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IMDb > Lover Come Back (1961)
Lover Come Back
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Lover Come Back (1961) More at IMDbPro »

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Overview

User Rating:
7.2/10   1,946 votes
MOVIEmeter: ?
Down 5% in popularity this week. See rank & trends on IMDbPro.
Director:
Delbert Mann
Writers:
Stanley Shapiro (written by) &
Paul Henning (written by)
Contact:
View company contact information for Lover Come Back on IMDbPro.
Release Date:
3 March 1962 (USA) more
Genre:
Comedy | Romance more
Tagline:
A riotous new twist in the art of gentle persuasion! more
Plot:
Jerry Webster and Carol Templeton are both in the advertising business, but for different agencies.... more | add synopsis
Awards:
Nominated for Oscar. Another 4 wins & 2 nominations more
NewsDesk:
(3 articles)
Edie Adams Dies
 (From WENN. 16 October 2008, 9:12 AM, PDT)

Actor Tony Randall Dies at 84
 (From IMDb News. 18 May 2004)

User Comments:
"Miss Templeton, I'm Taking You In!" more

Cast

  (Complete credited cast)

Rock Hudson ... Jerry Webster

Doris Day ... Carol Templeton

Tony Randall ... Peter 'Pete' Ramsey

Edie Adams ... Rebel Davis
Jack Oakie ... J. Paxton Miller
Jack Kruschen ... Doctor Linus Tyler
Ann B. Davis ... Millie, Carol's Secretary
Joe Flynn ... Hadley
Howard St. John ... Mr. John Brackett
Karen Norris ... Kelly, Jerry's Secretary
Jack Albertson ... Fred
Charles Watts ... Charlie

Donna Douglas ... Deborah, Peter's Secretary
more
Create a character page for: ?

Additional Details

Runtime:
107 min
Country:
USA
Language:
English
Color:
Color (Eastmancolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Mono (Westrex Recording System)
Certification:
Germany:o.Al. | USA:Approved (certificate #19927) | UK:PG | Australia:G (original rating) | Australia:PG (cable rating) | Finland:K-12 | Sweden:Btl | West Germany:16 (nf) (w)
Company:
7 Pictures more

Fun Stuff

Trivia:
Jack Oakie's final movie appearance. more
Goofs:
Boom mic visible: The shadow of the book mike is visible on the back of Carol Templeton's office chair. more
Quotes:
Jerry Webster: Your trouble is that you're still living in the shadow of your Father. You're even afraid to get rid of his old car.
Peter 'Pete' Ramsey: You don't realize how completely he dominated me ever since I was a little boy. Just once I spoke back to him. He cut a switch from a tree and gave me such a whipping, in front of this girl. It was a shattering experience.
Jerry Webster: Pete, all kids get whippings.
Peter 'Pete' Ramsey: But I was twenty five, the girl was my fiancé.
more
Movie Connections:
Featured in 100 Years of Comedy (1997) (V) more
Soundtrack:
Gwine to Rune All Night more

FAQ

This FAQ is empty. Add the first question.
12 out of 15 people found the following comment useful:-
"Miss Templeton, I'm Taking You In!", 27 December 1999
Author: Michael Coy (michael.coy@virgin.net) from London, England

In New York's Fifth Avenue 'hive' of advertising agencies, the executives are either 'workers' or 'drones'. The former are industrious and diligent (and female), and the latter (the men) get by on wining and dining their clients. Carol Templeton is very much a worker, and she resents losing an account to Jerry Webster, the drone of all drones. One of Jerry's schemes (should that be 'scams'?) is the invention of "Vip", a non-existent commodity. He markets the new product so successfully that Vip becomes an overnight sensation. Throw in a severe case of mistaken identity, a nutty professor and a bungled seduction, and you have all the ingredients for a pleasant and well-constructed romantic comedy.

This was the second of the three Day-Hudson movies, and probably the best. Tony Randall is consistently funny as Peter Ramsey, the ineffectual company boss. Day does the humour very well, even if the main part of her duties is to pull a series of exasperated faces. There's a good split-screen graphic and a funny moose joke. Rock's woollen suit is amusing, and I liked the witty conclusion to the aquarium scene. Just one thought - why is Doris's hair so resiliently bouffant immediately after she steps out of the sea?

Everybody knows now that Rock Hudson was gay, but it goes without saying that this was far from universally acknowledged back in 1961. Is it my imagination, or does the film contain a vein of subtle "Rock-is-one-of-those" drollery? He makes a tongue in cheek speech to Doris, telling her that he can never be a real man to her. When the effeminate co-worker informs Doris that he has a lilac carpet in his apartment, she does a highly significant double-take. Rock keeps saying things like "I am not undersexed!" He tells Doris that he's taking her in - is he doing the same to the movie audience?

Finally, given that no lovers part, and indeed there ARE no lovers in the entire film, one wonders about the choice of title ...

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