| Photos (see all 2 | slideshow) |
| Charles Chaplin | ... | Laborer | |
| Phyllis Allen | ... | His Wife | |
| Mack Swain | ... | Foreman | |
| Edna Purviance | ... | Foreman's Daughter | |
| Syd Chaplin | ... | Charlie's Friend and Lunch Cart Owner | |
| Albert Austin | ... | Workman | |
| John Rand | ... | Workman | |
| Loyal Underwood | ... | Workman | |
| Henry Bergman | ... | Drinking Companion | |
| Al Ernest Garcia | ... | Drinking Companion and Policeman | |
| rest of cast listed alphabetically: | |||
| Edith Blythe | ... | Extra (uncredited) | |
| Virginia Bodle | ... | Extra (uncredited) | |
| Ethel Childers | ... | Extra (uncredited) | |
| Joe Griffin | ... | Extra (uncredited) | |
| Pete Griffin | ... | Extra (uncredited) | |
| Helen Kapp | ... | Extra (uncredited) | |
| Sylvia Menier | ... | Extra (uncredited) | |
| La Belle Raymond | ... | Extra (uncredited) | |
| Harry Tenbrook | ... | Extra (uncredited) | |
Directed by | |||
| Charles Chaplin | |||
Writing credits(in alphabetical order) | ||
| Charles Chaplin | writer | |
Produced by | |||
| Charles Chaplin | .... | producer | |
Cinematography by | |||
| Roland Totheroh | |||
Film Editing by | |||
| Charles Chaplin | (uncredited) | ||
Art Direction by | |||
| Charles D. Hall | |||
Second Unit Director or Assistant Director | |||
| Charles Reisner | .... | assistant director | |
Camera and Electrical Department | |||
| Jack Wilson | .... | second camera operator | |
Costume and Wardrobe Department | |||
| Mother Vinot | .... | seamstress (uncredited) | |
Transportation Department | |||
| Toraichi Kono | .... | driver: Mr. Chaplin (uncredited) | |
Other crew | |||
| Nellie Bly Baker | .... | secretary: Mr. Chaplin (uncredited) | |
| Elsie Codd | .... | unit publicist (uncredited) | |
| Tom Harrington | .... | assistant: Mr. Chaplin (uncredited) | |
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| Rhapsody in Rivets | The Kid | Pillow Talk | The Pink Panther | The Apartment |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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This was the last of Chaplin's shorts and, for the first half at least, it bids fair to be his best. The first ten minutes are simply a succession of side-splitting set-pieces that show the comedian at his most inventive. Only Chaplin could make digging a hole funny. The sequence with the workmen's lift on the building site at which Chaplin works he abandons the tramp persona while retaining the baggy outfit is a master-class in split second comic timing, and the brick-throwing spectacle is a truly astonishing piece of work that requires repeated viewings it's not so much the manner in which it's filmed but the seamless fashion in which the trickery is performed that amazes the first-time viewer even today.
The quality drops a little in the second half, which is hardly surprising given the near-perfection of the first reel, but Chaplin still manages to provide a number of laugh-out-loud moments. Playing a drunk might seem a cheap way of getting a laugh, but nobody could ever play a drunk as adroitly as Chaplin.
Watch and savour every moment of this classic.