Carry on Sergeant (1958)

Director:

Gerald Thomas

Writers:

Norman Hudis (screenplay)
John Antrobus (additional material)

Release Date:

August 1958 (UK)

Genre:

Comedy | War

Tagline:

It's an On-the-Ball Riot About an Off-Limits Romance

Plot:

Sergeant Grimshaw wants to retire in the flush of success by winning the Star Squad prize with his very...

Plot Keywords:

Sergeant | Carry On | Beautiful Woman | Nco | Naafi

Cast

William Hartnell	...	Sergeant Grimshawe
Shirley Eaton	...	Mary Sage
Eric Barker	...	Captain Potts
Dora Bryan	...	Norah
Bill Owen	...	Corporal Bill Copping
Charles Hawtrey	...	Peter Golightly
Kenneth Connor	...	Horace Strong
Kenneth Williams	...	James Bailey
Terence Longdon	...	Miles Heywood
Norman Rossington	...	Herbert Brown
Gerald Campion	...	Andy Calloway
Hattie Jacques	...	Captain Clark
Cyril Chamberlain	...	Gun Sergeant
Arnold Diamond	...	Fifth Specialist
Gordon Tanner	...	First Specialist

Also Known As:

Carry on Sergeant! (UK) (poster title)

Runtime:

84 min

Country:

UK

Language:

English

Color:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

UK:U | USA:Approved (PCA #19423) | Australia:G (DVD rating) | Australia:PG (VHS rating) | Finland:K-8

Filming Locations:

Cardwells Keep, Stoughton Road, Stoughton, Surrey, England, UK

Company:

Peter Rogers Productions

Trivia:

Features the "Carry On..." débuts of regular stars Kenneth Williams, Charles Hawtrey, Hattie Jacques, 'Kenneth Connor (I)' and Terry Scott.

Goofs:

Continuity: When Captain Potts pins the chart to the training progress board, the board has the intake as No.29 but when the prize giving is announced near the end of the film it is announced as the prize giving for the 60th intake

Quotes:

James Bailey: [During bayonet practice:] Don't you think this is a trifle out of date in a world bristling with H-Bombs, Sergeant?
[Golightly charges, only to get caught up in the hanging sack]
Sgt. Grimshawe: Private Bailey, in answer to your question, I'd back him against the H-Bomb any day!

Movie Connections:

Referenced in The History Boys (2006)

"We've got to be subtle. Subtle!"

And subtle this is, making Sergeant an extremely strange Carry On experience.

As the first of the original five films these form, along with Cabby, (not counting the intentional noir of Spying), the only examples of the series in black and white. Far away from the whistles and bells, boobs and bums of the accepted format, the largely all-male cast plays out a light character comedy. The few female roles are better developed than in the 70s; something you might suspect would be the other way around.

There's the odd sight of players who never made a repeat appearance, such as stars William Hartnell and smug Bob Monkhouse, here quite good in his dashing leading man role. Of what were to become the regulars, Charles Hawtrey is his usual self in one of his funniest performances, though it's weird to see Kenneth Williams actually acting. Here he plays it straight as Jim, the spoilt rich kid with a degree. His bolshie character – "don't you think this is a trifle out of date in a world bristling with H-bombs, Sergeant?" – is quite refreshing, and Williams plays him with admirable conviction. Later he would opt for camping up his roles in more and more over the top performances, which were nevertheless much funnier. This is what marks the fundamental difference between Sergeant and the majority of the franchise; it has a greater mark of quality, but it isn't that amusing.

Occasional lines show what was to come ("Your rank?" "Well that's a matter of opinion") and there's also the "raise your back sight" line and the scene with the fire extinguishers. Some of the jokes are a little obvious, such as Kenneth Connor's vaguely irritating hypochondriac being called Strong. Though the relative cleanness of his ultimate medical check up shows how much broader and coarser the series was to become. This is more in the traditional mould, where the comedy arises out of the situation, rather than the situation being contrived around non-stop jokes and innuendo. While the next year's follow-up, Nurse would see quite racy shaving and daffodil scenes, it was still tied in to the same sort of (relative) naturalistic performances. It wasn't until around 1962's Cruising that the Carry Ons as they're most remembered started to emerge. This is strange, because while the first seven films with their sub-Ealing sensibilities now seem out of place in the franchise, they ARE the Carry On franchise. The Talbot Rothwell scripts which are so well remembered are actually subversions of the series into broader comedy. Certainly dated, Sergeant's humour is unusually underdefined, particularly in a modern context. This is the film all over, then: commendable, if not actually all that funny.