The Great Dictator (1940)

Director:

Charles Chaplin

Writer:

Charles Chaplin (written by)

Release Date:

7 March 1941 (USA)

Genre:

Comedy | Drama | War

Tagline:

The Comedy Masterpiece!

Plot:

In Chaplin's satire on Nazi Germany, dictator Adenoid Hynkel has a double... a poor Jewish barber... who one day is mistaken for Hynkel.

Plot Keywords:

Barber | Dictator | Soldier | Amnesia | Satire

Awards:

Nominated for 5 Oscars. Another 4 wins & 1 nomination

Cast

Charles Chaplin	...	Hynkel - Dictator of Tomania / A Jewish Barber
Jack Oakie	...	Napaloni - Dictator of Bacteria
Reginald Gardiner	...	Schultz
Henry Daniell	...	Garbitsch
Billy Gilbert	...	Herring
Grace Hayle	...	Madame Napaloni
Carter DeHaven	...	Bacterian Ambassador (as Carter De Haven)
Paulette Goddard	...	Hannah
Maurice Moscovitch	...	Mr. Jaeckel (as Maurice Moscovich)
Emma Dunn	...	Mrs. Jaeckel
Bernard Gorcey	...	Mr. Mann
Paul Weigel	...	Mr. Agar
Chester Conklin	...	Barber's Customer
Esther Michelson	...	Jewish Woman
Hank Mann	...	Storm Trooper Stealing Fruit

Also Known As:

The Dictator (USA) (working title)

Runtime:

125 min

Country:

USA

Language:

English | Esperanto

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Brazil:Livre | Germany:6 (DVD rating) | South Korea:All | USA:TV-PG (TV rating) | Spain:18 (re-rating) (1976) | UK:U (original rating) | Argentina:Atp | Australia:G | Canada:G (Quebec) | Canada:PG | Chile:TE | Denmark:7 (2003) | Finland:K-12 | Finland:S (re-release) | France:U | Germany:(Banned) (original rating) | Ireland:(Banned) (original rating) | Ireland:PG (re-rating) | Norway:7 | Spain:(Banned) (1940-1976) | Spain:T (re-rating) | Sweden:Btl | UK:PG (re-rating) (2003) | USA:Approved (PCA #6611) (original rating) | USA:G (re-rating) (1972) | West Germany:12 (original rating)

Filming Locations:

Agoura Hills, California, USA

Company:

Charles Chaplin Productions

Trivia:

The 'Big Bertha' artillery piece mentioned in the beginning of the film was not actually used to shell Paris, as stated in the film. In fact, the Big Bertha was simply a heavy artillery piece used by the Germans in the beginning of the war to smash Belgian forts during the invasion of Belgium. The large howitzer used to shell Paris by the Germans during WWI was simply called "The Paris Gun".

Goofs:

Revealing mistakes: When the Jewish Barber cleans the word "Jew" off his shop window, a dotted line can be seen to mark where the W would be painted again for the next take.

Quotes:

Commander Shutz: How's the gas?
A Jewish barber: Terrible, it kept me awake all night.

Movie Connections:

Referenced in Ils sont fous ces sorciers (1978)

Soundtrack:

String Quintet in E, Op. 13 No. 5: Minuet

The "Pre-Mature" Anti-Fascist

Released in 1940, "The Great Dictator" was the first Hollywood film that denounced Hitler directly (albeit in the guise of Adenoid Hynkel), took a virulent stand against fascism, and directly addressed Anti-Semitism.

Over-long, at times heavy-handed, it still has many wonderful sequences, including the famous dance with the globe, and all the scenes of Chaplin with Jack Oakie, each trying to out-do the other and prove his superiority.

One criticism that seems to occasionally rear its head is the implication that Chaplin's pre-World War II anti-fascism was somehow wrong-headed. The atrocities of the Holocaust weren't fully known to the world yet, so Chaplin's anti-Hitler diatribe is, in the minds of some, misguided. After the war this mindset would result in the debacle of the blacklist, when Chaplin, among others, were branded "pre-mature anti-fascists." In other words, it wasn't politically acceptable to be against Nazism until war broke out with the U.S. Hard to believe anyone could still see things that way now, but some do.

The film industry of the 1930s wanted no part of international politics, no matter how blatant the brutality of a given regime. Profits were at stake. It was little goyisha Charley Chaplin, playing a Jewish barber, who took a public stand.

While "The Great Dictator" may not among Chaplin's finest films, it may, historically, be his finest hour.