Viskningar och rop (1972)

User Rating:

8.0/10   

Director:

Ingmar Bergman

Writer:

Ingmar Bergman (writer)

Release Date:

5 March 1973 (Sweden)

Genre:

Drama | Romance

Tagline:

A haunting and shattering film experience.

Plot:

When a woman dying of cancer in turn-of-the century Sweden is visited by her two sisters, long repressed feelings between the siblings rise to the surface.

Plot Keywords:

Dying | Turn Of The Century | Mansion | Flashback | Jealousy

Awards:

Won Oscar. Another 19 wins & 7 nominations

Cast

Harriet Andersson	...	Agnes
Kari Sylwan	...	Anna
Ingrid Thulin	...	Karin
Liv Ullmann	...	Maria (and her mother)
Anders Ek	...	Isak, the priest
Inga Gill	...	Story teller
Erland Josephson	...	David, the doctor
Henning Moritzen	...	Joakim, Maria's husband
Georg Årlin	...	Fredrik, Karin's husband
rest of cast listed alphabetically:
Ingrid Bergman	...	Spectator (as Ingrid von Rosen)
Lena Bergman	...	Maria as a child
Lars-Owe Carlberg	...	Spectator
Malin Gjörup	...	Anna's daughter
Greta Johansson	...	Undertaker
Karin Johansson	...	Undertaker
Ann-Christin Lobråten	...	Spectator
Börje Lundh	...	Spectator
Rossana Mariano	...	Agnes as a child
Monika Priede	...	Karin as a child
Linn Ullmann	...	Maria's daughter

Also Known As:

Cries and Whispers (USA)

Runtime:

91 min

Country:

Sweden

Language:

Swedish

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Sweden:15 | Argentina:16 | Finland:K-16 | Singapore:M18 | UK:18 (re-rating) (1998) | UK:X (original rating) | USA:R

Filming Locations:

Taxinge-Näsby estate, Mariefred, Södermanlands län, Sweden

Company:

Cinematograph AB

Trivia:

Ingmar Bergman explained the use of the color red his film: "'Cries and Whispers' is an exploration of the soul, and ever since childhood, I have imagined the soul to be a damp membrane in varying shades of red."

Goofs:

Revealing mistakes: You can briefly see Agnes take a breath after she has died, just before the scene changes.

Quotes:

Maria: You've changed. Is there someone else?
David: There always is. Besides, I thought the problem didn't interest you.
Maria: It doesn't.

Movie Connections:

Referenced in Soigne ta droite (1987)

Soundtrack:

Mazurka in A minor, Op.17/4

One of Ingmar Bergman's most personal statements, one of his best

Cries and Whispers is a film that will strike at least one chord with any viewer on its emotional placement, the almost unflinching (and absolutely masterful) camera technique by Sven Nykvist, and with the characterizations from the four female leads, in-particular the dying Harriet Andersson. This is also a film that will be very hard to stomach for most (it was at times for me), with it's sheer display of constant despair and grief, and the overall state of mind these characters hold. Ullman plays Agnes, marked with Tuberculosis, she lays on her death bed like a zombie writhing in pain for the eventual end, with her two sisters, Maria and Karin, and the servant Anna, at her bedside, though seeming at a distance (except for Anna). Bergman also views Maria and Karin's relationships with themselves and their husbands, both rather brutal (Karin has a scene with a shard of glass that had me gasp).

The examination of these roles, and the entire feel of the house, which is always shown as red as blood, make this in the realm of cinematic drama a shocker, and a masterwork to be certain. There's only one aspect of the film that I can criticize: many times in the film Bergman uses a red screen to fade in and fade out, and then again a few seconds later, and this seems to have not much purpose to the symbolic impact since the inside of the house conveys enough that these people are in a metaphorical house of hell already, and the fadings don't add any weight to it. Nevertheless this is one director's great films, a landmark in fact, though this doesn't mean it's quite as accessible as The Seventh Seal or even the epic Fanny and Alexander.

This is cinema for those who almost enjoy, paradoxically, their intestines ripped out and stomped on the floor only to find out it was just an unforgettable dream. Swedish movies rarely get this visceral. A+