| Madhubala | ... | Anju | |
| Nimmi | ... | Sonia | |
| Dilip Kumar | ... | Advocate Amarnath | |
| Jayant | ... | Sankat Chhaila | |
| Ulhas | ... | Rai Saheb Mohanlal (as Ullhas) | |
| Mukri | ... | Advocate (as Muqri) | |
| Husn Banu | (as Husnbanoo) | ||
| Amar | |||
| Siddiqui | |||
| Murad | ... | The Judge | |
| Pande | (as Pandeji) | ||
| Haroon | |||
| Agha Miraz | (as Agha Mehraj) | ||
| Shakeel Nomani | (as Shakeel Naumani) | ||
| Shahin | |||
| Nawab Khan |
Directed by | |||
| Mehboob Khan | |||
Writing credits(in alphabetical order) | ||
| S.K. Kalla | story | |
| Agha Jani Kashmiri | dialogue | |
| Mehrish | story | |
| B.S. Ramaiah | story (as B.S. Ramiah) | |
| S. Ali Raza | dialogue | |
| S. Ali Raza | story | |
Produced by | |||
| Mehboob Khan | .... | producer | |
Original Music by | |||
| Naushad | |||
Cinematography by | |||
| Faredoon A. Irani | (photography) | ||
Film Editing by | |||
| Shamsudin Kadri | |||
Art Direction by | |||
| V.H. Palnitkar | |||
Makeup Department | |||
| Abdul Kader | .... | makeup artist (as Abdul Kadar) | |
| Gafoor Miya | .... | makeup artist | |
Production Management | |||
| M.A. Qureshi | .... | production manager | |
Art Department | |||
| Y.H. Bargal | .... | assistant art director | |
| D.R. Jadhav | .... | settings: G.D. Art | |
Sound Department | |||
| Pandurang Baloor | .... | assistant sound (as P.P. Boloor) | |
| R. Kaushik | .... | sound (as Kaushik) | |
| S.N. Modi | .... | assistant sound | |
| A.H. Patel | .... | assistant sound | |
Camera and Electrical Department | |||
| Minoo Karadia | .... | assistant camera | |
| Gunvant Patel | .... | still photographer (as Gunvant R. Patel) | |
| Parvez Sabawalla | .... | assistant camera (as Parvez Sabawala) | |
| Balu T. Sawant | .... | assistant camera (as Baloo T. Savant) | |
| M.R. Vasudev | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Amarnath | .... | costume assistant | |
| Fazal Din | .... | costumes (as Fazaldin) | |
| Alla Ditta | .... | costume assistant | |
| M. Rajani | .... | costume assistant | |
Editorial Department | |||
| Ibrahim Baporia | .... | assistant editor (as I. Baporia) | |
| Ahmad Hussain | .... | assistant editor (as A. Husein) | |
| G.R. Narveker | .... | film processing (as G.R. Narvekar) | |
| A.H. Ratia | .... | assistant editor | |
| Noormiya Sheikh | .... | assistant editor (as N.A. Sheikh) | |
Music Department | |||
| Shakeel Badayuni | .... | lyricist | |
| Asha Bhosle | .... | playback singer | |
| Mohammed Ibrahim | .... | music assistant (as Mohd. Ebrahim) | |
| Lata Mangeshkar | .... | playback singer | |
| Mohammad Rafi | .... | playback singer | |
Other crew | |||
| Sitara Devi | .... | choreographer | |
| Nanubhai N. Shukla | .... | publicist | |
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| Lage Raho Munna Bhai | Chori Chori | Love Love Love | Dilwale Dulhania Le Jayenge | Muqaddar Ka Sikandar |
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A misunderstood classic brilliantly shot in b/w in a style reminiscent of Alfred Hitchcock.Possibly many are baffled by the way the story is churned out but it follows a definitive pattern leading to the poetical climax.Excellent use of the temples highlightens the subjects of rape and unmarried mothers.Definitely a thinking film though the frequent songs may seem absurd.Madhubala and Nimmi are outstanding.Dilip Kumar's acting has been misunderstood because his role is opposite to the usual tragic,heroic types he is known for.But the depth he takes his character into is amazing.I rate his acting in this film as the most sophisticated of his career.The music and songs are above average and the script is good.The supporting cast is strong and all excell in their roles.As in all Mehboob films the message here is the downtrodden in society,here a victim of rape left to the mercies of a bigoted community.This film will be hailed in the future because it's message and style was too complex for its time.