Moby Dick (1956)

User Rating:

7.4/10   

Director:

John Huston

Writers:

Herman Melville (novel)
Ray Bradbury (writer) ...

Release Date:

27 June 1956 (USA)

Genre:

Adventure | Drama

Tagline:

The most eagerly awaited motion picture of the year!

Plot:

The sole survivor of a lost whaling ship relates the tale of his captain's self-destructive obsession to hunt the white whale, Moby Dick.

Plot Keywords:

Whale | Ship | Obsession | Whaling | Revenge

Awards:

4 wins & 2 nominations

Cast

Gregory Peck	...	Captain Ahab
Richard Basehart	...	Ishmael
Leo Genn	...	Starbuck
James Robertson Justice	...	Captain Boomer
Harry Andrews	...	Stubb
Bernard Miles	...	The Manxman
Noel Purcell	...	Ship's Carpenter
Edric Connor	...	Daggoo
Mervyn Johns	...	Peleg
Joseph Tomelty	...	Peter Coffin
Francis De Wolff	...	Captain Gardiner
Philip Stainton	...	Bildad
Royal Dano	...	'Elijah'
Seamus Kelly	...	Flask
Friedrich von Ledebur	...	Queequeg (as Friedrich Ledebur)

Also Known As:

Herman Melville's Moby Dick (USA) (complete title)

Runtime:

116 min | 115 min (TCM print)

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

Finland:K-12 (1986) | Finland:K-16 (1956) | Iceland:L | South Korea:15 | USA:Approved (PCA #17465) | Australia:G | West Germany:12

Filming Locations:

Associated British Elstree Studios, Shenley Road, Borehamwood, Hertfordshire, England, UK

Company:

Moulin Productions Inc.

Trivia:

John Huston shopped the film around Hollywood for three years before Warner Bros. agreed to produce it. It was a dark, depressing story, without any female parts or love interest, so Hollywood shunned the screenplay. Warners only agreed on the condition that a big-name actor take the role of Ahab. Many thought Gregory Peck was miscast, and Peck actually thought that Huston himself would have been the best choice for the role.

Goofs:

Factual errors: In the scenes with the Quaker characters, despite Melville's correct use of "thee" and "thou," the two Captains especially frequently misuse "thee" as the subject, when it is only ever used as the object. For instance, the Peleg and Bildad will frequently say phrases such as "hast thee" or "art thee" when the correct use of this mode of speech calls for "hast thou" or "art thou."

Quotes:

Starbuck, first mate: To be enraged with a dumb brute that acted out of blind instinct is blasphemous.
Captain Ahab: Speak not to me of blasphemy, man; I'd strike the sun if it insulted me. Look ye, Starbuck, all visible objects are but as pasteboard masks. Some inscrutable yet reasoning thing puts forth the molding of their features. The white whale tasks me; he heaps me...

Movie Connections:

Referenced in "Boy Meets World: Boys II Mensa (#1.6)" (1993)

A Fine Job of Filming a Challenging Novel

It would be impossible to make a movie that came up to the standard of the novel "Moby-Dick", but this film does a fine job of capturing some of the most important themes, and of telling a selection of the key parts of the story in an interesting way. It would be a temptation for any film-maker to put the focus on the action and the special effects, and thus ruin the heart of the book by downplaying its themes, as so many recent films have done with other classic material. Instead, John Huston's version concentrates on bringing out many of the complex internal and external conflicts of Captain Ahab, in sketching the crew members and their reactions to Ahab's monomania, and in portraying the atmosphere of frequent tedium, growing tension, and occasional dread aboard the 'Pequod'.

Richard Basehart's mild, pleasant demeanor makes Ishmael an appropriate mirror for the events and characters on the ship. Gregory Peck does rather well in the very challenging role of Ahab. Ahab is one of the most carefully-designed and demanding characters in literature, and lesser actors would simply be an embarrassment in the part. On screen, there is much to Ahab that just does not come across, and Peck's performance has to be judged with that in mind.

Leo Genn makes his scenes as Starbuck count, and several of the other crew members are portrayed well, albeit in much smaller parts. As Father Mapple, Orson Welles has only one scene, but it is an important one, in that it sets up some of the vital themes of the story ahead. Welles was an ideal choice, and his scene in the church is one scene that does come up to the high standard of Melville's novel.

While there may indeed be some areas in which this version falls short, and it's fair to point them out, it would be pretty difficult to improve on it in a cinema version of the story. And if taken on its own, it fits together well, making generally good choices as to what material would fit together and would work on screen, and in using the photography and settings to create the right atmosphere. For those who appreciate the depth of the original story, this has more than enough to make it worth watching.