| Photos (see all 15 | slideshow) |
| Fred Astaire | ... | Guy Holden | |
| Ginger Rogers | ... | Mimi Glossop | |
| Alice Brady | ... | Aunt Hortense | |
| Edward Everett Horton | ... | Egbert 'Pinky' Fitzgerald | |
| Erik Rhodes | ... | Rodolfo Tonetti | |
| Eric Blore | ... | The waiter | |
| Lillian Miles | ... | Singer, Continental Number | |
| Charles Coleman | ... | Guy's Valet | |
| William Austin | ... | Cyril Glossop | |
| Betty Grable | ... | Dance Specialty | |
| rest of cast listed alphabetically: | |||
| Norman Ainsley | ... | Undetermined role (uncredited) | |
| Jimmy Aubrey | ... | Undetermined role (uncredited) | |
| Finis Barton | ... | Undetermined role (uncredited) | |
| De Don Blunier | ... | Chorus girl (uncredited) | |
| Jack Chefe | ... | Table Extra (uncredited) | |
| Cy Clegg | ... | Porter (uncredited) | |
| E.E. Clive | ... | Chief Customs Inspector (uncredited) | |
| George Davis | ... | French waiter #1 (uncredited) | |
| Charlie Hall | ... | Messenger at dock (uncredited) | |
| Shep Houghton | ... | Dancer (uncredited) | |
| Arthur Jarrett | ... | Vocalist (uncredited) | |
| Sydney Jarvis | ... | Undetermined role (uncredited) | |
| Vivian Keefer | ... | Chorus girl (uncredited) | |
| Lois Lindsay | ... | Chorus girl (uncredited) | |
| Alphonse Martell | ... | French waiter #2 (uncredited) | |
| Ted Oliver | ... | Customs Inspector #3 (uncredited) | |
| Paul Porcasi | ... | French headwaiter (uncredited) | |
| Sonny Ray | ... | Undetermined role (uncredited) | |
| Ronald R. Rondell | ... | Dance Extra, Continental Number (uncredited) | |
| Larry Steers | ... | Extra (uncredited) | |
| Cyril Thornton | ... | Customs Inspector #2 (uncredited) | |
| Florence Wix | ... | Undetermined role (uncredited) | |
| Bruce Wyndham | ... | Undetermined role (uncredited) | |
Directed by | |||
| Mark Sandrich | |||
Writing credits | ||
| J. Hartley Manners | (unproduced play) | |
| Dwight Taylor | musical play "Gay Divorce" and | |
| Kenneth S. Webb | musical adaptation for play and | |
| Samuel Hoffenstein | musical adaptation for play | |
| George Marion Jr. | (screenplay) and | |
| Dorothy Yost | (screenplay) and | |
| Edward Kaufman | (screenplay) | |
| Robert Benchley | uncredited | |
Produced by | |||
| Pandro S. Berman | .... | producer | |
Original Music by | |||
| Samuel Hoffenstein | |||
| Herb Magidson | |||
| Harry Revel | |||
| Kenneth S. Webb | (as Kenneth Webb) | ||
Cinematography by | |||
| David Abel | |||
Film Editing by | |||
| William Hamilton | |||
Art Direction by | |||
| Carroll Clark | |||
| Van Nest Polglase | |||
Costume Design by | |||
| Walter Plunkett | |||
Makeup Department | |||
| Mel Berns | .... | makeup artist (uncredited) | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Production Management | |||
| J.R. Crone | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ray Lissner | .... | second assistant director (uncredited) | |
| Argyle Nelson | .... | assistant director (uncredited) | |
| Ivan Thomas | .... | second assistant director (uncredited) | |
Art Department | |||
| Thomas Little | .... | props (uncredited) | |
Sound Department | |||
| George Marsh | .... | sound editor | |
| Hugh McDowell Jr. | .... | recording director | |
| Robert Wise | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Vernon L. Walker | .... | photographic effects (as Vernon Walker) | |
| Harry Redmond Jr. | .... | special effects (uncredited) | |
| Harry Redmond Sr. | .... | special effects supervisor (uncredited) | |
Camera and Electrical Department | |||
| Willard Barth | .... | assistant camera (uncredited) | |
| Joseph F. Biroc | .... | camera operator (uncredited) | |
| Jim Davis | .... | grip (uncredited) | |
| Fred Hendrickson | .... | still photographer (uncredited) | |
| Clifford Stine | .... | assistant camera (uncredited) | |
| James Vianna | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Claire Cramer | .... | wardrobe (uncredited) | |
Music Department | |||
| Philip Faulkner Jr. | .... | music recordist (as P.J. Faulkner Jr.) | |
| Murray Spivack | .... | music recordist | |
| Max Steiner | .... | musical director | |
| Maurice De Packh | .... | music arranger (uncredited) | |
| Howard Jackson | .... | music arranger (uncredited) | |
| Bernhard Kaun | .... | music arranger (uncredited) | |
| Gene Rose | .... | music arranger (uncredited) | |
| Eddie Sharpe | .... | music arranger (uncredited) | |
| Max Steiner | .... | composer: incidental music (uncredited) | |
| Clifford Vaughan | .... | music arranger (uncredited) | |
Other crew | |||
| Peter Croft | .... | technical director | |
| Dave Gould | .... | stager: dance ensembles | |
| Zion Myers | .... | production associate | |
| Hermes Pan | .... | assistant dance director | |
| Harry Cornbleth | .... | stand-in: Fred Astaire (uncredited) | |
| Bill Hamberry | .... | projectionist (uncredited) | |
| Ben Holmes | .... | dialogue director (uncredited) | |
| Elizabeth McGaffey | .... | researcher (uncredited) | |
| Marie Osborne | .... | stand-in: Ginger Rogers (uncredited) | |
| Hermes Pan | .... | choreographer (uncredited) | |
| Frank Warde | .... | doll dance director (uncredited) | |
| Trudy Wellman | .... | continuity (uncredited) | |
| Trudy Wellman | .... | script clerk (uncredited) | |
| Bill Williams | .... | photography co-operator (uncredited) | |
| Madeline Wilson | .... | stand-in: Alice Brady (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
The superb Fred and Ginger series always ended with a big, big set piece where the two of them could dance, and 'The Gay Divorce(e)' is no exception. This time it is 'The Continental', which allows half of what passes for Brighton to join in the dance.
Not the most original of plots, this movie teamed the leads together for the second time (the first time they led the cast though). Both are terrific, and Fred's dancing throughout is a treat. Ginger is her usual bouncy self, all wisecracks and big eyes, and good on her feet. They're ably supported by Edward Everett Horton (as 'Aunt' Egbert), Alice Brady (the towering matriach, Rogers' aunt), Eric Blore (as an irritating waiter who likes talking about rocks and playing with words), Erik Rhodes (as a daft Italian), and Betty Grable (as a hotel guest who has a terrific number with Horton, 'Let's K-knock K-knees').
As you might guess, the story revolves around a divorce, which might be a gay one (in the 1930s definition of the word, of course), and, as so often in this series, mistaken identities. Tiny roles go to William Austin (as Rogers' blustering geologist hubby), and Lilian Miles (an Alice Faye lookalike who gets to reprise 'The Continental' all to herself).
This is one of the better entries in the series, ably directed by Mark Sandrich, and featuring a mix of songs including Cole Porter's 'Night and Day', and the jaunty 'Looking for a Needle in a Haystack'.