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IMDb > Roma, città aperta (1945)
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Roma, città aperta (1945) More at IMDbPro »

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Overview

User Rating:
8.2/10   5,657 votes
MOVIEmeter: ?
Down 19% in popularity this week. See why on IMDbPro.
Director:
Writers:
Sergio Amidei (writer) and
Federico Fellini (writer)
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Contact:
View company contact information for Open City on IMDbPro.
Release Date:
27 September 1945 (Italy) more
Genre:
Plot:
Rome, 1944. Giorgio Manfredi, one of the leaders of the Resistance, is tracked down by the Nazis. He goes to his friend Francesco's... more | add synopsis
Plot Keywords:
Awards:
Nominated for Oscar. Another 6 wins more
NewsDesk:
(11 articles)
The Criterion Column: Volume One
 (From Twitch. 21 December 2009, 6:36 AM, PST)

Rome, Open City
 (From DearCinema.com. 15 December 2009, 6:03 AM, PST)

User Reviews:
Powerful Portrayal of Dignity and Courage more (41 total)

Cast

  (Complete credited cast)
Aldo Fabrizi ... Don Pietro Pellegrini

Anna Magnani ... Pina
Marcello Pagliero ... Giorgio Manfredi aka Luigi Ferraris
Vito Annichiarico ... Piccolo Marcello
Nando Bruno ... Agostino
Harry Feist ... Major Bergmann
Giovanna Galletti ... Ingrid
Francesco Grandjacquet ... Francesco
Eduardo Passarelli ... Neighborhood Police Sergeant (as Passarelli)
Maria Michi ... Marina Mari
Carla Rovere ... Lauretta
Carlo Sindici ... Police Commissioner
Joop van Hulzen ... Captain Hartmann (as Van Hulzen)
Ákos Tolnay ... Austrian Deserter (as A. Tolnay)
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Additional Details

Also Known As:
Open City (USA)
Rome, Open City
more
Runtime:
100 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Filming Locations:
Company:

Fun Stuff

Trivia:
Rossellini used real Nazi POW's as extras for added realistic effect. more
Quotes:
Major Bergman: I've a man who must talk before dawn and a priest who is praying for him. He'll talk
Hartman: And if not?
Major Bergman: Ridiculous.
Hartman: And if not?
Major Bergman: Then it would mean an Italian is worth as much as a German. It would mean there is no difference in the blood of a slave race and a master race. And no reason for this war.
more
Movie Connections:
Referenced in The 100 Greatest War Films (2005) (TV) more

FAQ

This FAQ is empty. Add the first question.
32 out of 42 people found the following review useful.
Powerful Portrayal of Dignity and Courage, 24 April 2002
Author: Howard Schumann from Vancouver, B.C.

Open City, a powerful Italian film directed by Roberto Rosselini in 1946, is a historically-based story of the Italian Resistance movement and its struggle against Nazi occupation. The film is a searing indictment of the Nazis and a powerful portrayal of the dignity and courage of the Italian Resistance fighters.

With the city's studios destroyed, Rosselini was forced to shoot his film in the streets on stock that was purchased bit by bit, then taped together. It was shot almost immediately after the city was liberated from the Germans while the Germans still occupied the streets. Naturally, the quality of the print (although on DVD) is limited by the kind of stock that had to be used. The resulting film, however, is unique and deeply moving, and is a film of historic importance.

Open City was the first of the great Italian Neo-realist films (followed by Paisan, The Bicycle Thief, Shoeshine, I Vitteloni, and Umberto D). These films were characterized by the use of non-professional actors, natural lighting, location shooting, the desire to get closer to everyday reality, and the struggle for dignity of the masses of people.

Though I strongly recommend this film, there are a few minor quibbles. The Nazi leaders are portrayed as homosexuals who are associated with a decadent life style. This is contrasted with the Resistance representing the church and the family. Though I do not grant the Nazis much in the way of humanity, I think these broad strokes only obscure rather than clarify. Likewise, there is an over- identification of the Resistance as Communist. Though the Communist Party made up a good part of the Resistance, it also included Christian Democrats and Socialists.

Open City, though depressing in its presentation, remains hopeful. This hope for the future is symbolized at the end of the film by the children making their way back down into the streets of Rome after witnessing an execution. This attitude is also expressed by Francesco as he talks to Pina (Anna Magnani) in the flats, "We must believe it, we must want it,, We musn't be afraid because we are on the just path.We're fighting for something that must come. It may be long..it may be difficult, but there'll be a better world."

56 years later, we're still waiting.

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