The Wild Bunch (1969)

Director:

Sam Peckinpah

Writers:

Walon Green (story) and
Roy N. Sickner (story) ...

Release Date:

7 August 1969 (Hong Kong)

Genre:

Action | Western

Tagline:

The land had changed. They hadn't. The earth had cooled. They couldn't.

Plot:

An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.

Plot Keywords:

Mexico | Outlaw | Gun | Mexican | Frontier

Awards:

Nominated for 2 Oscars. Another 5 wins & 2 nominations

Cast

William Holden	...	Pike Bishop
Ernest Borgnine	...	Dutch Engstrom
Robert Ryan	...	Deke Thornton
Edmond O'Brien	...	Freddie Sykes
Warren Oates	...	Lyle Gorch
Jaime Sánchez	...	Angel (as Jaime Sanchez)
Ben Johnson	...	Tector Gorch
Emilio Fernández	...	Gen. Mapache (as Emilio Fernandez)
Strother Martin	...	Coffer
L.Q. Jones	...	T.C
Albert Dekker	...	Pat Harrigan
Bo Hopkins	...	Clarence 'Crazy' Lee
Dub Taylor	...	Rev. Wainscoat
Paul Harper	...	Ross
Jorge Russek	...	Maj. Zamorra

Runtime:

134 min | USA:145 min (1995 re-release)

Country:

USA

Language:

German | English | Spanish

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | DTS (1995 re-release) | Dolby Digital (1995 re-release) | Mono (35 mm prints) | SDDS (1995 re-release)

Certification:

Canada:14 (Nova Scotia) (re-rating) (1995) | Canada:AA (Ontario) (re-rating) (1995) | Canada:R (Nova Scotia/Ontario) (original rating) | Canada:R (Manitoba) | UK:18 (re-rating) (1988) (also director's cut) | UK:X (original rating) (cut) | France:-18 (original rating) | Brazil:14 | Finland:K-16 (1998) (uncut) (director's cut) | Finland:K-16 (1988) (cut) | Finland:K-18 (1969) (uncut) | South Korea:18 | Iceland:16 | Malaysia:U (director's cut) | USA:R (re-rating on appeal) | Germany:16 (DVD rating) | Canada:18A (British Columbia) (1999) | Portugal:M/12 | Spain:13 | Australia:MA (director's cut) | Canada:13+ (Quebec) | France:-12 (director's cut) | Netherlands:12 | New Zealand:R16 (director's cut) | Norway:16 (cut) | Norway:18 | Singapore:NC-16 | Sweden:15 | USA:R (original rating) | West Germany:16 (w) | Ireland:18

Filming Locations:

Durango, Mexico

Company:

Warner Brothers/Seven Arts

Trivia:

The image of the scorpion being dropped in the ant hill was suggested by Emilio Fernández because he and his friends used to do that as children. The image was not in the script.

Goofs:

Audio/visual unsynchronized: When Lyle and Tector are shooting at the wine casks, the slide on Lyle's gun is locked indicating the gun is empty. However, shots are still heard. In the 1995 re-release version this has been corrected. Only one shot is heard after the slide locks on Lyle's .45, and that shot comes from Tector's revolver.

Quotes:

Tector Gorch: Silver rings.
Dutch Engstrom: [upset] "Silver rings", your *butt*! *Them's washers*! *Damn*!
Lyle Gorch: Washers. Washers. We shot our way out of that town for a dollar's worth of *steel holes*!
Pike Bishop: They set it up.
Lyle Gorch: "They"? Who in the hell is "they"?
Sykes: [laughs hysterically] "They"? Why, they is the plain and fancy they, that's who "they" is! Caught you, didn't they? Tied a tin can to your tail. Led you in and waltzed you out again. Oh my what a bunch! Big tough ones, hunh? Here you are with a handful of holes, a thumb up your ass, and a big grin to pass the time of day with. They? Who the hell is "they"?
[...]

Movie Connections:

References The Bridge on the River Kwai (1957)

Still Savage, Still Bloody, Still Great

"The Wild Bunch" is one of those movies people don't agree on, even those that agree it's great. It's definitely complex, entertaining in a disturbing way, and manages to be at once nihilistic and moralistic, not an easy trick, especially for a cowboy film.

The first problem we have to deal with when watching this film is the fact there's very quickly a gunfight going on and, against all movie convention, no one to root for. There's an all-star cast on one side, including William Holden, Ernest Borgnine, Ben Johnson, and Warren Oates, but against all expectation, they turn out to be a pretty black crew. About the first thing out of Holden's mouth, said about a cowed group of innocents, is "If they move, kill 'em," and before the battle is over, we've seen him and his team commit all sorts of savagery. About the only reason we don't immediately see them as evil is that the people they battle are no better.

Over time, we are encouraged to find something of value in Holden's Pike Bishop and his ruthless confederates, as they ride away, lick their wounds, and try to figure out how to get something else going, anything. The only problem is its 1913 and these outlaws are running out of time and options. "I'd like to make one good score and back off," is how Pike says it, to which Borgnine's faithful buddy Dutch exclaims: "Back off to what?!"

Chasing the bunch, and offering the viewer the film's one sympathetic character, is Robert Ryan as Deke Thornton, a former partner of Pike's who doesn't want to go back to jail and for whom killing the bunch is the one unpleasant means of securing his freedom. Ryan, who died in 1973, is probably not as recognizable as the other leads today, but he lends a sad, elegiac presence to his on-screen moments that give the film much of its grace and warmth.

The final star is director Sam Peckinpah, who made a truly revolutionary film that not only pushed the art of film forward but holds up today as a cinematic experience. Time has been kind to this film in a way it hasn't to other ground-breaking auteur moments from the same era, like "MASH" and "Easy Rider." When "The Wild Bunch" came out just as the 1960s were ending, people were truly shocked by the violence and cruel characters. Today, of course, such things are so common, and so mindlessly celebrated, that we find ourselves admiring what Peckinpah does for the surprisingly subtle and restrained way he goes about presenting us with mayhem and carnage, and his refusal to glorify it, however exciting and entertaining the overall package.

Surprisingly for a director who had trouble getting work at the time, Peckinpah landed three Oscar winners in the cast, and a fourth, Ben Johnson, who'd win his a couple of years later. Obviously, the acting is strong, each player investing his spare lines with the right degree of space and spirit, but it's probably worked even better that the movie game in 1969 was in the process of passing the fuddy-duddy likes of Holden, Borgnine, and Edmond O'Brien behind. This makes them very believable as a group of hard-nosed has-beens. In that light, it's kind of cool how hip this film so quickly became when it was released.

It's such a good film it's easy to overlook minor weaknesses. There's a nice bit of symbolism in the beginning, now famous, where the gang rides past a group of children tormenting scorpions and ants, but the point, once made, is beaten into the ground. There are some bits of convenience that stick out, like when a gunned-down outlaw rises and mows down his attackers with a few too-precise shotgun blasts. The general dislikeability of just about everything and everybody does feel a bit of a weight after a couple of viewings.

But what's great is just awesome, especially that opening sequence and the final showdown at Bloody Porch. Such terrific punch-drunk ambiance, it's almost a shame to watch it sober. The feeling of a new era coming upon us, which we see in everything from the doughboy uniforms at the outset to the car General Mapache rides around in, is redoubled by the glorious splendor, even clarity of this picture. Is it too much to praise a movie for the quality of the film stock itself? This is a paradox film, one about obsolescence and growing old that remains startling new-looking and fresh 35 years on.