Angel Puss (1944)

Director:

Chuck Jones

Writer:

Lou Lilly (story)

Release Date:

3 June 1944 (USA)

Genre:

Family | Animation | Short | Comedy

Plot:

A little black boy is hired to kill a cat, but the feline escapes and proceeds to play tricks on the kid...

Plot Keywords:

Cat | Cartoon Cat | Looney Tunes | Racial | Censored 11

Cast

(in alphabetical order)

Mel Blanc

...

Lil' Sambo / Angel Puss (voice) (uncredited)

Runtime:

7 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

Canada:G (Nova Scotia)

Company:

Warner Bros. Pictures

Trivia:

One of the "Censored 11" banned from TV syndication by United Artists in 1968 (then the owners of the Looney Tunes film library) for alleged racism. Ted Turner continued the ban when he was hired and stated that these films will not be re-issued and will not be put on Home Video. These cartoons will probably never air on television again, and only non-Warner Bros. licensed public domain video tapes will probably ever have these cartoons on them.

Movie Connections:

Edited into Uncensored Cartoons (1982)

Soundtrack:

Angel in Disguise

It's no Coal Black

It is interesting to compare this Chuck Jones cartoon with Bob Clampett's Coal Black and de Sebben Dwarfs (1943), since both were written by Warren Foster and dealt with racial stereotypes. While Coal Black seems to have an admiration for the culture it is ridiculing, and is filled with an exuberance and joy in its portrayal of the characters, Angel Puss seems just mean-spirited. The vain Prince and greedy Queen are the main objects of mockery in Coal Black, but Angel Puss picks on an innocent black child for fun. He is paid to drown a cat but cannot bring himself to do it. While he is arguing with his conscience the cat manages to escape the bag he was kept in. The cat, pretending to be the child's conscience, urges the child to go through with his original plan. The cat then spends the rest of the cartoon pretending to be a ghost and "haunting" the child. This part of the story is just painful to watch. The child obviously doesn't deserve the treatment he suffers through. While many of the Warner Bros. cartoons dealt with a heckling character hassling some milquetoast in a very humorous way, this cartoon seems spiritless, as if director Chuck Jones was just going through the motions. It is interesting to note that this is one of the rare times that Jones worked with Foster, as he usually worked with writers Tedd Pierce and Mike Maltese.