| Liv Ullmann | ... | Eva Rosenberg | |
| Max von Sydow | ... | Jan Rosenberg | |
| Sigge Fürst | ... | Filip | |
| Gunnar Björnstrand | ... | Col. Jacobi | |
| Birgitta Valberg | ... | Mrs. Jacobi | |
| Hans Alfredson | ... | Lobelius | |
| Ingvar Kjellson | ... | Oswald | |
| Frank Sundström | ... | Chief interrogator | |
| Ulf Johansson | ... | The doctor | |
| Vilgot Sjöman | ... | The interviewer | |
| Bengt Eklund | ... | Guard | |
| Gösta Prüzelius | ... | The vicar | |
| Willy Peters | ... | Elder officer | |
| Barbro Hiort af Ornäs | ... | Woman in the boat | |
| Agda Helin | ... | Merchant's wife | |
| Ellika Mann | ... | Prison guard | |
| Rune Lindström | ... | Fat man | |
| Axel Düberg | ... | Pilot | |
| Lars Amble | ... | Officer | |
| rest of cast listed alphabetically: | |||
| Per Berglund | ... | Soldier | |
| Jan Bergman | ... | Jacobi's driver | |
| Karl-Arne Bergman | |||
| Lilian Carlsson | |||
| Gregor Dahlman | |||
| Nils Fogeby | |||
| Karl-Axel Forssberg | ... | The secretary | |
| Åke Jörnfalk | ... | Man sentenced to death | |
| Eivor Kullberg | |||
| Monica Lindberg | |||
| Stig Lindberg | ... | Assistant doctor | |
| Frej Lindqvist | ... | Bent man | |
| Raymond Lundberg | ... | Jacobi's son | |
| Börje Lundh | |||
| Brita Öberg | ... | Woman | |
| Georg Skarstedt | ... | Man in the boat | |
| Björn Thambert | ... | Johan | |
| Nils Whiten | ... | Older man | |
| Brian Wikström | |||
Directed by | |||
| Ingmar Bergman | |||
Writing credits(in alphabetical order) | ||
| Ingmar Bergman | writer | |
Produced by | |||
| Lars-Owe Carlberg | .... | producer | |
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Ulla Ryghe | |||
Production Design by | |||
| P.A. Lundgren | |||
Art Direction by | |||
| Lennart Blomkvist | |||
Costume Design by | |||
| Mago | |||
Special Effects by | |||
| Evald Andersson | .... | special effects | |
Camera and Electrical Department | |||
| Einar Carlsson | .... | grip | |
| Gerhard Carlsson | .... | electrician | |
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| The Unbearable Lightness of Being | Cross of Iron | Gone with the Wind | My Own Private Idaho | L'albero degli zoccoli |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Sweden section |
| Add this title to MyMovies |
Bergman's Skammen is one of the most realistic depictions of war ever set to film. This is not an action film by any means, though the pacing is faster and there is most action than in most any other Bergman movie. Nor is this a romanticisation of war or patriotism, unlike most war movies. In fact, the gritty realism and the deliberate ambiguity of the character's loyalties has a very contemporary feel.
Skammen is a darkly lit movie, that should be watched at night, so as to let it work it's magic. Many of the effects are conveyed indirectly, but so effectively that some scenes compete in intensity to a contemporary, insanely huge budget film like Saving Private Ryan. Of course, the action in Skammen is on a much smaller scale but it is impressive none-the-less.
While the film-making style feels contemporary, the setting of the film feels timeless and placeless. The war-torn countryside, and even the yet intact provincial hamlet could be anywhere, any time. And this film is not so much about specific historical events, with specific names and dates, but about universal human reactions to adversity and chaos.
The acting in Skammen, though typically impressive from Ullman and Sydow, is not of primary importance in this film, unlike most other Bergman movies. Through much of the film they are spectators, much as we are. Bergman has the war imposed on them, and through them on the audience, and their reaction is perhaps what any of our reactions might be.
Highly recommended. 10/10