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Orphée (1950)
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Overview
User Rating:
Release Date:
29 November 1950 (USA) morePlot:
Orphee is a poet who becomes obsessed with Death (the Princess). They fall in love. Orphee's wife, Eurydice... more | add synopsisAwards:
Nominated for BAFTA Film Award. moreUser Comments:
A great story with great imagery moreCast
(Complete credited cast)| Jean Marais | ... | Orphée | |
| François Périer | ... | Heurtebise | |
| María Casares | ... | The Princess - Death | |
| Marie Déa | ... | Eurydice | |
| Henri Crémieux | ... | L'éditeur | |
| Juliette Gréco | ... | Aglaonice | |
| Roger Blin | ... | The Poet | |
| Edouard Dermithe | ... | Jacques Cégeste | |
| René Worms | ... | Judge | |
| Raymond Faure | |||
| Pierre Bertin | ... | Le commissaire | |
| Jacques Varennes | ... | Judge | |
| rest of cast listed alphabetically: | |||
| André Carnège | ... | Judge | |
| Claude Mauriac | |||
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
95 min | France:112 minCountry:
FranceLanguage:
FrenchColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (RCA Sound System)Fun Stuff
Trivia:
The opening scenes set in the Cafe des Poetes were originally set to be filmed with regular extras. However, Cocteau found them to be too self-conscious and artificial so they were all dismissed. Instead, real bohemians from Paris' real café culture were drafted in. These proved to be so natural and relaxed with the café setting, they actually stayed on for two extra days after filming had finished, just hanging out in the cafés that the film crew had been using. moreQuotes:
Heurtebise: I am letting you into the secret of all secrets, mirrors are gates through which death comes and goes. Moreover if you see your whole life in a mirror you will see death at work as you see bees behind the glass in a hive. moreFAQ
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This is my favorite Cocteau film and the most accessible of the Orpheus trilogy, which includes Blood of the Poet (1930) and The Testament of Orpheus (1960). It tells the story of a poet's love for both his wife and "The Princess", a shadowy figure who conducts humans to the underworld upon their death. Orpheus is obsessed with the figure of Death and, ignoring his pregnant wife, follows her into the underworld. The Princess, in turn, falls in love with Orpheus, conducts Orpheus's wife into the underworld, and is eventually punished for "breaking the rules". The underworld is portrayed as a bureaucracy where drab clerks hold hearings in small drab rooms and bring down the wrath of the "rules" on anyone who does not play out their specified role.
Maria Casares is superb as the Princess but François Périer is my favorite character, Heurtebise, the Princesses assistant who also "breaks the rules" by falling in love with Orpheus' wife. Jean Marais is also excellent as the poet Orpheus. Cocteau comments on the role of the poet in society through the role of Orpheus. The young avant garde crowd has turned against Orpheus and now worships the vacant Cegeste. Orpheus asks his publisher what he must do to regain their admiration and is told to "astonish us". When the police inspector is about to arrest Orpheus and then, upon recognizing him, lets him off and asks for his autograph, you know we're not in Kansas (or anywhere in the US).
Several of the characters (The Princess, Heurtebise and Cegeste), played by the same actors, repeat their roles 10 years later in The Testament of Orpheus, passing judgement on Cocteau himself. Their scenes are the best part of that film.
This is a very beautiful film that I've grown to like more and more upon repeat viewings. 9 out of 10.