| Will Rogers | ... | Doctor John Pearly | |
| Anne Shirley | ... | Fleety Belle | |
| Irvin S. Cobb | ... | Captain Eli | |
| Eugene Pallette | ... | Sheriff Rufe Jeffers | |
| John McGuire | ... | Duke | |
| Berton Churchill | ... | New Moses | |
| Francis Ford | ... | Efe | |
| Roger Imhof | ... | Breck's Pappy | |
| Raymond Hatton | ... | Matt Abel | |
| Hobart Bosworth | ... | Chaplain | |
| Stepin Fetchit | ... | Jonah | |
| rest of cast listed alphabetically: | |||
| C.E. Anderson | ... | Jailer (uncredited) | |
| Sam Baker | ... | Undetermined Role (uncredited) | |
| William 'Billy' Benedict | ... | Breck (uncredited) | |
| Heinie Conklin | ... | Jailbird (uncredited) | |
| D'Arcy Corrigan | ... | Hangman (uncredited) | |
| Luke Cosgrave | ... | Labor Boss (uncredited) | |
| Grace Goodall | ... | Sheriff's Wife (uncredited) | |
| Ben Hall | ... | Fleety Belle's Brother (uncredited) | |
| Dell Henderson | ... | Salesman (uncredited) | |
| Robert Homans | ... | Race Official (uncredited) | |
| Si Jenks | ... | Farmer at Demonstrations (uncredited) | |
| John Lester Johnson | ... | Uncle Jeff (uncredited) | |
| Ed Jones | ... | New Elijah (uncredited) | |
| Fred Kohler Jr. | ... | Ben - Fleety Belle's Fiance (uncredited) | |
| James A. Marcus | ... | Warden (uncredited) | |
| Louis Mason | ... | Boat Race Organizer (uncredited) | |
| Charles Middleton | ... | Fleety Belle's Father (uncredited) | |
| Ferdinand Munier | ... | Governor (uncredited) | |
| Vester Pegg | ... | Mink - Pride of Paducah Pilot (uncredited) | |
| Jack Pennick | ... | River Man with Pappy (uncredited) | |
| Otto Richards | ... | Prisoner (uncredited) | |
| Ernest Shields | ... | Undetermined Role (uncredited) | |
| Wingate Smith | ... | Undetermined Role (uncredited) | |
| John Tyke | ... | Undetermined Role (uncredited) | |
| Lois Verner | ... | Addie May (uncredited) | |
| John Wallace | ... | Undetermined Role (uncredited) | |
Directed by | |||
| John Ford | |||
Writing credits | ||
| Ben Lucien Burman | (novel "Steamboat Round the Bend") | |
| Dudley Nichols | (screenplay) and | |
| Lamar Trotti | (screenplay) | |
Produced by | |||
| Sol M. Wurtzel | .... | producer (uncredited) | |
Original Music by | |||
| Samuel Kaylin | (uncredited) | ||
Cinematography by | |||
| George Schneiderman | (photographed by) | ||
Film Editing by | |||
| Alfred DeGaetano | (as Al DeGaetano) | ||
Casting by | |||
| Al Smith | (uncredited) | ||
Art Direction by | |||
| William S. Darling | (as William Darling) | ||
| Albert Hogsett | |||
Costume Design by | |||
| Sam Benson | (uncredited) | ||
Makeup Department | |||
| Irene Beshon | .... | hair stylist (uncredited) | |
| Buddy King | .... | hair stylist (uncredited) | |
| Vern Murdock | .... | makeup artist (uncredited) | |
| Paul Stanhope | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Edward O'Fearna | .... | assistant director (uncredited) | |
Art Department | |||
| Monroe Liebgold | .... | props (uncredited) | |
| Dwight Thompson | .... | props (uncredited) | |
| Joe Thompson | .... | props (uncredited) | |
Sound Department | |||
| Albert Protzman | .... | sound | |
| Jack Lescoulie | .... | sound recordist (uncredited) | |
| Hal Lombard | .... | assistant sound (uncredited) | |
Camera and Electrical Department | |||
| James Gordon | .... | camera operator (uncredited) | |
| Paul Lockwood | .... | assistant camera (uncredited) | |
| Cliff Maupin | .... | still photographer (uncredited) | |
| Tom Ouellette | .... | set lighting foreman (uncredited) | |
| Sy Rubin | .... | assistant to set lighting foreman (uncredited) | |
| Vern Simmoirs | .... | grip (uncredited) | |
| Cluitt Urtubes | .... | grip (uncredited) | |
Music Department | |||
| Samuel Kaylin | .... | musical director | |
Other crew | |||
| R.L. Hough | .... | business manager (uncredited) | |
| L.C. Moore | .... | location manager (uncredited) | |
| Stanley Scheuer | .... | script clerk (uncredited) | |
| Henry Weinberger | .... | assistant business manager (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Duke | TheOtherFallenAngel |
| Rope stunts done by Rogers himself? | emcauliffe-2 |
| Steamboat Round the Bend....Still Available? | ramanship |
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| The Night of the Hunter | Gone with the Wind | Custer's Last Stand | Home from the Hill | Steamboat Bill, Jr. |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
I first saw this movie with my grandfather fifty years ago. Our small-town theater was having classic movie month and Will Rogers was my grandfather's favorite. For a ten-year old boy this movie made a lasting impression of the freedom and romance once available to us in America but now lost forever. Aside from the instantly believable story line about an uncle and his orphaned nephew going together to buy an aging Mississippi River steamboat the pathos applies superbly to this day. The young man meets a girl, gets in a fight over her and is in trouble with the law. The kind uncle moves heaven and earth to help his deceased sister's son. The characters are all period and realistic according to my grandfather who knew people just like that. America was a religious nation in those days, especially the South, so the use of religious terms in common speech is authentic. The thing to watch for in this film is the steamboat race. In 1935 the steamboat's day was already past, and to find that many operating steamboats to make the film must have been a task. Then...listen closely to the melodious whistles. Different pitches and echoes, made by live steam. Steam power built modern America, and the sound of a live steam whistle, once so common, is all but vanished now. I have to yield to my grandfather's opinion of the movie, not having lived in those times myself, and he said it was quite authentic, down to the use of pitch, kerosene or whatever was handy to get more speed out of the engines. The fact that a regular person felt he could go speak to a state governor in person is also part of our American heritage. There was not the class distinction (at least among whites) that there is today. This movie is a priceless treasure, and youngsters definitely need to see it. Anne Shirley, swamp girl, becomes sweet because she admits she is won over by the tenderness of Uncle John.