La dolce vita (1960)

User Rating:

8.1/10   

Director:

Federico Fellini

Writers:

Federico Fellini (story) &
Ennio Flaiano (story) ...

Release Date:

19 April 1961 (USA)

Genre:

Drama

Tagline:

The Sweet Life

Plot:

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure...

Plot Keywords:

Journalist | Sex | Writer | Socialite | Gossip Columnist

Awards:

Won Oscar. Another 7 wins & 7 nominations

Cast

Marcello Mastroianni	...	Marcello Rubini
Anita Ekberg	...	Sylvia
Anouk Aimée	...	Maddalena (as Anouk Aimee)
Yvonne Furneaux	...	Emma
Magali Noël	...	Fanny (as Magali Noel)
Alain Cuny	...	Steiner
Annibale Ninchi	...	Marcello's father
Walter Santesso	...	Paparazzo
Valeria Ciangottini	...	Paola
Riccardo Garrone	...	Riccardo
Ida Galli	...	Debuttante of the Year
Audrey McDonald	...	Jane (as Audey McDonald)
Polidor	...	Clown
Alain Dijon	...	Frankie Stout
Enzo Cerusico	...	Newspaper photographer

Also Known As:

La dolce vita (France)
La douceur de vivre (France) (alternative title)

Runtime:

174 min | Germany:177 min (premiere) | Portugal:165 min (re-release) | USA:180 min (premiere)

Country:

Italy | France

Language:

Italian | English | French | German

Color:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Western Electric)

Certification:

Italy:VM14 | Hungary:18 | South Korea:15 | Brazil:14 | Spain:13 | Spain:(Banned) (1960-1980) | Argentina:16 | Australia:M (DVD rating) | Australia:PG (original rating) | Chile:18 | Finland:K-16 | Norway:16 | Singapore:M18 | Sweden:15 | UK:15 | USA:Not Rated | West Germany:12 (video rating)

Filming Locations:

Bassano Romano, Viterbo, Lazio, Italy

Company:

Riama Film

Trivia:

After Federico Fellini rejected the idea of Paul Newman for the lead role, Dino De Laurentiis suggested Gérard Philipe. He thought Marcello Mastroianni was "too soft and goody-goody; a family man rather than the type who flings women onto the bed."

Goofs:

Revealing mistakes: At the top of St. Peter's dome the wind blows Sylvia's hat off. The wire on her hat used to achieve this effect is clearly visible trailing off to the right during the scene.

Quotes:

Steiner: We must get beyond passions, like a great work of art. In such miraculous harmony. We should love each other outside of time... detached.

Movie Connections:

Referenced in Elsa y Fred (2005)

Soundtrack:

Patricia

Stunning Fellini and Mastroianni

Long, episodic film by Federico Fellini about the conceits and facades of life: fame, intellect, sex, friendship, despair, innocence, etc.

Marcello Mastroianni is perfect as the shallow tabloid reporter who joyfully follows around Rome a blonde movie star from Sweden (Anita Ekberg) as she prowls around the city's bars and bistros. He is also having an affair with a woman (Anouk Aimee) while his girl friend (Yvonne Furnaux) seems to be going nuts.

But as Marcello moves through the city following the movie star, the miracle of the virgin, a few parties, etc. we see that his life is very empty because the things he reports on are meaningless drivel. We see that fame and fortune and the trappings of success are meaningless.

Marcello starts to realize that the movie star is a vapid airhead, the miracles are a sham, and his friend's (who seemed quite happily married) ghastly murder and suicide show the futility of life itself.

The Fellini themes are common to many of his films, but what makes La Dolce Vita so memorable are the cynical tone, the Nina Rota music, and the string of terrific visual images.

The opening scene is of a helicopter hauling a gilded plaster statue through the air across Rome. The flying saint is a bizarre image but serves to set up the movies which is all about images and events that are never what they seem to be.

Notable are the scenes of statuesque Ekberg in that terrific strapless black dress with the voluminous skirts as she swishes around dancing and eventually wading through a city fountain. The party scenes are also notable. The first because of the intolerable intellectuals who sits around and talk and talk but never do anything. The last party has the indelible image of Mastroianni "riding" a drunken blonde woman as though she were a horse. The final image of the giant dead fish is quite unsettling as it symbolizes their bloated lives.

Fellini is brilliant in filling scenes with odd people as extras, usually hideously dressed or wearing ugly glasses. The "gallery" of people who inhabit the city is one of grotesques, vapid fashion slaves, the rich, hangers on, etc.

A long film, but highly recommended and very memorable.