The Misfits (1961)

User Rating:

7.4/10   

Director:

John Huston

Writer:

Arthur Miller (screenplay)

Release Date:

1 February 1961 (USA)

Genre:

Comedy | Drama | Romance | Western

Tagline:

'SMASHING' thru the Excitement Barrier !

Plot:

A sexy divorcée falls for an over-the-hill cowboy who is struggling to maintain his romantically independent lifestyle in early-sixties Nevada.

Plot Keywords:

Cowboy | Horse | Divorce | Beautiful Woman | Nevada

Awards:

1 win & 1 nomination

Cast

Clark Gable	...	Gay Langland
Marilyn Monroe	...	Roslyn Taber
Montgomery Clift	...	Perce Howland
Thelma Ritter	...	Isabelle Steers
Eli Wallach	...	Guido
James Barton	...	Fletcher's grandfather
Kevin McCarthy	...	Raymond Taber
Estelle Winwood	...	Church lady collecting money in bar

Runtime:

124 min | France:120 min (DVD)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Iceland:L | Hungary:14 | West Germany:12 (f) (re-rated) | West Germany:16 (f) | Argentina:13 | Australia:PG | Chile:14 | Finland:K-16 | France:U (re-release) | Sweden:15 | UK:PG | USA:Approved | Ireland:PG

Filming Locations:

Dayton, Nevada, USA

Company:

Seven Arts Productions

Trivia:

Bored while waiting for Marilyn Monroe to turn up on the set, Clark Gable opted to do his own stunts, which included being dragged by a truck traveling at 30 mph.

Goofs:

Revealing mistakes: When Isabelle (Thelma Ritter) and Guido return to the house after Roslyn and Langland have been alone there for a few days, Langland calls Isabelle "Thelma".

Quotes:

Gay: Honey, we all got to go sometime, reason or no reason. Dyin's as natural as livin'. The man who's too afraid to die is too afraid to live.

Movie Connections:

Referenced in The Immoral Mr. Phillips (2004) (V)

A Lesson in Film

This once nearly forgotten movie, the last film of Clark Gable and Marilyn Monroe is now coming forward in the lexicon of film history as an underrated gem. Universally misunderstood for the most part at the time it came out it is clear now that this film was at least five of six years ahead of it's time. It fits in more comfortably with films of the late 60's and early 70's. The screenplay by Miller is one of his most striking works. A story of a group of people lost in the wide expanse of the West in search of the discarded souls of their misspent lives. The film's beautiful cinematography by Russell Metty stands out as superb artistry at the demise of the black and white era. It shimmers with the silver of the deep expanse of the desert and the flat grays and blacks of the distant mountains upon which the last act of the story plays. The music by Alex North is among his best work and gives a savage punch to the aerial scenes and the round up at the end of the wild mustangs. Montgomery Clift, by now sliding into the last years of his life is touching in his performance of Perce. His broken cowboy with the broken heart is almost painful to watch. His phone call home to his mother is among some of his best work. Eli Wallach gives a strong deeply moving portrait of Guido who has lost his wife, his way, and his humanity. He shines in his scene with Monroe where he asks her to save him. When she can't to at least say `Hello Guido'. Thelma Ritter is, well, Thelma Ritter in yet another of her excellent character roles. Ritter is the master of the one line wisecrack but here as Isobel she laces the cracks with an underlying sadness and vulnerability.

As Gay Langland, Clark Gable gives what I consider to be the best performance of his career. It was a brave move for Gable to take on the role of what on the surface seems another one of his typical macho made to fit parts. But as the story unfolds from Arthur Miller's pen Gay reveals that beneath his gruff, not a care in the world, cowboy is a man in deep pain and despair at his losses. The world has left him behind. Abandoned by his children the drunken Gable breaks so violently it is a shock to watch the great man fall. This is Clark Gable at his finest ever.

Marilyn Monroe gives an astounding performance as Roslyn Tabler the newly divorced dancer. A damaged woman who finds in the company of these three men something to finally believe in, something to stand up and fight for, she finds life. It is a performance ground out in part from her own person and experience and in part by the director John Huston and the editor George Tomasini who helped a nearly destroyed Monroe create her stunning Roslyn. This, her last performance is her best and the true example of the collaborative creation that film really is. That Marilyn under the circumstances of her life at that time could be so good is a testament to her talent as an actress and a star. Watch her when she is listening to the other actors. This is where she shines; this is the true mark of a great screen actor. To be able to listen and draw you into the inner life of the character through that deceptively simple act of listening and reaction is her gift to the audience. Her scene with Monty in back of the bar, sitting on a pile of trash, her afore mentioned scene with Eli Wallach in the speeding car. These are but a few of the examples in this film of her great talent. In the 1950's and early 60's there were only a handful of great young actresses in film, Elizabeth Taylor, and Marilyn Monroe where at the summit of the small mountain.