| Alec Guinness | ... | Professor Marcus | |
| Cecil Parker | ... | Claude (a.k.a. 'Major Courtney') | |
| Herbert Lom | ... | Louis (a.k.a. 'Mr. Harvey') | |
| Peter Sellers | ... | Harry (a.k.a. 'Mr. Robinson') | |
| Danny Green | ... | One-Round (a.k.a. 'Mr. Lawson') | |
| Jack Warner | ... | The Superintendent | |
| Katie Johnson | ... | The Old Lady | |
| Philip Stainton | ... | The Sergeant | |
| Frankie Howerd | ... | The Barrow Boy | |
| rest of cast listed alphabetically: | |||
| Madge Brindley | ... | Large Lady (uncredited) | |
| Hélène Burls | ... | Hypatia (uncredited) | |
| Kenneth Connor | ... | Cab Driver (uncredited) | |
| Michael Corcoran | ... | Burglar (uncredited) | |
| Harold Goodwin | ... | Parcels Clerk (uncredited) | |
| Fred Griffiths | ... | Junk Man (uncredited) | |
| Lucy Griffiths | ... | Miss Pringle (uncredited) | |
| Phoebe Hodgson | ... | Constance (uncredited) | |
| Vincent Holman | ... | Station Master (uncredited) | |
| Stratford Johns | ... | Security Guard (uncredited) | |
| Evelyn Kerry | ... | Amelia (uncredited) | |
| Sam Kydd | ... | Second Cab Driver (uncredited) | |
| Edie Martin | ... | Lettice (uncredited) | |
| Jack Melford | ... | Detective (uncredited) | |
| Robert Moore | ... | Constable (uncredited) | |
| Arthur Mullard | ... | (uncredited) | |
| Ewan Roberts | ... | Constable (uncredited) | |
| George Roderick | ... | Radio Car Policeman (uncredited) | |
| John Rudling | ... | Nervous Man (uncredited) | |
| Leonard Sharp | ... | Pavement Artist (uncredited) | |
| Peter Williams | ... | Detective at Parcels Office (uncredited) | |
| Neil Wilson | ... | Policeman (uncredited) | |
Directed by | |||
| Alexander Mackendrick | |||
Writing credits | ||
| William Rose | (story) | |
| William Rose | (screenplay) | |
| Jimmy O'Connor | uncredited | |
Produced by | |||
| Seth Holt | .... | associate producer | |
| Michael Balcon | .... | producer (uncredited) | |
Original Music by | |||
| Tristram Cary | |||
Cinematography by | |||
| Otto Heller | (director of photography) | ||
Film Editing by | |||
| Jack Harris | |||
Art Direction by | |||
| Jim Morahan | |||
Costume Design by | |||
| Anthony Mendleson | |||
Makeup Department | |||
| Alex Garfath | .... | makeup artist | |
| Daphne Martin | .... | hair stylist | |
Production Management | |||
| Hal Mason | .... | production supervisor | |
| David Peers | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Tom Pevsner | .... | assistant director | |
| Michael Birkett | .... | third assistant director (uncredited) | |
| John Meadows | .... | second assistant director (uncredited) | |
Art Department | |||
| W. Simpson Robinson | .... | scenic artist | |
| Bert Davey | .... | assistant art director (uncredited) | |
| Jack Shampan | .... | draughtsman (uncredited) | |
Sound Department | |||
| Stephen Dalby | .... | sound supervisor (as Steven Dalby) | |
| Gordon Stone | .... | sound editor | |
| Leo Wilkins | .... | sound recordist | |
| Harry Fairbairn | .... | sound assistant (uncredited) | |
| Don Wortham | .... | boom operator (uncredited) | |
Special Effects by | |||
| Sydney Pearson | .... | special effects | |
Camera and Electrical Department | |||
| Chic Waterson | .... | camera operator (as Chick Waterson) | |
| Alan Bryce | .... | clapper loader (uncredited) | |
| Ray Parslow | .... | focus puller (uncredited) | |
| Herbert Smith | .... | focus puller (uncredited) | |
Editorial Department | |||
| Harry Aldous | .... | assistant editor | |
| Jim Clark | .... | second assistant editor (uncredited) | |
Music Department | |||
| Dock Mathieson | .... | conductor | |
Other crew | |||
| Joan Bridge | .... | technicolor colour consultant | |
| Felicia Manheim | .... | continuity | |
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| The Ladykillers | The Lavender Hill Mob | Sexy Beast | The Invisible Monster | The Spider Returns |
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I won't go on about this, but I think this is one of the funniest comedies I've ever watched. So did my ten-year-old, with whom I've watched it many times on tape. I say "one of the funniest" deliberately because this is about as good as it gets, and other comedies have reached that same asymptotic height -- "Dr. Strangelove," for instance, or "Some Like it Hot," -- but none have, or is ever likely to, exceed it.
Most of what can be said about this Ealing Comedy has already been said and I won't repeat it. I will add, however, one generally overlooked point. The principal cockatoo, "General Gordon," sees Professor Marcus's shadow on the door and squawks "SOS" in Morse code.
If you feel yourself falling into a funk, this is the one to watch. Well, okay, it's the one to watch anyway. A non parreille, light years better than my spelling of French.