Chelovek s kino-apparatom (1929)

User Rating:

8.3/10   

Director:

Dziga Vertov

Writer:

Dziga Vertov (writer)

Release Date:

12 May 1929 (USA)

Genre:

Documentary

Plot:

A cameraman travels around a city with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Plot Keywords:

Urban Life | Double Exposure Effects | Track And Field | Childbirth | Crayfish

Cast

Mikhail Kaufman

...

The cameraman

Also Known As:

Человек с Киноаппаратом (Soviet Union: Russian title)
Living Russia, or The Man with a Camera (USA)
Man with a Movie Camera (International: English title)
The Man with a Movie Camera
The Man with the Movie Camera

Runtime:

68 min

Country:

Soviet Union

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Brazil:18 | Australia:G | Netherlands:AL | Finland:S (1965)

Filming Locations:

Kiev, Ukraine

Company:

VUFKU

Trivia:

The British electronic/jazz outfit "The Cinematic Orchestra" created a soundtrack for this movie, released in 2003 as the "Man With a Movie Camera" album and played live at film festivals over the world.

Movie Connections:

Referenced in Hungerford: Symphony of a London Bridge (2009)

Cinema Grows in 1929

After watching The Man with a Movie Camera, I was not only confused but terrified at the same time. Experiencing many images in the span of an hour made this movie mind-boggling and creepy. What caught my attention right off the bat was how the director's camera and editing techniques were amazing for being made in the 1920's. Throughout the film, there were many camera shots of a town, but in a unique way. Some angles were shot from above, below, and even on objects that were constantly moving around the town. A great editing technique used was a split screen showing a different movement on top of the screen then from the bottom. The town could be moving at a regular pace at one point where the next time the film is sped up conveying trauma and fast motion through the actual film. At one point in the movie, a camera was setup to show a train coming right at the lens. I thought the train was going to hit the camera and the person shooting the film. Right as the train gets to the camera, it lowers into a bunker under the train as it passes. Great camera techniques were used to give powerful feeling to that particular scene. Later in the movie, many images of eyes would appear very fast and then disappear. This occurred frequently throughout the movie and struck me as being weird and disturbing. Showing women work and pack cigarettes and then flashing to a pair of eyes seems very odd to me. What I do find interesting is how Vertov was able to edit these scenes so quickly together. Over the whole movie, he muse have taken so many random camera angles and shots that when he edited them together, he loved it. Overall, I thought this movie was educational in the history of film. It shows how talented directors were back in the 20's and how history has played a big role in camera and editing techniques.