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A Walk with Love and Death (1969)
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Overview
Release Date:
5 October 1969 (USA) moreTagline:
You asked me to kill and I killed for you. You asked me to love and I loved you. But how can I ask you to die with me? morePlot:
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An odd item in Huston's filmography moreCast
(Cast overview, first billed only) | Anjelica Huston | ... | Claudia |
 | Assi Dayan | ... | Heron of Fois (as Assaf Dayan) |
| Anthony Higgins | ... | Robert of Loris (as Anthony Corlan) |
| John Hallam | ... | Sir Meles |
| Robert Lang | ... | Pilgrim Leader |
| Guy Deghy | ... | The Priest |
| Michael Gough | ... | Mad Monk |
| George Murcell | ... | The Captain |
| Eileen Murphy | ... | Gypsy Girl |
| Anthony Nicholls | ... | Father Superior |
| Joseph O'Conor | ... | Pierre of St. Jean (as Joseph O'Connor) |
 | John Huston | ... | Robert the Elder |
| John Franklyn | ... | Whoremaster |
| Francis Heim | ... | Knight Lieutenant |
| Melvyn Hayes | ... | First Entertainer |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
90 minCountry:
USALanguage:
EnglishColor:
ColorSound Mix:
MonoFilming Locations:
Burg Liechtenstein, Maria Enzersdorf, Lower Austria, AustriaMOVIEmeter: 
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The movie is a thin, episodic journey through a landscape marked by battles and skirmishes and dangers - it doesn't aim for an epic quality (everything is very sparse) nor to analyze the political or social aspects of the situation (except in a brief appearance by Huston himself as a nobleman who's giving up his rank to join the peasants - he's much more vibrant and interesting than anyone else in the movie): actually it's a bit of a mystery what it DOES aim to do. Judged simply as an evocation of pure time and place, it's a bit too discreet and tidy - hardly the kind of attempt to conjure up messy verisimilitude that failed in "Revolution." Huston is fairly interesting and manages to convey both her noble blood and the idiosyncratic attitude that would have led her on this journey. The film's general discretion works against a compelling depiction of passion, and it ultimately seems to have worked its way merely to a teenage idyll of togetherness, which makes it hard to face up to the imminent tragedy. An odd item in Huston's filmography, sometimes exhibiting the awkwardness of a dubbed Continental item.