My Fair Lady (1964)

User Rating:

7.9/10   

Director:

George Cukor

Writers:

Alan Jay Lerner (book)
George Bernard Shaw (play)

Release Date:

25 December 1964 (USA)

Genre:

Drama | Family | Musical | Romance

Tagline:

The loverliest motion picture of them all!

Plot:

A misogynistic and snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society.

Plot Keywords:

Flower Girl | Professor | Wager | Linguist | High Society

Awards:

Won 8 Oscars. Another 13 wins & 10 nominations

Cast

Audrey Hepburn	...	Eliza Doolittle
Rex Harrison	...	Professor Henry Higgins
Stanley Holloway	...	Alfred P. Doolittle
Wilfrid Hyde-White	...	Colonel Hugh Pickering
Gladys Cooper	...	Mrs. Higgins
Jeremy Brett	...	Freddy Eynsford-Hill
Theodore Bikel	...	Zoltan Karpathy
Mona Washbourne	...	Mrs. Pearce
Isobel Elsom	...	Mrs. Eynsford-Hill
John Holland	...	Butler

Runtime:

170 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

4-Track Stereo (35 mm magnetic prints) | DTS (re-release) | Dolby Digital (re-release) | Mono (16 mm prints) | Mono (35 mm optical prints) | 70 mm 6-Track (RCA Sound Recording) (70 mm prints)

Certification:

Iceland:L | USA:Approved (PCA #20570) (original rating) | USA:G (re-rating) (1970) | South Korea:All | Brazil:Livre | Canada:PG (video rating) | New Zealand:G | Argentina:Atp | Australia:G | Chile:TE | Finland:S | Sweden:Btl | UK:U | West Germany:12

Filming Locations:

Backlot, Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Company:

Warner Bros. Pictures

Trivia:

Musical theater writers Richard Rodgers and Oscar Hammerstein II had attempted to adapt George Bernard Shaw's "Pygmalion" as a musical long before Alan Jay Lerner and Frederick Loewe, but had abandoned the project as unadaptable. Rodgers and Hammerstein felt that Shaw's style of writing intellectual dialog and the emotionless character of Henry Higgins did not lend themselves to a musical. Lerner and Lowe overcame these problems by leaving Shaw's dialogue largely intact, and working under the notion that Higgins must be played by a great actor, not a great singer. Thus, they wrote the role especially for Rex Harrison, and adopted the idea that Higgins should not sing outright, but talk on pitch, less an expression of emotions than ideas.

Goofs:

Continuity: When Eliza is singing "I Could Have Danced All Night," the maids are furiously trying to dress her into the nightgown. Her right sleeve is tied but the left remains untied until she exits the bathroom where it's tied.

Quotes:

Eliza Doolittle: [singing] I shall not feel alone without you, I can stand on my own without you. So go back in your shell, I can do bloody well without...
Professor Henry Higgins: [singing] By George, I really did it, I did it, I did it! I said I'd make a woman and indeed, I did. I knew that I could do it, I knew it, I knew it! I said I'd make a woman and succeed, I did!
[speaking]
Professor Henry Higgins: Eliza, you're magnificent. Five minutes ago, you were a millstone around my neck, and now you're a tower of strength, a consort battleship. I like you this way.
[pause]
[...]

Movie Connections:

Referenced in "30 Rock: The Fighting Irish (#1.17)" (2007)

Soundtrack:

Ascot Gavotte

The character of Henry Higgins is greatly misunderstood by many and so is the film.

I have read in a great many places (including the IMDb) that Henry Higgins is a misogynist. It has also been said that the film is a misogynist's fairy tale. Anyone saying this has clearly not watched this film too closely.

First, Higgins is not a misogynist. A misogynist hates women. What Higgins is, in reality, is a misanthrope. A misanthrope basically dislikes and distrusts everyone! Watch the film and you'll notice that Higgins treats everyone with the same disregard-Col. Pickering, Eliza's father, his own mother-everyone receives his rather cynical disdain. Some of the minor characters come off being treated worse than the principals do. It's simply more noticeable with Eliza because it's more frequent, it's newer with Eliza because the other principal characters have known Higgins longer and thus take it in stride. The myth that Higgins is a misogynist is perpetuated by the song, "Why Can't A Woman Be More Like a Man?".

Second, it can hardly be called a misogynist's fairy tale. If that were the case, I doubt Alfred Doolittle would have cause to sing, "Get Me To the Church On Time", as he'd hardly be getting married. His life is just as "ruined" as Eliza's by his encounters with Higgins, just as altered as her life has been.

This is a great musical, a good movie and it was even better as the original play by Shaw. Well worth seeing. Recommended.