The Egyptian (1954)

User Rating:

6.2/10   

Director:

Michael Curtiz

Writers:

Philip Dunne (writer)
Casey Robinson (writer)

Release Date:

17 December 1954 (West Germany)

Genre:

Drama | History

Tagline:

To Nefer, shameless temptress of Babylon, he surrendered his parents' hope of immortality!

Plot:

In eighteenth-dynasty Egypt, Sinuhe, a poor orphan, becomes a brilliant physician and with his friend...

Plot Keywords:

Plot | Historical | Monotheism | Poison | Bronze Age

Awards:

Nominated for Oscar. Another 1 win

Cast

Jean Simmons	...	Merit
Victor Mature	...	Horemheb
Gene Tierney	...	Baketamon
Michael Wilding	...	Akhnaton
Bella Darvi	...	Nefer
Peter Ustinov	...	Kaptah
Edmund Purdom	...	Sinuhe
Judith Evelyn	...	Taia
Henry Daniell	...	Mekere
John Carradine	...	Grave robber
Carl Benton Reid	...	Senmut
Tommy Rettig	...	Thoth
Anitra Stevens	...	Queen Nefertiti
rest of cast listed alphabetically:
Peter Reynolds	...	Sinuhe, age 10

Runtime:

139 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.55 : 1

Sound Mix:

4-Track Stereo (Western Electric Recording)

Certification:

West Germany:12 (f) | USA:Approved (certificate #16965) | Finland:K-16 | Sweden:15 | Argentina:13

Filming Locations:

Death Valley National Park, California, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Dirk Bogarde turned down the lead role after Brando bowed out.

Goofs:

Anachronisms: In the scene where Sinuhe buries his parents with the help of the grave robber, they both use a shovel with a metal blade, not wood. Later on in the movie, iron is introduced to the Egyptians.

Quotes:

[first lines]
Sinuhe: [Older Sinuhe voiceover] I, Sinuhe the Egyptian, write this. In my place of exile on the shores of the Red Sea. There is no more desolate spot on earth. Soon the jackals and the vultures will make a poor meal of what is left of me. No monument will mark my resting place. I will leave only this...

Movie Connections:

Referenced in The Passion: Films, Faith & Fury (2006) (TV)

And starring Bella Darvi!

Few people realize it, but there was world literature in the ancient world before the Greeks came on the scene. Besides the literary remains that are in the "Old Testament" of the Jews, there were considerable works from Mesopotamia and Egypt. The summit of the former were the religious poetry and "The Epic Of Gilgamesh". The Egyptians produced many poems, but there main addition was a tale of adventure of a traveler and physician called "The Story Of Sinuhe". It is from this work (actually a fragment, that we don't know the ending of) that the novel "The Egyptian" came from.

The story is unique (as is the movie). "The Egyptian" was a best seller in the early 1950s, and Darryl Zanuck decided to take a chance making it: yes he wanted a showcase for his girlfriend Bella Darvi as Nefer, as well as the rest of the cast (Victor Mature, Edmund Purdom, Peter Ustinov, Michael Wilding, and Gene Tierney), but he was aware that these films rarely made large box office. One can chalk up this as an example of Zanuck trying something different.

The number of movies that deal with ancient Egypt are very small. "Land Of The Pharoahs", "The Egyptian", "The Ten Commandments" (both De Mille versions), "Moses", "Holy Moses!", "Cleopatra", "The Mummy" (all versions), "The Scorpion King". If there are 20 films about ancient Egypt it's is tremendous. But "The Egyptian" is unique. While the second "Ten Commandments" discusses Ramses the Great (Pharoah Ramses II - Yul Brynner) and his father Seti I (Cedric Hardwicke), and the films on Cleopatra deal with her, few other names of ancient Egypt crop up in film. Egypt's greatest Pharoah was Thutmose III, who conquered most of the known middle east of the era of 1470 B.C.E. or so. No film about him has appeared, nor of his usurping predecessor, history's first great female ruler Hatschepsut. But the only known Pharoah who attempted a religious revolution that approached what the Jews (and later the Christians) attempted - a type of monotheism - is the subject of "The Egyptian". This is Pharoah Akhnaton.

In reality Akhnaton was practicing a personal form of monotheism that was not meant for public consumption. But it angered the priestly class who worshiped Amon, rather than Aton. Due to our uncertain historic records (although Akhnaton's official records - the "Tel-el-Amana" letters - are quite complete as far as they survive), we do not know if the Pharoah was killed in a palace coup or not. However he died, he was succeeded by a young brother or son of his whose name is better recalled than any other Pharoah except Ramses: Tutankhamon.

This film is actually quite good as far as it goes. Wilding makes a good natured Akhnaton, who is too weak to be as effective as a religious reformer is supposed to be. Mature is good as the ambitious (and - outside the film - ultimately successful future Pharoah) Horemheb. Tierney and Purdom do well in their lead parts and Ustinov is good as Purdom's friend. Also good is Ms Darvi, in a large supporting part. In a wonderful cameo is John Carridine, as a philosophical grave robber. The film is certainly worthy of viewing, as one of the few attempts to show part of the history and culture of Ancient Egypt.