point before graduation, briefly bond over their shared passion for writing. Cut to a few years in the future and Katie encounters Hubble at a bar. Hubble is in the armed forces and Katie is characteristically working a couple of jobs while volunteering for various social causes. After a night of drunken sex (Hubble being the drunken one) they embark on an unlikely relationship that spans over a decade and includes a move to California (when Hubble becomes a screenwriter in Hollywood) and the conception of one child. They are happy, but realize that regardless of their desire, they can't completely cross social lines and certainly can't change one another, particularly Katie's ever-ferocious dedication to social causes; a fight that becomes exponentially heated during McCarthy's Red Scare. The two have to decide whether they can sustain enough raw emotion for one another to persevere over everything else that is stacked up against them.

There are several things about "The Way We Were" that require suspension of disbelief (the fact that despite never having had much contact with one another that after one night of drunken lust and an awkward "morning after" being enough to kick start a relationship the magnitude of theirs is the first thing that comes to mind) but the bottom line is that it really is a well-written, well-directed and well-acted film. The two principal characters are full and complex, regardless of whether we are talking about the socially conscience Katie or the socially acceptable Hubble. I suspect they somewhat were written with the intent of familiarity for the purpose of effectiveness, and if this is true, it worked on me. The era in which these two characters were set was a very interesting time in American history, and the characters' actions during these times created some compelling cinema, particularly when it touched on the Red Scare.

But who am I fooling? The main reason people watch this movie, whether for the first time or for the fiftieth is for the doomed romance, and Streisand and Redford deliver in spades. "The Way We Were" was written for Streisand, (something that cause Redford to turn down the part at first, because he knew the film was going to be hers) and her portrayal of Katie is excellent. There are so many perceptions of Streisand nowadays (some of them correct, to be sure) that it's easy to forget that she really does have some serious acting chops, and she exhibits them to full effect here. I also happened to learn that the soft filtered lens thing with her didn't just start with her later movies, for whatever reason she was filmed with that lens more often than not here, but that didn't do anything more than slightly distract me because I couldn't help but chuckle. Redford gives a typical solid performance as well, though his initial doubts about taking the role turned out to be valid; he is not the dynamic figure in the film. However, his character is a strong one and Redford does a good job.

I don't know if Pollack knew he was creating a screen classic when he directed "The Way We Were" but he did make a very good film. If you can make it past some major melodrama and some plot holes (what was the deal with their child?) watch this film, and just sit back and appreciate it for what it is – a chick flick that guys don't have to feel ashamed watching. 7/10 --Shelly