Dr. Who and the Daleks (1965)

User Rating:

5.3/10   

Director:

Gordon Flemyng

Writers:

Terry Nation (tv series "Doctor Who")
Milton Subotsky (screenplay)

Release Date:

July 1966 (USA)

Genre:

Sci-Fi

Plot:

An eccentric inventor and his companions travel in his TARDIS to the Planet Skaro and battle the evil menace of the Daleks.

Plot Keywords:

Time Machine | Telephone Box | Doctor Who | Telephone | Time Travel

Cast

Peter Cushing	...	Dr. Who
Roy Castle	...	Ian
Jennie Linden	...	Barbara
Roberta Tovey	...	Susan
Barrie Ingham	...	Alydon
Geoffrey Toone	...	Temmosus
Michael Coles	...	Ganatus
John Bown	...	Antodus
Yvonne Antrobus	...	Dyoni
Mark Petersen	...	Elyon
Bruno Castagnoli	...	Dalek Operator
Michael Dillon	...	Dalek Operator
Brian Hands	...	Dalek Operator
Robert Jewell	...	Dalek Operator (as Robert Jewel)
Kevin Manser	...	Dalek Operator

Runtime:

82 min

Country:

UK

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Iceland:L | UK:U

Filming Locations:

Shepperton Studios, Shepperton, Surrey, England, UK

Company:

AARU Productions

Trivia:

Actress Yvonne Antrobus was unavailable for post-synchronization after the shooting of the film was complete. Thus, while she is seen on-screen as Dyoni, her voice is provided by another, unnamed, actress.

Goofs:

Revealing mistakes: When Susan is escorted to the entrance of the city by two Daleks, the top half of one is very clearly seen to tip backwards for an instant.

Movie Connections:

Referenced in "Midsomer Murders: A Tale of Two Hamlets (#6.4)" (2003)

Best suits pulp-style tastes

If, like me, you enjoy checking out the reviews *before* seeing the film, here's the premise in a nutshell: A mishap with silver-haired scientist Doctor Who's latest invention hurls the cast through space and time, landing them in the midst of an eerie alien wasteland. The Doctor's companions on this unanticipated adventure are his granddaughters Susan and Barbara, and Barbara's boyfriend Ian. Needing parts to repair their damaged time machine, the company seeks help in a nearby city, only to be captured and imprisoned by the ruthless mechanical Daleks, a race of machine-bound mutants bent on world domination.

To followers of the original TV series, this plot will be as familiar as the Daleks' squawking cries of 'Exterminate,' and despite some changes to the cast (most notably the Doctor being portrayed as a human), it faithfully captures the spirit of the early programs. For viewers who've never experienced the original Who, or who don't have a taste for early pulp-style adventure sci-fi, this movie will probably be less appealing. It's a fan flick pure and simple, expressly designed to capitalize on the wave of Dalekmania that swept Britain in the mid-1960s following the show's BBC premiere.

Ironically, the film's weakest link is the Daleks themselves. The writers and producers were no doubt keen to capitalize on the popularity of the metal meanies, but it has to be said that the Daleks really don't have much of a screen presence. With their absolute lack of expression, clumsy movement, and painfully slow, mechanical, grating voices, they should never have been scripted to carry any scenes by themselves; however (alas) there are more than a few passages in the film that consist of nothing more than Dalek cross-talk acts, with one metal peppergrinder haltingly rasping its lines to another. Still, I'm one who's been spoiled by the routinely mind-blowing special effects of the 21st century; to Britons of the '60s, the stuff I find boring might have seemed menacing.

Daleks aside, the most memorable aspect of the film is the eye-popping color. The filmmakers pulled out all the stops to give the sets a wonderfully vibrant feel, liberally filling every scene with multi-hued Daleks, glowing control panels, or eerily-lit alien landscapes. This film was the first opportunity for fans to see Doctor Who in color (sorry, `colour'), and they certainly got it in spades. (The original TV series didn't drop the black-and-white format until 1970, five years later.)

The film's greatest strength is its casting, with the best performance by far coming from veteran actor Peter Cushing, best known to U.S. audiences as Grand Moff Tarkin in Star Wars. Cushing's delivery is predictably brilliant, and helps bring conviction and flair to a script that might otherwise come off as unbearably campy. As the Doctor he's also just plain likeable - much more so in fact than his TV counterpart (played by William Hartnell) who often came off as crusty and gruff. Roberta Tovey as the young Susan also gives a marvelous performance, something that's a true rarity among kid actors. Jennie Linden does an adequate job as Barbara, though her character has no clear role in the story and was probably just included to suggest continuity with the TV series, while Roy Castle provides some (generally successful) comic relief with his portrayal of the bumbling klutz Ian. Kudos also to Barrie Ingham (Thal leader Alydon) for actually giving a credible performance from beneath false eyelashes and a blonde wig.

The bottom line? The film's a little too far removed from modern tastes to be enjoyed by the average Joe, but to Who fans and sci-fi aficionados it'll be a delight.