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Cabaret (1972)
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Overview
User Rating:
Director:
Writers:
Release Date:
13 February 1972 (USA)
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Tagline:
The Award-Winning Smash Hit Musical [UK Video] more
Plot:
A female girlie club entertainer in Weimar Republic era Berlin romances two men while the Nazi Party rises to power around them. full summary | add synopsis
Awards:
Won 8 Oscars.
Another 24 wins
&
13 nominations
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NewsDesk:
(83 articles)
The Satellites Have Launched. What Are They Orbiting?
(From FilmExperience. 30 November 2009, 6:10 AM, PST)
Flora The Red Menace Plays The Rising Action Theatre Now Thru 11/22; Audiences Delights, Critics not Convinced
(From BroadwayWorld.com. 22 November 2009, 4:45 AM, PST)
(From FilmExperience. 30 November 2009, 6:10 AM, PST)
Flora The Red Menace Plays The Rising Action Theatre Now Thru 11/22; Audiences Delights, Critics not Convinced
(From BroadwayWorld.com. 22 November 2009, 4:45 AM, PST)
User Comments:
An eerie, glowing tinderbox full of grinning souls and desperate laughter...
more (131 total)
Cast
(Cast overview, first billed only)| Liza Minnelli | ... | Sally Bowles | |
| Michael York | ... | Brian Roberts | |
| Helmut Griem | ... | Maximilian von Heune | |
| Joel Grey | ... | Master of Ceremonies | |
| Fritz Wepper | ... | Fritz Wendel | |
| Marisa Berenson | ... | Natalia Landauer | |
| Elisabeth Neumann-Viertel | ... | Fräulein Schneider | |
| Helen Vita | ... | Fräulein Kost | |
| Sigrid von Richthofen | ... | Fräulein Mayr (as Sigrid Von Richthofen) | |
| Gerd Vespermann | ... | Bobby | |
| Ralf Wolter | ... | Herr Ludwig | |
| Georg Hartmann | ... | Willi | |
| Ricky Renée | ... | Elke (as Ricky Renee) | |
| Estrongo Nachama | ... | Cantor | |
| Kathryn Doby | ... | Kit-Kat Dancer |
Additional Details
Parents Guide:
Runtime:
124 min
Country:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
4-Track Stereo |
Dolby Digital (DVD version)
Certification:
Iceland:L |
UK:15 (video rating) (1986) |
UK:X (original rating) |
Canada:PG (Ontario) |
Canada:PG (video rating) |
Argentina:13 |
Finland:K-16 |
Sweden:15 |
USA:PG |
West Germany:16 |
Australia:M |
Portugal:M/12 (DVD rating) |
Portugal:M/16 |
Singapore:PG
Filming Locations:
Company:
Fun Stuff
Trivia:
There is much speculation about the identity of the singer of "Tomorrow Belongs to Me". Apparently, Bob Fosse's biography states that the song was recorded for the film by Broadway actor/singer called Mark Lambert. This actor is said to have refused to dye his hair blond so a German extra (the "Nazi youth") stood in for him on camera.
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Goofs:
Anachronisms: The movie is set in 1931, but Bryan and Sally stroll down the street with defaced election posters in the background from the Presidential elections of 1932.
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Quotes:
Movie Connections:
Referenced in "30 Rock: Into the Crevasse (#4.2)" (2009)
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Soundtrack:
Two Ladies
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FAQ
Where was the movie shot?Chapter Headings, an official version:
Chapter Headings, a semi-official version:
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more (131 total)
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Pre-Nazi Germany is a hotbed of escalating tensions, but decadent nightclub performer Sally Bowles is oblivious to the encroaching horrors. If you know a little about Liza Minnelli and you're curious, "Cabaret" should make you a fan; if you're not interested or just don't like her, "Cabaret" probably isn't the movie for you. Liza is the heart, soul, and centerpiece of the picture; when she's on-screen, everybody else is irrelevant. Movie-fans still discuss whether Liza was actually acting the role of Sally Bowles or just being herself (her Oscar-win still draws debates--Diana Ross in "Lady Sings The Blues" is oft-times described as 'robbed' for the Best Actress statue). Indeed, time has proved that Minnelli had a whole lot in common with Sally, the parallels are even echoed in much of the dialogue, but this part utilizes her entire range (sarcastic sass, vulnerable imp, high-powered musical presence) and she's fabulous. She doesn't do anything small, even her quiet moments are extraordinary. Her final speech to Michael York ("How soon would it be before we started hating each other?") is a knockout, as good as any of her musical numbers, and when he lashes out in anger, she sighs, "If you wanna hit me, why don't'cha just hit me?" She can be fragile and wounded, but it's in her spirit to get right back up and perform. The film is a burlesque nightmare, amazingly directed and photographed, filled with great actors and songs and a deadly-serious finale. It's a classic. **** from ****