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Collectionneuse, La (1967)
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Overview
Release Date:
2 March 1967 (France) morePlot:
Adrien goes to a villa on the Mediterranean. He is in vacation, and wants to do absolutely nothing. He has to share the villa with a friend... more | add synopsisPlot Keywords:
Awards:
2 wins & 1 nomination moreUser Comments:
For me, this is the Rohmer's masterpiece moreCast
(Complete credited cast) | Patrick Bauchau | ... | Adrien |
 | Haydée Politoff | ... | Haydee |
| Daniel Pommereulle | ... | Daniel |
| Alain Jouffroy | ... | Writer |
| Mijanou Bardot | ... | Carole (as Mijanou) |
| Annik Morice | ... | Amie de Carole |
| Dennis Berry | ... | Charlie |
| Seymour Hertzberg | ||
| Néstor Almendros | ||
| Patrice De Bailliencourt | ... | Homme dans l'auto |
| László Benkö | ||
| Anne Dubot |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
89 minCountry:
FranceLanguage:
FrenchColor:
Color (Eastmancolor)Aspect Ratio:
1.37 : 1 moreSound Mix:
MonoCertification:
Finland:K-16Filming Locations:
Saint-Tropez, Var, FranceMOVIEmeter: 
10% since last week
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Discuss this title with other users on IMDb message board for Collectionneuse, La (1967)| Recent Posts (updated daily) | User |
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| This is a classic! | romanticnihilist |
| haydee look and sound alikes | specriv |
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It's hard to explain what is the Rohmer's cinema. In his movies you can't find heroes, incredible adventures or great action sequences. Everything happens inside the mind of the characters, and the most important aspect is the psychology of them.
La Collectioneuse is simply the masterpiece of Rohmer.
The plot is very simple: two boys and one girl in their friend's house in St.Tropez. That's all. There are not incredible events that happen, they simply LIVE there. It's an typical situation of Rohmer who likes to study the evolution of love triangles, in different situations. The explanation of the development steps, made by the usual interior voice of the main character (Adrien), it's incredibly accurate and likely. It's fantastic that sometimes Adrien's thoughts look at first to be absurd, but even in this case if we reflect a bit to that we can realize that it's true, that really in similar cases we have non-sense thoughts like those. In this way, Rohmer is unique: the psycho-evolution of the characters is incredibly real. Dialogs, internal and not, are superb and the directing essential.
Rohmer shows us how it's possible to make a masterpiece with a ridiculous budget, and how an intellectual movie can be also enjoyable and not so heavy.
The vote, of course, can't be different by 10 out of 10.