The Gay Divorcee (1934)

Director:

Mark Sandrich

Writers:

J. Hartley Manners (unproduced play)
Dwight Taylor (musical play "Gay Divorce") ...

Release Date:

12 October 1934 (USA)

Genre:

Comedy | Musical | Romance

Tagline:

The King and Queen of 'Carioca'

Plot:

Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity...

Plot Keywords:

Dance | Aunt | Dancer | Divorce | Astaire And Rogers

Awards:

Won Oscar. Another 4 nominations

Cast

Fred Astaire	...	Guy Holden
Ginger Rogers	...	Mimi Glossop
Alice Brady	...	Aunt Hortense
Edward Everett Horton	...	Egbert 'Pinky' Fitzgerald
Erik Rhodes	...	Rodolfo Tonetti
Eric Blore	...	The waiter
Lillian Miles	...	Singer, Continental Number
Charles Coleman	...	Guy's Valet
William Austin	...	Cyril Glossop
Betty Grable	...	Dance Specialty

Also Known As:

The Gay Divorce (UK)

Runtime:

107 min

Country:

USA

Language:

English | Italian

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Victor System)

Certification:

Canada:G (Ontario) | UK:U | USA:Approved (PCA #282)

Filming Locations:

Santa Monica, California, USA

Company:

RKO Radio Pictures

Trivia:

Advertisements for the film touted Fred Astaire and Ginger Rogers as "The King and Queen of the Carioca" in reference to their previous film, Flying Down to Rio (1933).

Goofs:

Revealing mistakes: During the "Continental" sequence Rodolfo Tonetti is shown playing a concertina and singing along. Though he moves the concertina in and out, and you can hear the music, his fingers never move on the keys.

Quotes:

Mimi: You?
Guy: [looking around] Yes. It's me.

Movie Connections:

Referenced in "Danger Mouse: Multiplication Fable (#6.5)" (1985)

Soundtrack:

Night and Day

Fred and Ginger

After hearing Fred Astaire put his stamp in a song, it's hard to imagine anyone else attempting to improve in what seems to be the definite rendition of it. That is the case when Mr. Astaire sings Cole Porter's elegant "Night and Day". In pairing Ginger Rogers with Mr. Astaire, Hollywood hit the jackpot as it produced a winning combination that went from film to film with such ease and panache, it will never be imitated.

Mark Sandrich worked with Ms. Rogers and Mr. Astaire in several movies. Somehow, "The Gay Divorcée" is one of their best collaboration. This film is a lot of fun to watch, even after more than 70 years after it was made. It speaks volumes for all the people involved in the production of this movie.

The Great Depression was the right background when movies like this were made. In a way, it was an escape from the harsh realities of the times America was going through. The public went to the movies to see their favorite stars that were shown in such a glamorous roles. How could anyone not admire the great Fred Astaire, always impeccably dressed? Or how could not any woman in the theater envy Ms. Rogers's beauty and easy grace? That era made it right for Hollywood to show the world a sensitivity and sophistication that only few rich types were able to enjoy in real life, while the rest was trying to eke out a life of whatever work they could find.

The musical numbers are amazing. "The Continental" alone, must have blown the budget of the picture. Imagine how much it would cost today to have all those dancers in a sound stage! Not only that, but in that lengthy number, there are at least four changes of costumes for the women. Also, he is delightful singing "Looking for a Needle in a Haystack". A young and radiant Betty Grable makes an appearance singing "Let's K-knock K-knees" in which she shows a bit of her enormous charm and talent.

Ginger Rogers makes a gorgeous Mimmi Glassop. Alice Brady, is perfect as the dizzy Aunt Hortense. Edward Everett Horton plays an excellent Egbert Fitzgerald, the divorce lawyer. Erik Rhodes is one of the best things in the film; his Signor Tonetti injects a funny shot into the movie. Eric Blore, as the waiter, has great moments in the movie.

In setting the film in London and Brighton, a rich texture is added to this winning picture that will remain a favorite that will live forever because of the chemistry that Ginger Rogers and Fred Astaire produced in anything they did together.