The Philadelphia Story (1940)

User Rating:

8.1/10   

Director:

George Cukor

Writers:

Donald Ogden Stewart (screenplay)
Philip Barry (play)
(more)

Release Date:

26 December 1940 (USA)

Genre:

Comedy | Romance

Tagline:

Uncle Leo's bedtime story for you older tots! The things they do among the playful rich - Oh, boy!

Plot:

When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

Plot Keywords:

Reporter | Wedding | Philadelphia | Heiress | Socialite

Awards:

Won 2 Oscars. Another 2 wins & 4 nominations

US TV Schedule:

Thur. Nov. 19

9:00 AM

TCM

Cast

Cary Grant	...	C.K. Dexter Haven
Katharine Hepburn	...	Tracy Lord
James Stewart	...	Macaulay Connor
Ruth Hussey	...	Elizabeth Imbrie
John Howard	...	George Kittredge
Roland Young	...	Uncle Willie
John Halliday	...	Seth Lord
Mary Nash	...	Margaret Lord
Virginia Weidler	...	Dinah Lord
Henry Daniell	...	Sidney Kidd
Lionel Pape	...	Edward
Rex Evans	...	Thomas
rest of cast listed alphabetically:
King Baggot	...	Extra as Wedding Guest (uncredited)
Hillary Brooke	...	Main Line Society Woman (uncredited)
Veda Buckland	...	Elsie (uncredited)
Lita Chevret	...	Manicurist (uncredited)
Russ Clark	...	John - Chauffeur (uncredited)
David Clyde	...	Mac (uncredited)
Robert De Bruce	...	Dr. Parsons (uncredited)
Dorothy Fay	...	Main Line Society Woman (uncredited)
Claude King	...	Uncle Willie's Butler (uncredited)
Eric Mayne	...	Extra as Wedding Guest (uncredited)
Florine McKinney	...	Main Line Society Woman (uncredited)
Lee Phelps	...	Bartender (uncredited)
Hilda Plowright	...	Librarian (uncredited)
Mildred Shay	...	Main Line Society Woman (uncredited)
Joseph Sweeney	...	Butler (uncredited)
Helene Whitney	...	Main Line Society Woman (uncredited)

Directed by
George Cukor

Writing credits
Donald Ogden Stewart		(screenplay)
Philip Barry		(play)
Waldo Salt		contributing writer (uncredited)

Produced by
Joseph L. Mankiewicz	....	producer

Original Music by
Franz Waxman		(musical score)

Cinematography by
Joseph Ruttenberg

Film Editing by
Frank Sullivan

Art Direction by
Cedric Gibbons

Set Decoration by
Edwin B. Willis

Costume Design by
Adrian		(gowns)

Makeup Department
Sydney Guilaroff	....	hair stylist
Jack Dawn	....	makeup artist (uncredited)

Production Management
Keith Weeks	....	production manager (uncredited)

Second Unit Director or Assistant Director
Edward Woehler	....	assistant director (uncredited)

Art Department
Wade B. Rubottom	....	associate art director

Sound Department
Douglas Shearer	....	recording director
Tom Gunn	....	re-recording mixer (uncredited)

Production Companies

• Loew's (produced by) (as Loew's Incorporated)
• Metro-Goldwyn-Mayer (MGM) (presents)

Distributors

• Metro-Goldwyn-Mayer (MGM) (1940) (USA) (theatrical)
• Loew's (1940) (USA) (theatrical) (uncredited)
• Metro-Goldwyn-Mayer (MGM) (1942) (Finland) (theatrical)
• Metro-Goldwyn-Mayer (MGM) (1955) (USA) (theatrical) (re-release)
• United International Pictures (UIP) (1986) (Finland) (theatrical)
• MGM/UA Home Entertainment (1992) (USA) (VHS)
• Warner Home Video (2000) (USA) (DVD)
• DVD Magic (2005) (Russia) (DVD)
• Warner Home Video (2005) (Finland) (DVD)
• Warner Home Video (2005) (USA) (DVD)
• Atalanta Filmes (????) (Portugal) (theatrical) (re-release)
• Chapel Distribution (1997) (Australia) (theatrical)

Other Companies

• Theatre Guild  play produced by
• Turner Entertainment  package design

Runtime:

112 min

Country:

USA

Language:

English | French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

UK:U (re-rating) (1998) | Finland:K-16 (1942) | Finland:S (1986) | USA:Approved (certificate #6594) | USA:Passed (National Board of Review) | Canada:PG (video rating) | South Korea:12 (DVD rating) (2005) | USA:TV-G (TV rating) | Argentina:Atp | Australia:PG | Portugal:M/12 | Sweden:15 | UK:A (original rating)

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Company:

Loew's

Trivia:

Cary Grant demanded top billing and $100,000 salary - a huge amount at the time. As it transpired though, he donated his entire earnings to the British War Relief Fund.

Goofs:

Continuity: Midday turns to night during Tracy and George's poolside conversation.

Quotes:

Uncle Willie: [hung over, moans as the pony cart Dinah's driving hits a bump]
Dinah Lord: What's wrong?
Uncle Willie: Oh, nothing, nothing. My head just fell off, that's all.

Movie Connections:

Featured in Touch of Pink (2004)

Soundtrack:

Lydia, the Tattooed Lady

Plays your heart strings in a masterful glissando.

That this brilliant story originated on stage is obvious. The stage requires personas of epic and electric beauty. Philadelphia Story boasts three of the brightest stars that ever burned to occupy these personas, which they do with miraculous luminance.

The play, of course, was written for Hepburn by Phillip Barry, and after over 400 performances on Broadway she cleverly bought the film rights right out from under the noses of Hollywood moguls who fancied themselves smarter than Dear Kate. This came at a time when Hepburn was tops on the list of stars who had been labeled box office poison by producers.

The dynamics between the stars are legendary. Finer actors never lived, and these are the performances of a lifetime for each of them. Stewart is funny, smoldering, passionate and moving and he has moments, many of them, of stunning brilliance in each of those emotions. Grant is his typical stilted and elegant self, funny, gracious, urbane and, yes, beautiful. And then there is Hepburn. She is breathtaking to look at, and she plays your heart strings in a masterful glissando plucking at every emotion as she moves effortlessly across her entire unmatched range.

The supporting cast is worthy of the surplus of talent that surrounds them, and offer a few unforgettable moments of their own. And the presence of George Cukor, the greatest director of women in history, and the best director of Hepburn as well, coaxes every brilliant word of the script to its full potential.

You must not miss this treasure simply because it is from another era. It depicts that era with insight and irreverence that expose it, and the rarified world of old Philadelphia Money (yes, with a capital "M") like few films of its time, or any time, could. Every time I watch this movie, and the frequency would embarrass me if I were honest about it, I love it more.

Watch it. Study it. Assimilate every second of it and your understanding and appreciation of cinema will be enriched for it. And you'll have a great time doing it!