Touch of Evil (1958)

Director:

Orson Welles

Writers:

Orson Welles (screenplay)
Whit Masterson (novel)

Release Date:

8 June 1958 (France)

Genre:

Crime | Film-Noir | Thriller

Tagline:

The Overwhelming Drama of a Strange Vengeance

Plot:

Stark, perverse story of murder, kidnapping, and police corruption in Mexican border town.

Plot Keywords:

Mexican | Border | Evidence | Investigation | Honeymoon

Awards:

3 wins

Cast

Charlton Heston	...	Ramon Miguel 'Mike' Vargas
Janet Leigh	...	Susan 'Susie' Vargas
Orson Welles	...	Police Captain Hank Quinlan
Joseph Calleia	...	Police Sergeant Pete Menzies
Akim Tamiroff	...	'Uncle' Joe Grandi
Joanna Moore	...	Marcia Linnekar
Ray Collins	...	District Attorney Adair
Dennis Weaver	...	Mirador Motel Night Manager
Valentin de Vargas	...	Pancho - Grandi Hood
Mort Mills	...	Al Schwartz - District Attorney's Assistant
Victor Millan	...	Manelo Sanchez
Lalo Rios	...	Risto - Grandi's Nephew
Michael Sargent	...	Pretty Boy
Phil Harvey	...	Blaine
Joi Lansing	...	Zita

MPAA:

Rated PG-13 for some violence and drug content. (1988 restoration)

Runtime:

95 min | Germany:111 min (1998 alternate version) | USA:108 min (1975 alternate version) | USA:112 min (director's cut) | Spain:106 min (DVD edition)

Country:

USA

Language:

English | Spanish

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Germany:16 (restored version) (re-rating: 2005) | Netherlands:6 | South Korea:15 (2003) | Argentina:13 | Australia:M | Chile:14 | Finland:K-11 (DVD rating) | Finland:K-12 (restored version) | Finland:K-16 (original rating) | Germany:18 (restored version) | Norway:15 (re-rating) (1999) | Norway:16 (1985) | Spain:13 (DVD rating) | Sweden:11 (restored version) | Sweden:15 (original rating) | UK:12 | USA:Approved (PCA #18506) (original rating) | USA:PG-13 (No. 36039) (re-rating) (1998 restoration) | USA:Unrated (restored version) | West Germany:16 (nf)

Filming Locations:

Venice, Los Angeles, California, USA

Company:

Universal International Pictures (UI)

Trivia:

According to Orson Welles, Universal didn't want the film to be screened at the Brussels World's Fair, but the head of distribution had such faith in the film that he submitted it without the studio's knowledge. He was subsequently fired once it was awarded the top prize.

Goofs:

Crew or equipment visible: Crew and equipment reflected in the side of Vargas's car as he prepares to take his wife to the american motel.

Quotes:

[first lines]
Border Cop: Uh, you folks American citizens?

Movie Connections:

Referenced in Harry Monument (2004)

Soundtrack:

Tana's Theme

The Best of the best

Touch of Evil has, perhaps, the BEST cinematography and lighting in ANY film ever made. Not just in the film noir genre, but in all categories. Orson Welles tended to use wide shots for all of his films, and Touch of Evil's use of wide shots took filmmaking to another level, especially with the amazing opening shot. The camera techniques and lighting are too spectacular to fathom, it is the grandmaster of all movies. Brilliant is an understatement. See this film, if not for the excellent acting and sheer brilliance in terms of the camera (this film had a GREAT D.P.!!), but for entertainment value. But if you are a film student or just want to see great camera work, Touch of Evil will astonish you.