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Nattvardsgästerna (1962)
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Overview
User Rating:
Release Date:
11 December 1962 (Sweden) morePlot:
On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for... more | full synopsisUser Comments:
Keep some hot coffee or tea nearby. moreCast
(Complete credited cast)| Ingrid Thulin | ... | Märta Lundberg, Schoolteacher | |
| Gunnar Björnstrand | ... | Tomas Ericsson, Pastor | |
| Gunnel Lindblom | ... | Karin Persson | |
| Max von Sydow | ... | Jonas Persson | |
| Allan Edwall | ... | Algot Frövik, Sexton | |
| Kolbjörn Knudsen | ... | Knut Aronsson, Warden | |
| Olof Thunberg | ... | Fredrik Blom, Organist | |
| Elsa Ebbesen | ... | Magdalena Ledfors, Widow |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
81 minCountry:
SwedenLanguage:
SwedishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
MonoFun Stuff
Trivia:
When she saw the completed film, Ingmar Bergman's then wife Kabi Laretei said, "Yes, Ingmar, it's a masterpiece. But it's a dreary masterpiece." moreQuotes:
Algot Frövik, Sexton: The passion of Christ, his suffering... Wouldn't you say the focus on his suffering is all wrong?Tomas Ericsson, Pastor: What do you mean?
Algot Frövik, Sexton: This emphasis on physical pain. It couldn't have been all that bad. It may sound presumptuous of me - but in my humble way, I've suffered as much physical pain as Jesus. And his torments were rather brief. Lasting some four hours, I gather? I feel that he was tormented far worse on an other level...
[...]
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"Winter Light" (Swedish, 1962): Just prepare yourself. Bergman is at his depressive best here. If you've ever lived in an environment that is perpetually cold, wet, and gray, you'll understand. If not, well, this film will illustrate it for you. A preacher, in serious depression himself, is losing his flock. His flock has rampant depression too. He tries to help, but it's useless. He starts looking for answers from them. No one has answers. Things happen. Nothing happens. It's the same old thing today, and tomorrow. This film requires patience. Expect no action. Even a scene change begins to seem like excitement which is exactly what Bergman wanted for you. One scene, in which a major character "narrates" a letter she wrote to the preacher, is amazing. With a blank background, she stares into the lens of the camera, and talks "at" you for pages. What a gutsy thing to do in a MOVING PICTURE. Avoid this film if you want more than thinking and feeling as results.