Vampyr - Der Traum des Allan Grey (1932)

User Rating:

7.6/10   

Director:

Carl Theodor Dreyer

Writers:

Sheridan Le Fanu (novel)
Christen Jul (screenplay) ...

Release Date:

6 May 1932 (Germany)

Genre:

Fantasy | Horror

Plot:

Young traveller Allan Grey arrives in a remote castle and starts seeing weird, inexplicable sights (a man whose shadow has a life of its own...

Plot Keywords:

Castle | Dream | Shadow | Mansion | Blood

Cast

Julian West	...	Allan Grey
Maurice Schutz	...	Der Schlossherr (Lord of the Manor)
Rena Mandel	...	Gisèle
Sybille Schmitz	...	Léone
Jan Hieronimko	...	Der Dorfartz - Village Doctor
Henriette Gérard	...	Die alte Frau von Friedhof - The Woman from the Cemetery (as Henriette Gérard)
Albert Bras	...	Der alte Diener - Old Servant
N. Babanini	...	Seine Frau (His Wife)
Jane Mora	...	Die Krankenschwester / Nurse

Also Known As:

Adventures of David Gray
Castle of Doom (USA) (dubbed version)
L'étrange aventure de David Gray
Not Against the Flesh (USA)
The Strange Adventure of David Gray
The Vampire (USA) (copyright title)
Vampyr
Vampyr, ou l'étrange aventure de David Gray

Runtime:

Germany:65 min | USA:75 min | Argentina:75 min | Belgium:75 min | Spain:70 min (DVD edition)

Country:

France | Germany

Language:

German

Color:

Black and White

Aspect Ratio:

1:19 : 1

Sound Mix:

Mono (Tobis-Klangfilm)

Certification:

Canada:G (Quebec) | Hong Kong:IIA | USA:Unrated | Argentina:13

Filming Locations:

Abbaye de Braye, Braye, Aisne, Picardie, France

Company:

Tobis Filmkunst

Trivia:

In order to achieve the strange, dream-like photography, A thin gaze was put in front of the lens as a filter.

Goofs:

Crew or equipment visible: At exactly 16 minutes (in the Criterion DVD) as the camera pans right, there is a reflection in a glass window of the camera operator cranking the camera.

Movie Connections:

Referenced in Witness (1985)

An outstanding borderline surrealist nightmare.

It is understandable that many take issue with Vampyr due to an absence of conventional moviemaking factors that make an average film watchable. However, I believe that this is more a problem of the viewer than one with the filmmaker, and it all begins with whether or not one watches expecting to be frightened in a generic horror flick manner. This is not a scary movie; it is one that fundamentally blurs the lines between dreams and reality. It is not a silent film or a talkie, but something in between, and that fits in perfectly with the idea of it being an experience much like a bad dream. There are few professional actors (two, in fact, and neither would be considered the leading actors), and long takes that would drive a Hollywood film editor to distraction. They are selected more for their appearance and natural manner than for any exceptional gift as an actor/actress, and it is my belief that that adds more than detracts from the experience. The reactions of the characters are far more visceral and simple than in most films of this depth, and it helps create the mesmerizing, hypnotic effect few movies can create. It is designed, I believe, to be seen in a dark room, preferably alone and late at night, just prior to going to bed. If the viewer is a little sleepy, so much the better: for the true power of the film will only be revealed as you dwell on it afterwards while you struggle to go to sleep. Then,and only then, will the full might of Carl Theodore Dreyer's vision be revealed.