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Marie Antoinette (1938)
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Overview
User Rating:
Release Date:
26 August 1938 (USA) morePlot:
The life of Marie Antoinette (1755-1793) from betrothal and marriage in 1770 to her beheading. At first... more | full synopsisAwards:
Nominated for 4 Oscars. Another 1 win & 1 nomination moreUser Comments:
One of the best and most sumptuous film biographies of all time. moreCast
(Cast overview, first billed only)| Norma Shearer | ... | Marie Antoinette | |
| Tyrone Power | ... | Count Axel de Fersen | |
| John Barrymore | ... | King Louis XV | |
| Robert Morley | ... | King Louis XVI | |
| Anita Louise | ... | Princesse de Lamballe | |
| Joseph Schildkraut | ... | Duke d'Orléans | |
| Gladys George | ... | Mme. du Barry | |
| Henry Stephenson | ... | Count de Mercey | |
| Cora Witherspoon | ... | Countess de Noailles | |
| Barnett Parker | ... | Prince de Rohan | |
| Reginald Gardiner | ... | Comte d'Artois | |
| Henry Daniell | ... | La Motte | |
| Leonard Penn | ... | Toulan | |
| Albert Dekker | ... | Comte de Provence (as Albert Van Dekker) | |
| Alma Kruger | ... | Empress Maria Theresa |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
149 min | USA:157 min (original road show print including entry, intermission and exit music)Country:
USALanguage:
EnglishColor:
Black and White (Sepiatone)Aspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Sound System)Certification:
USA:Passed (National Board of Review) | Canada:PG (video rating) | Australia:G | Finland:S | USA:Approved (PCA #4322)Fun Stuff
Trivia:
This was Irving Thalberg's last project while head of production at MGM. At the time of his death in 1936, the film was in the planning stages, but his widow, Norma Shearer, took special interest in the film and stuck with it to its completion in 1938. moreQuotes:
King Louis XV: [presenting Marie to Louis the Dauphin on their wedding night] Louis, I cast this pearl before you. moreSoundtrack:
Orpheus and Euridice moreFAQ
This FAQ is empty. Add the first question.more
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This film boasts a number of wonderful performances and is a great example of film acting in the thirties and the power of the studios. Robert Morley steals the show as Louis XVI, but equally fine are John Barrymore as the dying Louis XV, Gladys George as Madame du Barry, Joseph Schildkraut as the Duke of Orleans and a whole slew of wonderful character actors who enlivened even the smallest role. Norma Shearer admirably tackles the nearly impossible task of portraying the life of Marie Antoinette from a young girl to a broken woman on her way to the guillotine. In the style of the time, the film has a tendency toward histrionics but for the viewer with patience the overall effect is fascinating. Of special interest to students of art direction. The sets and costumes are incredible.