La règle du jeu (1939)

User Rating:

8.0/10   

Director:

Jean Renoir

Writers:

Jean Renoir (scenario & dialogue)
Carl Koch (writer)

Release Date:

8 April 1950 (USA)

Genre:

Comedy | Drama

Plot:

Renoir's look at bourgeois life in France at the onset of World War II. An assorted cast of characters - the rich and their poor servants - meet up at a French chateau.

Plot Keywords:

Servant | Party | Love | Hunting | Chateau

Awards:

1 win

Cast

Nora Gregor	...	Christine de la Cheyniest (as Nora Grégor)
Paulette Dubost	...	Lisette, sa camériste
Mila Parély	...	Geneviève de Marras
Odette Talazac	...	Madame de la Plante
Claire Gérard	...	Madame de la Bruyère
Anne Mayen	...	Jackie, nièce de Christine
Lise Elina	...	Radio-Reporter (as Lise Élina)
Marcel Dalio	...	Robert de la Cheyniest (as Dalio)
Julien Carette	...	Marceau, le braconnier (as Carette)
Roland Toutain	...	André Jurieux
Gaston Modot	...	Edouard Schumacher, le garde-chasse
Jean Renoir	...	Octave
Pierre Magnier	...	Le général
Eddy Debray	...	Corneille, le majordome
Pierre Nay	...	Monsieur de St. Aubin

Also Known As:

The Rules of the Game (USA)

Runtime:

110 min | USA:106 min (DVD version)

Country:

France

Language:

French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric)

Certification:

Australia:G | South Korea:12 (2004) | Finland:K-16 | USA:Approved

Filming Locations:

Aubigny-sur-Nère, Cher, France

Company:

Nouvelle edition française

Trivia:

When the film opened in 1939, initial reception of it was so bad that one viewer lit a newspaper and tried to burn the theater that it was playing in. There were even threats to other theaters.

Goofs:

Boom mic visible: When the party first arrives at the château, a boom shadow falls on the back of the head of the old white haired guy standing there.

Quotes:

Robert de la Cheyniest: Corneille! Put an end to this farce!
Corneille, le majordome: Which one, your lordship?

Movie Connections:

Referenced in Bad Company (1972)

Soundtrack:

Die Fledermaus Overture

Closest to Mozartean perfection

This is the film I usually think of as my favorite of all time. It is perhaps the closest that cinema has come to the perfection of a Mozart opera. I'm thinking of "Marriage of Figaro" and "Cosi fan Tutte" in particular as the Mozart operas most closely related to Renoir's cinema masterpiece. Like those operas, there is a masterfully proportioned blend of outrageous humor and deep pathos. It is a comedy, but it is a particularly civilized form of comedy that you will not encounter in another film, except maybe in some films of Charlie Chaplin. Above every human situation in the convoluted plot there is the all-pervading sadness for a fading civilization about to be extinguished. The ambiguities of that civilization are perfectly captured in two hours of cinematic heaven. Everything about this film is extraordinary, and I long to see it issued on DVD, and only Criterion will be able to do it justice. I hope they will turn to it soon!