| Fred Astaire | ... | Guy Holden | |
| Ginger Rogers | ... | Mimi Glossop | |
| Alice Brady | ... | Aunt Hortense | |
| Edward Everett Horton | ... | Egbert 'Pinky' Fitzgerald | |
| Erik Rhodes | ... | Rodolfo Tonetti | |
| Eric Blore | ... | The waiter | |
| Lillian Miles | ... | Singer, Continental Number | |
| Charles Coleman | ... | Guy's Valet | |
| William Austin | ... | Cyril Glossop | |
| Betty Grable | ... | Dance Specialty | |
| rest of cast listed alphabetically: | |||
| Norman Ainsley | ... | Undetermined role (uncredited) | |
| Jimmy Aubrey | ... | Undetermined role (uncredited) | |
| Finis Barton | ... | Undetermined role (uncredited) | |
| De Don Blunier | ... | Chorus girl (uncredited) | |
| Jack Chefe | ... | Table Extra (uncredited) | |
| Cy Clegg | ... | Porter (uncredited) | |
| E.E. Clive | ... | Chief Customs Inspector (uncredited) | |
| George Davis | ... | French waiter #1 (uncredited) | |
| Charlie Hall | ... | Messenger at dock (uncredited) | |
| Shep Houghton | ... | Dancer (uncredited) | |
| Arthur Jarrett | ... | Vocalist (uncredited) | |
| Sydney Jarvis | ... | Undetermined role (uncredited) | |
| Vivian Keefer | ... | Chorus girl (uncredited) | |
| Lois Lindsay | ... | Chorus girl (uncredited) | |
| Alphonse Martell | ... | French waiter #2 (uncredited) | |
| Ted Oliver | ... | Customs Inspector #3 (uncredited) | |
| Paul Porcasi | ... | French headwaiter (uncredited) | |
| Sonny Ray | ... | Undetermined role (uncredited) | |
| Ronald R. Rondell | ... | Dance Extra, Continental Number (uncredited) | |
| Larry Steers | ... | Extra (uncredited) | |
| Mary Stewart | ... | Dancer / Singer (uncredited) | |
| Cyril Thornton | ... | Customs Inspector #2 (uncredited) | |
| Florence Wix | ... | Undetermined role (uncredited) | |
| Bruce Wyndham | ... | Undetermined role (uncredited) | |
Directed by | |||
| Mark Sandrich | |||
Writing credits | ||
| J. Hartley Manners | (unproduced play) | |
| Dwight Taylor | musical play "Gay Divorce" and | |
| Kenneth S. Webb | musical adaptation for play and | |
| Samuel Hoffenstein | musical adaptation for play | |
| George Marion Jr. | (screenplay) and | |
| Dorothy Yost | (screenplay) and | |
| Edward Kaufman | (screenplay) | |
| Robert Benchley | uncredited | |
Produced by | |||
| Pandro S. Berman | .... | producer | |
Original Music by | |||
| Max Steiner | (uncredited) | ||
Cinematography by | |||
| David Abel | |||
Film Editing by | |||
| William Hamilton | |||
Art Direction by | |||
| Carroll Clark | |||
| Van Nest Polglase | |||
Costume Design by | |||
| Walter Plunkett | |||
Makeup Department | |||
| Mel Berns | .... | makeup artist (uncredited) | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Production Management | |||
| J.R. Crone | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ray Lissner | .... | second assistant director (uncredited) | |
| Argyle Nelson | .... | assistant director (uncredited) | |
| Ivan Thomas | .... | second assistant director (uncredited) | |
Art Department | |||
| Thomas Little | .... | props (uncredited) | |
Sound Department | |||
| George Marsh | .... | sound editor | |
| Hugh McDowell Jr. | .... | recording director | |
| Robert Wise | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Vernon L. Walker | .... | photographic effects (as Vernon Walker) | |
| Harry Redmond Jr. | .... | special effects (uncredited) | |
| Harry Redmond Sr. | .... | special effects supervisor (uncredited) | |
Camera and Electrical Department | |||
| Willard Barth | .... | assistant camera (uncredited) | |
| Joseph F. Biroc | .... | camera operator (uncredited) | |
| Jim Davis | .... | grip (uncredited) | |
| Fred Hendrickson | .... | still photographer (uncredited) | |
| Clifford Stine | .... | assistant camera (uncredited) | |
| James Vianna | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Claire Cramer | .... | wardrobe (uncredited) | |
Music Department | |||
| Philip Faulkner Jr. | .... | music recordist (as P.J. Faulkner Jr.) | |
| Murray Spivack | .... | music recordist | |
| Max Steiner | .... | musical director | |
| Maurice De Packh | .... | music arranger (uncredited) | |
| Howard Jackson | .... | music arranger (uncredited) | |
| Bernhard Kaun | .... | music arranger (uncredited) | |
| Gene Rose | .... | music arranger (uncredited) | |
| Eddie Sharpe | .... | music arranger (uncredited) | |
| Clifford Vaughan | .... | music arranger (uncredited) | |
Other crew | |||
| Peter Croft | .... | technical director | |
| Dave Gould | .... | stager: dance ensembles | |
| Zion Myers | .... | production associate | |
| Hermes Pan | .... | assistant dance director | |
| Harry Cornbleth | .... | stand-in: Fred Astaire (uncredited) | |
| Bill Hamberry | .... | projectionist (uncredited) | |
| Ben Holmes | .... | dialogue director (uncredited) | |
| Elizabeth McGaffey | .... | researcher (uncredited) | |
| Marie Osborne | .... | stand-in: Ginger Rogers (uncredited) | |
| Hermes Pan | .... | choreographer (uncredited) | |
| Frank Warde | .... | doll dance director (uncredited) | |
| Trudy Wellman | .... | continuity (uncredited) | |
| Trudy Wellman | .... | script clerk (uncredited) | |
| Bill Williams | .... | photography co-operator (uncredited) | |
| Madeline Wilson | .... | stand-in: Alice Brady (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Quoting the Eric Blore/Alice Brady interchange in the restaurant, this movie is indeed whimsical (or "whumsical") and beautiful to boot. There probably has never been a more perfect dance than "Night and Day"....or a more beautiful song to dance to. That is the highlight of this film, although the rest of it is well worth seeing. Erik Rhodes is absolutely hilarious as the paid correspondent and the humor is not dated which is unusual in a film of this age. The "Chance is a fool's name for fate" routine is priceless. Edward Everett Horton again proves that he is the originator of the befuddled sidekick without being irritating and his little "dance" with a very young Betty Grable is such fun The art deco sets and great 30's clothes are wonderful and it makes you wish for a time when everybody wore evening dress and danced at the drop of a hat. Don't miss it...this is one of the highlight Astaire/Rogers efforts.