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Murders in the Rue Morgue (1932)
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Overview
User Rating:
Director:
Writers:
Release Date:
21 February 1932 (USA)
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Tagline:
Innocent Beauty - this was her wedding eve. On the wall a shadow . . the beast was at large grinning horribly-cruelly. What was Her Fate ? more
Plot:
In 19th Century Paris, the maniacal Dr. Mirakle abducts young women and injects them with ape blood in an attempt to prove ape-human kinship...
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Plot Keywords:
Ape
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Medical Student
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Police
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Kidnapping
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Morgue
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NewsDesk:
(5 articles)
James McTeigue Interview, Ninja Assassin
(From MoviesOnline. 26 November 2009, 8:00 PM, PST)
James McTeigue's 'The Raven' to Mix Real Edgar Allan Poe and Fiction
(From Aceshowbiz. 24 November 2009, 12:22 AM, PST)
(From MoviesOnline. 26 November 2009, 8:00 PM, PST)
James McTeigue's 'The Raven' to Mix Real Edgar Allan Poe and Fiction
(From Aceshowbiz. 24 November 2009, 12:22 AM, PST)
User Comments:
Minor but lovely little thing
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Cast
(Complete credited cast)| Sidney Fox | ... | Mlle. Camille L'Espanaye | |
| Bela Lugosi | ... | Dr. Mirakle | |
| Leon Ames | ... | Pierre Dupin (as Leon Waycoff) | |
| Bert Roach | ... | Paul | |
| Betty Ross Clarke | ... | Mme. L'Espanaye | |
| Brandon Hurst | ... | Prefect of Police | |
| D'Arcy Corrigan | ... | Morgue Keeper | |
| Noble Johnson | ... | Janos The Black One | |
| Arlene Francis | ... | Woman of the Streets |
Additional Details
Parents Guide:
Runtime:
61 min
Country:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Noiseless Recording Sound System)
Certification:
Company:
Fun Stuff
Trivia:
Among the caricatures drawn on the walls of Dupin's apartment is the likeness of Edgar Allan Poe, who wrote the story the film is based on.
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Goofs:
Anachronisms: The movie is set in 1845, but Charles Darwin didn't publish his theory of evolution until 1859.
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Movie Connections:
Featured in "Creature Features: Werewolf of London/Murders in the Rue Morgue (#1.8)" (1970)
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Soundtrack:
Romeo and Juliet Overture
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FAQ
This FAQ is empty. Add the first question.more (46 total)
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Loose adaptation from the story by Edgar A. Poe, this little movie deserves a look, less for its today transparent plot (and genetical experiments) than for the great cinematography by Karl Freund within the marvelous sets. Bela Lugosi stuck in the background is more threatening than his ridiculous characterization of Dracula.
Quite funny at times but the storyline fails to be compelling.