Giuseppe Tomasi Di Lampedusa (novel)
Suso Cecchi d'Amico (screenplay) ...
(more)
15 July 1963 (USA) more
Luchino Visconti's Enduring Romantic Adventure
The Prince of Salina, a noble aristocrat of impeccable integrity, tries to preserve his family and class amid the tumultuous social upheavals of 1860's Sicily. full summary | add synopsis
Nominated for Oscar. Another 7 wins & 1 nomination more
Italian costume exhibition boasts Oscar-winning outfits
(From BoxWish. 4 September 2009, 6:36 AM, PDT)
Summer Preview: Repertory Calendar for the Coasts
(From IFC. 5 May 2009, 1:32 PM, PDT)
a film that just gets better with age, yours and its own! more (65 total)
| Burt Lancaster | ... | Prince Don Fabrizio Salina | |
| Claudia Cardinale | ... | Angelica Sedara / Bertiana | |
| Alain Delon | ... | Tancredi Falconeri | |
| Paolo Stoppa | ... | Don Calogero Sedara | |
| Rina Morelli | ... | Princess Maria Stella Salina | |
| Romolo Valli | ... | Father Pirrone | |
| Terence Hill | ... | Count Cavriaghi (as Mario Girotti) | |
| Pierre Clémenti | ... | Francesco Paolo | |
| Lucilla Morlacchi | ... | Concetta | |
| Giuliano Gemma | ... | Garibaldi's General | |
| Ida Galli | ... | Carolina | |
| Ottavia Piccolo | ... | Caterina | |
| Carlo Valenzano | ... | Paolo | |
| Brook Fuller | ... | Little Prince | |
| Anna Maria Bottini | ... | Mademoiselle Dombreuil, the Governess | |
| Lola Braccini | ... | Donna Margherita | |
| Marino Masé | ... | Tutor (as Marino Mase') | |
| Howard Nelson Rubien | ... | Don Diego (as Howard N. Rubien) | |
| Tina Lattanzi | |||
| Marcella Rovena | |||
| Rina De Liguoro | ... | Princess of Presicce | |
| Valerio Ruggeri | |||
| Giovanni Melisenda | ... | Don Onofrio Rotolo | |
| Giancarlo Lolli | (as Carlo Lolli) | ||
| Vittorio Duse | |||
| Vanni Materassi | |||
| Giuseppe Stagnitti | |||
| Carmelo Artale | |||
| Olimpia Cavalli | ... | Mariannina | |
| Anna Maria Surdo | |||
| Halina Zalewska | (as Alina Zalewska) | ||
| Winni Riva | |||
| Stelvio Rosi | |||
| Carlo Palmucci | |||
| Dante Posani | |||
| Rosolino Bua | |||
| Ivo Garrani | ... | Colonel Pallavicino | |
| Leslie French | ... | Cavalier Chevally | |
| Serge Reggiani | ... | Don Francisco Ciccio Tumeo | |
| rest of cast listed alphabetically: | |||
| Marie Bell | ... | (uncredited) | |
| Lou Castel | ... | Party guest (uncredited) | |
| Sandra Christolini | ... | Youngest Daughter (uncredited) | |
| Franco Gulà | ... | (uncredited) | |
| Maurizio Merli | ... | (uncredited) | |
| Augusto Pescarini | ... | (uncredited) | |
| Paola Piscini | ... | (uncredited) | |
| Amalia Troiani | ... | (uncredited) | |
Directed by | |||
| Luchino Visconti | |||
Writing credits | ||
| Giuseppe Tomasi Di Lampedusa | (novel) | |
| Suso Cecchi d'Amico | (screenplay and adaptation) & | |
| Pasquale Festa Campanile | (screenplay and adaptation) and | |
| Enrico Medioli | (screenplay and adaptation) & | |
| Massimo Franciosa | (screenplay and adaptation) and | |
| Luchino Visconti | (screenplay and adaptation) | |
Produced by | |||
| Goffredo Lombardo | .... | producer | |
| Pietro Notarianni | .... | executive producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Mario Serandrei | |||
Production Design by | |||
| Mario Garbuglia | |||
Set Decoration by | |||
| Laudomia Hercolani | |||
| Giorgio Pes | |||
Costume Design by | |||
| Piero Tosi | |||
Makeup Department | |||
| Maria Angelini | .... | wig maker | |
| Alberto De Rossi | .... | makeup artist | |
| Amalia Paoletti | .... | wig maker | |
| Giancarlo De Leonardis | .... | hair stylist (uncredited) | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Production Management | |||
| Giorgio Adriani | .... | production manager | |
| Gaetano Amata | .... | unit manager | |
| Riccardo Caneva | .... | unit manager | |
| Roberto Cocco | .... | unit manager | |
| Lamberto Pippia | .... | assistant unit manager | |
| Enzo Provenzale | .... | production manager | |
| Umberto Sambuco | .... | assistant unit manager | |
| Bruno Sassaroli | .... | unit manager | |
| Gilberto Scarpellini | .... | unit manager | |
Art Department | |||
| Emilio D'Andria | .... | assistant set decorator | |
| Ferdinando Giovannoni | .... | assistant art director | |
Sound Department | |||
| Mario Messina | .... | sound engineer | |
Special Effects by | |||
| Dino Galiano | .... | special effects technician (uncredited) | |
Camera and Electrical Department | |||
| Enrico Cignitti | .... | camera operator | |
| Nino Cristiani | .... | camera operator | |
| Giuseppe Maccari | .... | camera operator | |
| G.B. Poletto | .... | still photographer | |
| Bob Penn | .... | still photographer: special magazine assignment (uncredited) | |
| Piero Servo | .... | camera loader (uncredited) | |
Costume and Wardrobe Department | |||
| Bice Brichetto | .... | assistant costume designer | |
| Alessandro Gasparinetti | .... | wardrobe consultant | |
| Vera Marzot | .... | assistant costume designer | |
Music Department | |||
| Franco Ferrara | .... | conductor | |
| Franco Ferrara | .... | musical director | |
| Nino Rota | .... | music arranger (uncredited) | |
Other crew | |||
| Stephan Iscovescu | .... | script supervisor | |
| Isa Bellini | .... | voice dubbing: Anna Maria Bottini (uncredited) | |
| Lando Buzzanca | .... | voice dubbing: Serge Reggiani (uncredited) | |
| Pino Colizzi | .... | voice dubbing: Pierre Clémenti (uncredited) | |
| Solveyg D'Assunta | .... | voice dubbing: Claudia Cardinale (uncredited) | |
| Franco Fabrizi | .... | voice dubbing: Terence Hill (uncredited) | |
| Corrado Gaipa | .... | voice dubbing: Burt Lancaster (uncredited) | |
| Carlo Sabatini | .... | voice dubbing: Alain Delon (uncredited) | |
| Alberto Testa | .... | choreographer (uncredited) | |
The Leopard (UK) (USA)
Le guépard (France)
more
187 min | Spain:151 min (cut version) | UK:161 min (cut version) | USA:165 min (cut version) | France:195 min (Cannes Film Festival) | 205 min (premiere version) | West Germany:161 min (cut version)
Color (Technicolor)
2.20 : 1 more
Mono (Westrex Recording System)
Germany:12 | Portugal:M/12 | Australia:M (TV rating) | West Germany:12 (f) | Norway:12 (re-rating) (1985) | Norway:16 (original rating) | Argentina:13 | Australia:PG | Finland:K-12 | Netherlands:12 | Sweden:11 | UK:PG (video rating) | UK:U (original rating) | USA:PG (certificate #20553) | Hong Kong:IIB
The title "Il Gattopardo" literally translates from Italian as "The Serval". In France, the film was released as "Le Guépard" ("The Cheetah"), and in UK and USA as "The Leopard". The serval, the cheetah and the leopard are in fact three different species of felines. more
Anachronisms: There is much kissing of hands during the movie. According to the book "Histoire de la politesse de 1789 à nos jours (History of good manners from 1789 till today)" by F. Rouvillois, the kissing of hands only appeared at the turn of the XXth century when the story in the movie was supposed to take place in 1860-1862, more than 40 years before. more
Father Pirrone:
Is Your Excellency here for confession?
Prince Don Fabrizio Salina:
Confession? It's not Saturday.
Father Pirrone:
Listen to me. Come to confession.
Prince Don Fabrizio Salina:
There's no need. You know it all already.
Father Pirrone:
The power of confession lies not only in telling our sins, but in repentance.
Prince Don Fabrizio Salina:
I know. I know! What would you have of me? I'm a vigorous man. I can't find satisfaction with a woman who crosses herself in bed before every embrace, and can only say "Gesummaria" afterwards. I've had seven children with her and I've never seen her navel. Is that right? I ask you. *She's* the sinner!
more
Referenced in A Sicilian Odyssey (2009) more
Valzer Brillante more
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| Novecento | Malèna | Die Blechtrommel | Que la fête commence... | Gone with the Wind |
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I was rounding off a two year study in France in 1963 and I remember gazing at the marquee of a cinema in Paris shortly after the Cannes Festival, seeing "Le Guepard" advertised, beautiful Claudia Cardinale waltzing with handsome, courtly, Burt Lancaster. At the time, I made a mental note to see the movie but in fact, saw it for the first time many years later, on a black and white TV no less! Chopped up and edited as it was, in black and white, the film moved me immensely. I was absolutely thunderstruck by the dialogue which, when I read the Prince of Lampedusa's novel shortly after, I realized had been "lifted" verbatim from the novel in large chunks. What a novel and what a worthy and noble tribute to it Visconti has paid. I now own the Criterion three disk set of Il Gattopardo and never tire of watching what is for me, one of the great films of the twentieth century. Burt Lancaster, as the Prince of Salina, was an inspired choice for the cinematic role, though apparently he was not Luchino Visconti's choice. I think the Prince of Salina is Lancaster's finest performance.