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Walk on the Wild Side (1962)
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Overview
User Rating:
Release Date:
21 February 1962 (USA) moreTagline:
a new kind of love story starring ... morePlot:
At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo... more | add synopsisAwards:
Nominated for Oscar. moreNewsDesk:
Prolific Film Composer Elmer Bernstein Dead at 82(From Studio Briefing - Film News. 19 August 2004)
User Comments:
Love for sale in New Orleans... moreCast
(Cast overview, first billed only)| Laurence Harvey | ... | Dove Linkhorn | |
| Capucine | ... | Hallie Gerard | |
| Jane Fonda | ... | Kitty Twist | |
| Anne Baxter | ... | Teresina Vidaverri | |
| Barbara Stanwyck | ... | Jo Courtney | |
| Joanna Moore | ... | Miss Precious | |
| Richard Rust | ... | Oliver | |
| Karl Swenson | ... | Schmidt | |
| Don 'Red' Barry | ... | Dockery (as Donald Barry) | |
| Juanita Moore | ... | Mama | |
| John Anderson | ... | Preacher | |
| Ken Lynch | ... | Frank Bonito | |
| Todd Armstrong | ... | Lt. Omar Stroud (as Todd Anderson) | |
| Sherry O'Neil | ... | Reba | |
| John Bryant | ... | Spence |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
114 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.85 : 1 moreSound Mix:
Mono (Westrex Recording System)Filming Locations:
New Orleans, Louisiana, USAFun Stuff
Trivia:
The first Hollywood film to openly feature lesbianism. By appearing in the movie, Barbara Stanwyck became the first American actress to portray a lesbian character in a feature film. moreQuotes:
Preacher: Jezebel! That's right, I mean you! Now both of you sinners are hurrying past.Dove Linkhorn: You got no business with us mister.
Preacher: Oh, sinners is my business. You and that hip-slinging daughter of Satan. You know there's the smell of sulfur and brimstone about you. The smell of hellfire.
Dove Linkhorn: Who ordained preacher?
Preacher: I am self-ordained son; I had the call.
Dove Linkhorn: You were called by the wrong voice mister.
Preacher: Lord strike this sinner down. Send a bolt down to smite and consume the blasphemer now!
Dove Linkhorn: He won't hear you. Cause you no friend of God or man - standing there hollering hate to the world. God is love. God is mercy and forgiveness. Try preaching that sometime Mr. Preacher. Teach people to forgive, not to crawl in fear. Teach people to love, not hate. preach the good book - preach the truth.
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Discuss this movie with other users on IMDb message board for Walk on the Wild Side (1962)| Recent Posts (updated daily) | User |
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| Mediocre movie, fantastic opening titles... | garth147 |
| Lost Scene? | Jackie_Seven |
| Time period | phed49 |
| odd scenes on DVD | rgourlay1 |
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Laurence Harvey is terrific as a penniless Texas cowboy who hitches his way to New Orleans in the 1930's in search of a lost summer love, a French artist who--unbeknownst to him--is now working at a bordello; Barbara Stanwyck is the madame at the Doll House, married to a crippled tough but with heavy lesbian leanings towards Capucine, the girl who broke Harvey's heart; Jane Fonda is pretty good as a teen tramp who also ends up working for Stanwyck, and Anne Baxter is a proprietress of a diner who takes Harvey in. Though based on a novel by Nelson Algren, this screenplay sometimes plays like sub-Tennessee Williams, with the rather laughable story-conceit that New Orleans was just another small town in the '30's (walk up the street and you've seen it all!). Capucine, haughty and breathless, matches up well with Harvey, and her run-ins with benefactor Stanwyck are heated, but those hoping for some crackling gay subtext will be disappointed (Barbara's inclinations aren't hypothetical, but she's hardly out of the closet). There are some good, fruity lines of tough-talking dialogue, and more sentimental moments that have surprising resonance (as when Baxter says, "Why can't two people care about each other...without the world making it dirty?"). Of course it's Hollywood-ized, with a camp score by Elmer Bernstein and Joanna Moore as the resident good-hearted tootsie who gets taken for granted. But Fonda has a great scene near the end when she helps Capucine out of a jam, and Harvey makes a big impression on the audience without overdoing or overstating his sleek handsomeness. *** from ****