| Photos (see all 6 | slideshow) |
| Richard Attenborough | ... | Pinkie Brown | |
| Carol Marsh | ... | Rose Brown | |
| Hermione Baddeley | ... | Ida Arnold | |
| William Hartnell | ... | Dallow, henchman | |
| Nigel Stock | ... | Cubit, henchman | |
| Wylie Watson | ... | Spicer, henchman | |
| Alan Wheatley | ... | Fred Hale, alias Kolly Kibber | |
| Harcourt Williams | ... | Lawyer Prewitt | |
| George Carney | ... | Phil Corkery | |
| Victoria Winter | ... | Judy, gang moll | |
| Reginald Purdell | ... | Frank, blind gang member | |
| Campbell Copelin | ... | Police Inspector | |
| Charles Goldner | ... | Colleoni | |
| Marianne Stone | ... | Lazy Waitress (as Mary Stone) | |
| Harry Ross | ... | Bill Brewer | |
| Joan Sterndale-Bennett | ... | Delia | |
| Lina Barrie | ... | Molly, giggly girl in beach chair | |
| Norman Watson | ... | Racecourse Evangelist | |
| rest of cast listed alphabetically: | |||
| Michael Brennan | ... | Crabbe (uncredited) | |
| Cyril Chamberlain | ... | Detective (uncredited) | |
| Basil Cunard | ... | Jim, publican (uncredited) | |
| Philip Godfrey | ... | (uncredited) | |
| Jackie Joyner | ... | (uncredited) | |
| Shirley Lorimer | ... | Shirley (uncredited) | |
| Barbara Lott | ... | (uncredited) | |
| Diana Maddox | ... | (uncredited) | |
| John Martel | ... | The Tail (uncredited) | |
| Daphne Newton | ... | Manageress (uncredited) | |
| Wally Patch | ... | Bill - Shooting Gallery Attendant (uncredited) | |
| Ronald Shiner | ... | Look-out (uncredited) | |
| Constance Smith | ... | Singer (uncredited) | |
| Anna Steele | ... | Mother superior (uncredited) | |
| H.G. Stoker | ... | Registrar (uncredited) | |
Directed by | |||
| John Boulting | |||
Writing credits(in alphabetical order) | ||
| Graham Greene | novel | |
| Graham Greene | screenplay | |
| Terence Rattigan | writer | |
Produced by | |||
| Roy Boulting | .... | producer | |
| Peter De Sarigny | .... | associate producer | |
Original Music by | |||
| Hans May | |||
Cinematography by | |||
| Harry Waxman | |||
Film Editing by | |||
| Peter Graham Scott | |||
Art Direction by | |||
| John Howell | |||
Costume Design by | |||
| Honoria Plesch | |||
Makeup Department | |||
| Bob Clark | .... | makeup artist | |
| Eric Aylott | .... | assistant makeup artist (uncredited) | |
| Polly Richards | .... | hair stylist (uncredited) | |
Production Management | |||
| Gerard Bryant | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gerry Mitchell | .... | assistant director (uncredited) | |
| Cliff Owen | .... | third assistant director (uncredited) | |
| Eric Pavitt | .... | third assistant director (uncredited) | |
| John Redway | .... | third assistant director (uncredited) | |
Art Department | |||
| Donald M. Ashton | .... | draughtsman (uncredited) | |
| Stanley Yeomanson | .... | assistant art director (uncredited) | |
Sound Department | |||
| Audrey Bennett | .... | sound editor | |
| F. McNally | .... | sound recordist (as Frank McNally) | |
| Norman Coggs | .... | sound camera operator (uncredited) | |
| Harold V. King | .... | dubbing crew (uncredited) | |
| Len Shilton | .... | dubbing crew (uncredited) | |
Camera and Electrical Department | |||
| Gilbert Taylor | .... | camera operator | |
| Davis Boulton | .... | still photographer (uncredited) | |
| John Harris | .... | clapper loader (uncredited) | |
| Val Stewart | .... | focus puller (uncredited) | |
Editorial Department | |||
| Max Benedict | .... | assistant editor (uncredited) | |
| Audrey Bennett | .... | assistant editor (uncredited) | |
Music Department | |||
| John Addison | .... | music arranger: songs (as Jock Addison) | |
Other crew | |||
| Gladys Reeve | .... | continuity (uncredited) | |
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A lean, mean, steely adaptation by Graham Greene of his own 1938 novel, now regarded as a classic in British cinema. Although cited as 'watered-down' by fans of the book, one thing that cannot be undermined in this film is the quality of the casting. Twenty-five year old Richard Attenborough's convincing and perfect performance as vicious juvenile gangster Pinkie Brown must have left Greene gob-smacked whilst Carol Marsh (as Pinkie's despairingly innocent girlfriend, Rose), William Hartnell and Hermione Baddeley serve to bring Greene's supporting ensemble of seaside characters memorably to life. Certain aspects of the novel are lost or muddled on screen - Pinkie and Rose's obsession with Catholicism is patchy whilst the former's fear of sex is kept minimal, robbing the character of some of the depth that Greene conveyed in his book. Attenborough and the supporting players however are so graceful in their roles that any shortcomings are more than forgiven and the ending - again, a cause of controversy to some - , in the eyes of this reviewer, is a masterstroke.