Werner Jörg Lüddecke (writer)
Thea von Harbou (novel)
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October 1960 (USA) more
Der deutsche Millionen-Film!
Harald Berger and his Indian lover, the temple dancer Seetha, desperately flee from the shikaris (cavalry) of Eschanapur's maharajah Chandra... more | add synopsis
Fritz Lang's Indian Epic **1/2 more (8 total)
| Debra Paget | ... | Seetha | |
| Paul Hubschmid | ... | Harald Berger / Henri Mercier in French Version | |
| Walter Reyer | ... | Chandra | |
| Claus Holm | ... | Dr. Walter Rhode | |
| Valéry Inkijinoff | ... | Yama | |
| Sabine Bethmann | ... | Irene Rhode | |
| Angela Portaluri | ... | A peasant | |
| René Deltgen | ... | Prince Ramigani | |
| Guido Celano | ... | Gen. Dagh | |
| Jochen Brockmann | ... | Padhu | |
| Richard Lauffen | ... | Browana | |
| Jochen Blume | ... | Asagara | |
| Helmut Hildebrand | ... | Ramigani's servant | |
| rest of cast listed alphabetically: | |||
| Victor Francen | ... | The Penitent | |
| Panos Papadopulos | ... | Gen. Dagh's messenger | |
| Willy Friedrichs | ... | Voice of Padhu (voice) (uncredited) | |
Directed by | |||
| Fritz Lang | |||
Writing credits(in alphabetical order) | ||
| Fritz Lang | uncredited | |
| Werner Jörg Lüddecke | writer | |
| Thea von Harbou | novel | |
Produced by | |||
| Artur Brauner | .... | producer (as Arthur Brauner) | |
Original Music by | |||
| Gerhard Becker | |||
Cinematography by | |||
| Richard Angst | |||
Film Editing by | |||
| Walter Wischniewsky | |||
Production Design by | |||
| Willy Schatz | |||
Art Direction by | |||
| Helmut Nentwig | |||
| Willy Schatz | |||
Costume Design by | |||
| Günter Brosda | |||
| Claudia Hahne-Herberg | |||
Makeup Department | |||
| Jupp Paschke | .... | makeup artist | |
| Heinz Stamm | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Eva Ebner | .... | assistant director | |
| Frank Winterstein | .... | assistant director | |
Sound Department | |||
| Jean Teissere | .... | sound | |
| Clemens Tütsch | .... | sound | |
Camera and Electrical Department | |||
| Wolfgang Schackla | .... | still photographer | |
Music Department | |||
| Gerhard Becker | .... | conductor | |
| Werner Maas | .... | music recordist | |
Other crew | |||
| Alexander Kluge | .... | volunteer | |
Il sepolcro indiano (Italy)
Le tombeau hindou (France)
The Indian Tomb
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Germany:102 min | Spain:97 min
West Germany | France | Italy
Color (Eastmancolor)
1.37 : 1 more
West Germany:12 (nf) | Finland:K-16
Edited into Fritz Lang, le cercle du destin - Les films allemands (2000) (TV) more
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| Der Tiger von Eschnapur | Journey to the Lost City | Indiana Jones and the Temple of Doom | The River | Das indische Grabmal zweiter Teil - Der Tiger von Eschnapur |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb West Germany section | Add this title to MyMovies |
I was wary of purchasing Fantoma's 2-Disc Set of "Fritz Lang's Indian Epic" after being somewhat let down by the 1921 Silent original (co-scripted by Lang himself) and also its less-than-stellar reputation. For this reason, when the second part of the saga turned up on Italian TV a couple of years ago, I decided to check it out just the same so as to get an inkling of what to expect! I recall thinking it pretty kitschy and unworthy of Lang's enormous talent, but Fantoma's sale (through their website) of their entire DVD catalog a few months back made it an irresistible acquisition! Well, having now watched the entire saga (with dialogue and in color, as opposed to the rather static Silent version directed by Joe May - although hearing the Indian-garbed characters talking in German took some getting used to), I was pleasantly surprised by how genuinely engaging and sheerly enjoyable it all was! Though it was sold as an epic production (to the point of concluding ESCHNAPUR with the promise that Part II would feature greater thrills and even more spectacle) at a time when such films were all the rage, the saga was actually a pretty modest undertaking by eclectic (and prolific) German producer Artur Brauner. Despite the two films' exotic, handsome look (not least in the provocative dances of Debra Paget), the budgetary constraints were painfully obvious in the special effects department, especially the hilarious appearance of a 'ropey' cobra which is intended to 'test' (the scantily-clad) Miss Paget's faithfulness to the Maharajah!! All in all, even if these films hardly constitute Lang's greatest work (though he harbored an evident affection throughout his life for this particular tale, which was originally conceived by his former wife Thea von Harbou), they have great - and enduring - appeal for aficionados of old-fashioned, serial-like adventure stories tinged with romance and mysticism.
Even so, while I don't subscribe to that school of thought myself, there are some film critics (Tom Gunning, Jean Douchet and Pierre Rissient among them) who think very highly of Lang's Indian diptych - the first considering it one of Lang's towering achievements and the last two numbering it among the ten greatest films of all time!!